Music in The Renaissance ( ) Music before 1750
Renaissance time line Josquin Desprez: Ave Maria…Virgo Serena (c. 1475) Arts and letters: Botticelli, La Primavera (1477) Historical events: Fall of Constantinople (1453) Columbus reaches America (1492)
Gutenburg Printing Press 1436 Movable type The printing books became cheaper and available to the poor class. Education fueled the reformation.
Renaissance Time Line Thomas Weelkes: As Vesta Was Descending (1601) Shakespeare, Romeo and Juliet (1596) Martin Luther’s ninety-five theses, start of the Reformation (1517) Council of Trent ( ) Elizabeth I, queen of England ( ) Spanish Armada defeated (1588)
Renaissance time line Giovanni Pierluigi da Palestrina: Pope Marcellus Mass (1563) Leonardo Da Vinci, Mona Lisa (c. 1503) Michelangelo, David (1504) Raphael, School of Athens (1505) Titan, Venus and the Lute Player (c. 1570)
The Renaissance Rebirth, or renaissance of human creativity Period of exploration and adventure (Columbus, Vasco da Gama, Ferdinand Magellan) Curiosity and individualism (Raphael, Leonardo da Vinci, Michael Angelo). Interest in realism Humanism Catholic Church is less powerful than during Middle Ages – (Luther and Calvin) More books are printed in Europe
Music in the Renaissance Every educated person is expected to be trained in music Renaissance town musicians: higher pay and status Flemish composers: parts of the Netherlands, Belgium, and northern France. Germany, England and Spain – other countries with a vibrant musical life
Characteristics of Renaissance music Text and music Vocal music is more important than instrumental Music enhances the meaning and emotion of the text. Word painting: musical representation of specific poetic images Moderate, balanced way of expression: no extreme contrasts of dynamics, tone color or rhythm
Characteristics of Renaissance music Texture Chiefly polyphonic. 4, 5 or 6 voice parts with equal melodic interest Imitation is common Homophonic texture is also used Fuller sound than medieval: bass register Mild and relaxed: consonant chords. Golden age of a cappella
Characteristics of Renaissance music Rhythm and melody Rhythm is a gentle flow: Each melodic line has great rhythmic independence Melody usually moves along a scale with few large leaps
Sacred music in the Renaissance 2 main forms: Motet and Mass Motet – polyphonic choral work set to sacred Latin text other than the ordinary of the mass Mass – polyphonic choral work with 5 sections: Kyrie Gloria Credo Sanctus Agnus Dei
Ottavian Petrucci In 1501, he was the first printer to mass produce music. The process was very laborious as it required many passes of the paper to get the staff, clefs and notes onto the page. His runs were very short and the cost was expensive.
Pierre Attaingnant Paris By the 1520’s movable music type began to be used. Single impressions were able to be made and music became cheaper.
Martin Luther 95 Thesis in 1517
Martin Luther Movement away from the worship of Mary Music focused on bible teachings. All should be singing, and in their native tounge. Luther wrote the text to a book of Protastant Hymns. Johann Walther used secular folk songs as melodies so that the congregation would be familiar with them.
Composers of Sacred Music
Josquin Desprez ( ) and the Motet A Flemish composer from Belgium, contemporary of Leonardo Da Vinci and Columbus Ave Maria…virgo serena: 4-voice motet Texture is varied: polyphonic and homophonic Duple/triple meter change
Palestrina ( ) and the Mass Italian Renaissance composer Giovanni Pierluigi da Palestrina 104 masses and some 450 other sacred works For centuries, his masses are regarded as models of church music
Palestrina’s Pope Marcellus Mass A capella choir SATTBB Kyrie – 1 st section of the mass: Kyrie Eleison Christe Eleison Kyrie Eleison
English Politics English Ruler Timeline Henry VIII 1532 Henry Breaks with Pope 1539 Adoption of the English Bible Rule of Edward VI 1549 Book of Common Prayer Issued: John Merbecke 1552 Second Book of Common Prayer Mary 1- Catholocism becomes National religion again and the Latin Rite is restored. Elizabeth I- Church of England Restored Mary Stuart Executed in 1587 James I- Jacobean Era
English Sacred Composers Tomas Tallis William Byrd *Henry VII ( )
Secular music Vocal music: groups of solo voices with the accompaniment. Word painting was common Madrigal – a piece for several solo voices set to a short poem, usually about love. Combines homophonic and polyphonic textures. More unusual harmonies Originated in Italy around Became popular in England. English madrigals are lighter and more humorous than Italian As Vesta Was Descending by Thomas Weelkes ( ), and organist and church composer
Instrumental music Instrumental music becomes more independent Most music is for dance: Pavane or passamezzo– duple meter Galliard – triple meter Harpsichord, organ, lute, recorder, trumpet, cornett, sackbut (early trombone), viol, regal (small organ with reed pipes), shawm (ancestor of the oboe) Instrumental form of theme and variations
Instrumental Music cont.. New Tuning Musica Ficta Circle of Fifths More use of accidentals
Provincial Forms of Music Six main styles that developed provincially: Burgundian (France, Belgium & Holland) Flemish (Netherlands) Iberian (Spain and Portugal) Germany English Venetian
The Renaissance Ballet (Fa-La) A simpler type of secular vocal music A dance-like song for several voices Mostly homophonic in structure. Fa-la syllables are used as refrain Now Is the Month of Maying (1595) by Thomas Morley ( ), English composer Each stanza: AA – refrain – BB - refrain
Bergundian Composers Guillaume Dufay Gilles Binchois
Burgundian (France, Holland, Belgium) Burgundian Motets In the style of a chanson Not polyphonic as Italian Motets (Palistrina) Chanson Written in French Secular, and almost always about love Most often written in rondeau form Different from the ballades due to form (aabC) Two prominent chanson composers Claudin de Sermisy and Clement Janequin
Flemish Composers Josquin de Prez c Johannes Ockeghem Jacob Obrecht Heinrich Isaac c (Singer and performer) Served the Medici Family in Italy Very international influences using many different forms and compositional devices Alexander Agricola
Flemish Imitation Motets and Masses Mensuration Canon: See handout Diminution Augmentation
Iberian Composers The Triumvirate Francesco Guerrero Cristobal de Morales Tomas Luis de Victoria
Iberian (Spain and Portugal) Unique form Ensalada
English Secular Composers Thomas Morley John Wilbye Thomas Weelkes John Dowland Noted Lutenist
English Madrigals Dance Music
Germany German Lied Polyphony took root very slowly because of the separation of the Catholic Church
Venetian Composers The Republic of Music St Marks Cathedral Giovanni Gabrieli Pioneer of large works, including the concerto form.
Venetian Frottala Pre-curser to the Italian Madrigal Syllabic and four part Homophonic
The Venetian School: Renaissance to Baroque 16 th century Venice – a center of instrumental and vocal music Venetian School – music directors and organists of St. Mark’s Cathedral and their colleagues
Giovanni Gabrieli ( ) and the polychoral motet The most important Venetian composer of the late Renaissance before Monteverdi Polychoral motets – motets for 2 or more choirs, often with instrumentalists Plaudite (Clap Your Hands), Written for a large vocal and instrumental ensemble of 12 voice parts divided into 3 choirs: low, middle and high register choirs The homophonic structure of this piece brings it closer to Baroque style