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Baroque Instrumental Music Higher. Basso Continuo Most Distinguishing features Continually played throughout music Bass line – Cello, or bassoon Chord.

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Presentation on theme: "Baroque Instrumental Music Higher. Basso Continuo Most Distinguishing features Continually played throughout music Bass line – Cello, or bassoon Chord."— Presentation transcript:

1 Baroque Instrumental Music Higher

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3 Basso Continuo Most Distinguishing features Continually played throughout music Bass line – Cello, or bassoon Chord playing instrument – harpsichord, organ or lute Improvise chords Filling out Harmonies

4 Concerto Grosso Italian for big concert Musical material is passed between 2 sections Concertino (soloist group) Ripieno(full orchestra) This contrast of small group to large group and one thematic group against another is very characteristic of Baroque ideology — similar to terraced dynamics where the idea is significant contrast

5 Concerto Grosso Trumpet Recorder Violin Violin Oboe StringsContinuo Concertino Ripieno

6 Ritornello A recurring passage Always played by tutti (full orchestra) Often heard in different keys Most common in solo concerto  Tutti  Solo  Tutti  Solo  Tutti

7 Suite A collection of pieces of music – dances Instrumental or Orchestral Usually in the same key

8 Fugue Contrapuntal piece Based on a theme (Subject) Subject is imitated throughout piece Exposition exposes Subject Subject is played in Dominant (Answer) Episode is music between playings of Subject To fully understand Fugue we will need to do more work on this.

9 Passacaglia Based on variations over a ground bass 3/4 time Usually in a minor key

10 Chaconne Based on variations over a short chord progression Usually in a major key

11 Chorale Prelude Based on a Chorale melody Organ May contain Theme and Variation Homophonic

12 Chorale Prelude Continued… Example: Look at A, this is the melody of the Chorale ‘Wachet Auf’ Now look at B, this is built up from the idea given in the original Chorale and is now a piece for organ – A Chorale Prelude.

13 Overture Signalled opening of Opera and Oratorio Orchestral work

14 Ornaments Listen

15 Acciaccatura A crushed dissonant note of the shortest possible duration played before or after the main note or chord and immediately released.

16 Appoggiatura A musical ornament (chiefly from the 18 century) of an auxiliary note falling or rising to a harmonised note. There are two possible ways of writing this as you can see from the examples below.

17 Trill Rapid and repeated movement between two adjacent notes

18 Turn Four notes which turn round the main note with the note itself, the note above the note itself, the note below.

19 Mordent An ornament or grace note consisting of a single rapid alternation of the principal note, a note a semitone lower and the note itself. There is also an inverted mordent. The principal note, a note a semitone higher and the note itself.

20 Texture Contrapuntal – is the term used to describe the texture of much Baroque music. ‘contra’ means against, and you will find the various parts of the music moving ‘against’ each other. Contrapuntal music has two or more melodies played at the same time. They will however, still harmonise. Polyphonic – means many sounds and is another way of describing music which has more than one melody which fit together. Homophonic – is the opposite of polyphonic. Homophonic music has one main tune, which is accompanied by bass and harmony parts.


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