Western Classical 1 Music Spider Charts. Medieval Timbre Pitch Melody Renaissance Structure Through composed MonophonicPolyphonic Modal Dorian ( D Minor.

Slides:



Advertisements
Similar presentations
Higher Early Music.
Advertisements

S3 Listening Unit 2 Baroque Music.
Music History An Abbreviated History of Western Classical Music An Abbreviated History of Western Classical Music.
The Classical Period (c ) Composers of the Viennese School Composers of the Viennese School Wolfgang Amadeus Mozart ( ) Wolfgang Amadeus.
Musical Time Periods/Musical Styles
Medieval & Renaissance. Medieval Church Music 800 – 1400 Plainchant/Plainsong The earliest written down music, sung in churches by monks & priests 
Classical Music Higher Music.
 A less complicated texture than Baroque times (less Polyphonic/more homophonic)  More use of Dynamics.  Elegant  Question & Answer phrases  Clear.
The Baroque Period Baroque architecture: try/Baroque_Architecture.
Music History An Abbreviated History of Western Classical Music An Abbreviated History of Western Classical Music.
Lesson 1 – An Introduction.  Learn about the Baroque era of music  Discover one of the most famous Baroque composers  Listen to some music from the.
Music Pure art form: freedom from physical restrictions of space applied to other arts Responsibility of the listener: we have only the moment to capture.
Classical Period
Chapter 13: Other Classical Genres
MUSICAL PERIODS.
(Neo) Classical Music Transition from Baroque to Romanticism.
Classical Music
Music in the Classical Period Franz Joseph Haydn & Wolfgang Amadeus Mozart.
The Classical Era ( ) Year 10 IGCSE October 2009.
Medieval and Renaissance Music
© 2010 The McGraw-Hill Companies, Inc. All rights reserved The World of Music 7 th edition Part 4 Listening to Western Classical Music Chapter 11: Music.
Orchestral Landmarks.
S5.  Learn about the Classical era.  Listen to some music from the classical period.  Discover famous classical composers.
The Pavan and Galliard Renaissance dances organised into pairs or groups Homophonic texture with sections repeated in a more ornamented form.
The World of Music 7 th edition Part 4 Listening to Western Classical Music Chapter 11: Music of the Classic Period ( )
Classical Period Forms. Sonata Allegro - Review Exposition Exposition Development Development Recapitulation Recapitulation Coda Coda.
Mozart Symphony No 40 in G minor. The essay question - melody Well proportioned/balanced melody lines Regular 4 bar phrases Contrasting melodies in the.
Sound Pitch: (high and low) –Corresponds to size! Dynamics: (loud, soft) –Forte (f) –Mezzo Forte (mf) –Mezzo Piano (mp) –Piano (p) Timbre/Tone Color: (bright,
MUSIC THROUGH THE AGES. MEDIEVAL MUSIC ( ) Church Music (Religious) Church Music (Religious) PLAINCHANT/SONG – Single line melody sung in latin.
The World of Music 6 th edition Part 4 Listening to Western Classical Music Chapter 10: Music of the Baroque Period ( )
Baroque Music Time periods in context Renaissance Baroque period Classical period 1760 – 1810 Romantic period
Baroque Music. Sonata A work for solo piano, or a solo instrument accompanied by harpsichord. Often the basso continuo would also be played by a cello/Viola.
Chapter 13 The Symphony. Key Terms Symphony Sonata form Exposition First theme Bridge Second group Second theme Cadence theme Development Recapitulation.
Music in the Baroque Period. LOs: To develop my knowledge and understanding of music history; to identify characteristics aurally; to expand my knowledge.
Higher Listening Baroque Unit. Standard Grade Concepts to remember: Oratorio Passion Opera Chorale Recitative Tierce de Picardie Aria Overture Homophonic.
Renaissance 0 Time Period: 1450 – 1600 AD 0 Composers: Giovanni da Palestrina (model composer from Italy) 0 Josquin des Pres (Netherlands) 0 Orlando di.
Sound Pitch: (high and low) –Corresponds to size! Dynamics: (loud, soft) –Forte (f) –Mezzo Forte (mf) –Mezzo Piano (mp) –Piano (p) Timbre/Tone Color: (bright,
M100: Music Appreciation Discussion Group Ben Tibbetts, T.A. Welcome! Please sign the attendance at the front of the room.
Baroque Instrumental Music Higher. Basso Continuo Most Distinguishing features Continually played throughout music Bass line – Cello, or bassoon Chord.
BAROQUE. Orchestral Instruments (Basso) Continuo A accompaniment style with an improvised, chordal part on harpsichord or organ, supported by a low-sounding.
CLASSICAL.
Advanced Higher Understanding Music Classical Period
Medieval & Renaissance Periods
Chapter 5 Musical Form and Musical Style. Key Terms Form Genre Style Repetition Contrast Variation.
PERIODS OF MUSIC Advanced Higher Understanding Music Baroque Period.
Chapter 16: Classical Genres: Instrumental Music.
 Greatest Composers  Wolfgang Amadeus Mozart – GCSE Bitesize Wolfgang Amadeus MozartGCSE Bitesize  Joseph Hayden Joseph Hayden  Ludwig.
Medieval and Renaissance Periods c. 600 – c
The Classical Era Aims for today 1)To learn about the beginnings of the classical music era. 2)To complete past paper questions related to the.
AND THE GLORY OF THE LORD HANDEL. Background Information Comes from the Oratorio the ‘Messiah’ Written in 1741 First performed in Dublin in 1742 Fourth.
“Ornate style of Architecture” “Ornamentation” Baroque “Irregular shaped Jewellery” or.
Classical Era The Classical Era  Important events: –American Revolution ( ) –French Revolution ( ) –The Industrial Revolution.
Chapter 13: Other Classical Genres The Sonata. Key Terms Sonata Piano sonata Violin sonata Sonata movement plan.
Classical Music Higher Music.
Classical Music Higher Music.
Classical Music HIGHER.
Mozart – Symphony no.40 in G minor
Baroque Unit
‘And the Glory of the Lord’ from the Messiah
Chapter 16: Classical Genres: Instrumental Music
The World of Music 6th edition
Classical Music S5.
Renaisance 1450 ~ 1600.
THE CLASSICAL ERA
The Classical Era ( ) Year 10 IGCSE October 2009.
Classical Period 1750 – 1810.
Classical Era
Classical Music Higher Music.
Key styles, composers and their works.
Brandenburg Concerto No.5, 3rd movement
Presentation transcript:

