PRODUCT DESIGN AND AESTHETICS Mr. Badrul Azmi Abdul Holed School of Manufacturing Engineering 4th. August 2008 Basic Principles for Producing Aesthetic.

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PRODUCT DESIGN AND AESTHETICS Mr. Badrul Azmi Abdul Holed School of Manufacturing Engineering 4th. August 2008 Basic Principles for Producing Aesthetic Products

Elements and Principal of Design Elements of Design LINE SHAPE FORM TEXTURE SPACE COLOR Principal of Design GRADATION REPETITION CONTRAST HARMONY DOMINANCE BALANCE UNITY

Balance Basic Principles for Producing Aesthetic Products Proportion Dominance/ Principality Contrast Gradation / Continuity Dynamics Rhythm

Balance This principle is concerned with the effect of visual equilibrium. A closely related principle to balance is that of harmony where pleasant effects are created by grouping objects with characteristics which are in accordance with each other, e.g. complementary shapes and colors.

Gradation / Continuity Changes in a gradual or orderly fashion can add interest yet calm feeling, e.g. subtle variation in colors, shapes or the way features or object components are arranged. On the other hand, abruptness or discontinuity produces striking effects and unsettling feeling.

Proportion Although the principle of proportion is closely related to that of balance, it tends to be dealt with separately to refer specifically to spatial (size or position) balance. There are three types of proportions: linear, area and volumetric. Linear proportion refers to the relation between the dimensions (e.g. length, width) of a single object (or feature), or between a linear dimension of one object (or feature) and that of another. Area and volumetric refers to similar relations in the areas and volumes of objects (or features).

Dominance/ Principality This principle expresses that the unity of a design can be achieved by allowing one feature to dominate the rest. The dominant feature may be a distinct shape, color, material or a distinct arrangement that mark it out from other features. It also creates a focal point which induces the effect of leading the eye towards it.

Contrast The combination of things of significantly different characteristics create more impact, for example, light against dark, positive against negative shapes, smooth against sharp curvature, vertical against horizontal directions.

Dynamics Boldness in terms of energy and tension may be suggested by certain characteristics such as radial directions, gravitational pulling forces and outwardly thrusting forces. A sense of movement may also be induced by a definite orientation or path, e.g. a spiral composition around an axis.

Rhythm The eye recognizes a repeated form, color, intensity or tone very quickly, hence repetitions can provoke interesting effects. However, some variations are needed to prevent monotony. A sensation of rhythm or visual kinetics can be created by the repetition of objects of similar characteristics, e.g. a group of cylinders of different sizes along a slanted and parallel direction induces a sensation of undulating rhythm.

Design for Aesthetics Reference : Prof. Dr. Lucienne Blessing, University of Technology Berlin. 2007

Form Surface Color TextureMaterialGraphicsTechnology Senior Citizen Green organic not purenaturalrecyclableinstructiverenewable Sports Person robustyellownon-slipwaterproofdynamic split- second accurate Rich & Powerful Business- like blackmattplasticminimal state-of- the-art safe highly visible comforta ble traditional legible reliable Aesthetic Qualities of Products

Thank You