A New Era In Art Begins. IMPRESSIONISM Rebellion against tradition - academy and salon** Everyday subjects Study of color and light** Capture the impression.

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Presentation transcript:

A New Era In Art Begins

IMPRESSIONISM Rebellion against tradition - academy and salon** Everyday subjects Study of color and light** Capture the impression of a moment** New approach to subject and style-short, choppy brushstrokes; move away from realism Color Theory

Claude Monet – Grainstacks**

Monet - Rouen Cathedral

Monet - Waterlilies

Monet “The River” “Pave de Chailly”

Monet

Auguste Renoir

Renoir “Girls at Piano” “Girl with Watering Can”

Edgar Degas

Degas

Degas - Bath Series

Mary Cassatt

Camille Pissarro

POST-IMPRESSIONISM Subjects become abstract** Move away from nature as subject Flattened shapes and abstracted subjects that focus more on the formal elements*

Van Gogh**

Gauguin

Toulouse-Lautrec

Cezanne

FAUVISM “Wild Beasts” “Allowed artists to NOT represent the real world by their abstract use of color**

Matisse**

CUBISM Composed of cubes and simplified geometric planes** Showed subjects from all angles on a flat surface**

Pablo Picasso

Picasso**

Georges Braque

Art moves to America

ARMORY SHOW -Organized by the Association of American Painters -Held in New York City’s 68 th Regiment Armory -February Legendary date in the history of American art -Introduced New Yorkers/Americans to Modern Art** -Major catalyst for art and artists in America**

THE ASHCAN SCHOOL -Realistic Art Movement** -Grew out of group of “The 8” who showed together once -Many were newspaper illustrators -Portrayed New York City daily life in the poorer districts -Wanted art to be akin to journalism – to tell the truth *

ROBERT HENRI Cozad** -Son of a Gambling Man – Mari Sandoz -Born Robert Henry Cozad -Grew up in Cozad NE -One of America’s most prominent early painters -Studied in Pennsylvania and Paris -Taught at New York School of Art and Art Students League

Museum of Nebraska Art’s “The Bride” – Portrait of Eulabee Dix Winter in New York City

SURREALISM Art of the subconscious** Realism: Salvador Dali* Abstract: Paul Klee*

Dali – realism**

Klee – abstract**

HITLER’S RISE TO POWER -Censor of art -Artist’s and careers are destroyed -Artists flee to the United States

ABSTRACT EXPRESSIONISM Paint applied freely Shows feelings/emotions in an abstract style

DeKooning**

Wassily Kandinsky

EXPRESSIONISM Communicate strong feelings and moods

Edvard Munch**

Marc Chagall

Franz Marc

FUTURISM A reflection and reaction to technology and motion

Umberto Boccioni**

ABSTRACTION Simplifying or distorting Georgia O’keeffe**

ABSTRACT FORMALISM Formal, crisp, clean edges

Stuart Davis**

Charles DeMuth

ACTION PAINTING Based solely on the action of painting andd the effects created by it

Jackson Pollock**

COLOR FIELD Meditative quality based on color

Mark Rothko**

Helen Frankenthaler

MINIMALISM Reduced to the elements and principles only

Piet Mondrian**

POP ART Art based on popular culture

Lichtenstein

Jasper Johns

Andy Warhol**

Warhol

OP ART Art creating optical illusions Victor Vasarely**

PHOTO REALISM Realism with brutal accuracy

Andrew Wyeth**

CONCEPTUAL ART Concepts/ideas take precedence over traditional aesthetic and material concerns CHRISTO**