Western Classical 1 Music Spider Charts

Medieval Timbre Pitch Melody Renaissance Structure Through composed MonophonicPolyphonic Modal Dorian ( D Minor ish!)Ionian (C major)Aeolian (A minor) Some examples Recorder Organ Harp, Psaltery Male voices (Monks) Pipe and Tabor (Drum) Viols Organ, virginal, Hurdy Gurdy Lute (sort of Guitar) Male voices Genres Plain song SecularReligious Secular Ayres (Songs) Mass Ayres Requiem Mass Motets (unaccompanied) Madrigals (unaccompanied) Consorts Lute (sort of Guitar) Dances Estampie Sung in Latin Sung in any language Crumhorns, Sackbutts, trumpet, Shawm, Rebec, SerpentBagpipe Drone Mainly melismatic Mainly melismatic with some syllabic Moves mainly in step Mainly moves in step but some large leaps Pavan & Galliard Dances

Timbre Key Features Baroque Structure Themes and episodes Mainly Homophonic with some Polyphony Diatonic Major Minor Recorder / Flute Harpsichord / Cello Organ Chamber (small) Orchestra Mixed Choir Genres ReligiousSecular Mass Ayres Requiem Mass Oratorio Sung in Latin Sung in any language Chorale VocalInstrumental Concerto Grosso (Group of soloists and orchestra) Dances Minuet & Trio Suite ( Allemande 4/4 time,Courante 3/2 time, Sarabande 3/4 time, Gigue 3/8 time) Basso ContinuoGround Bass Variations (A1 A2 A3 etc Ternary Form (ABA) Rondo / Ritornello (ABACAD) etc, ABCDE etc. Dotted rhythmsOrnamentation TurnstrillsMordentsAcciacaturaAppogiatura Terraced dynamics (sudden changes from loud to quiet Half syllabic / Half melismatic Fugue

Timbre Key Features Classical Structure Sonata Form Mainly Homophonic with some Polyphony Diatonic Major Minor Piano Organ Orchestra Mixed Choir Genres ReligiousSecular Mass Recitative Requiem Mass Oratorio Sung in Latin Sung in any language Opera VocalInstrumental Minuet & Trio 3 Concerto (1soloist and Orchestra) Variations (A1 A2 A3) etc Ternary Form (ABA) Rondo (ABACAD) etc, Half syllabic / Half melismatic Symphony 4 movements Vivace 4Andante 2Allegro 1 3 movements Exposition (A) Development (B) Recapitulation (A) Cadences Imperfect I-V, ii-V, IV-V Plagal IV-I Interrupted V-vi Perfect V-I 4 bar phrasesModulation (change Key) Lyrical (singable) tunes String Quartet Violin 1 & 2 Viola Cello AriaChorus Kyrie Gloria Sanctus Etc, Tonality Fugue

Timbre Key Features Romantic Structure Mainly Polyphony Whole tone scales Major Minor Piano Organ Very Large Orchestra Mixed Choir Genres ReligiousSecular Mass Recitative Requiem Mass Oratorio Sung in Latin Sung in any language Opera VocalInstrumental Concerto (1soloist and Orchestra) Variations (A1 A2 A3) etc Half syllabic / Half melismatic Symphonic Poem 4 movements in 1 3 movements Some Cadences Imperfect I-V, ii-V, IV-V Plagal IV-I Interrupted V-vi Perfect V-I Through composedModulation (change Key) Motifs (short tunes) String Quartet Violin 1 & 2 Viola Cello AriaChorus Kyrie Gloria Sanctus Etc, Tonality Programme Music Music that tells a story or paints a picture Lieder German songs PianoVoice Diatonic Chromaticism Harp, large percussion section