2. PROSE MAISRUL08127552934 Maisrul@yahoo.com www.Maisrul.blogspot.com

3. PROSE Approach in Fiction Analysis Intrinsic Analysis Intrinsic Analysis Extrinsic Analysis Extrinsic Analysis

4. PROSE Intrinsic Analysis: An analysis of a literary work in which the elements of the work are the focus of the analysis. In another work the analysis studies, describes, explains or interpret the internal aspect of the literary work (fiction)

5. PROSE Intrinsic Analysis The soul depression of a wife portrayed in Kate Chopin’s The Story of an Hour. The analysis of symbols in Nathaniel Hawthorne's Young Goodman Brown

6. PROSE Extrinsic Analysis: An analysis of a literary work (e.g. fiction) in which the focus of the analysis is not on the elements but on external factors or aspects like cultural background, the author, etc.

7. PROSE ‘Aristocratic family life in the Southern U.S portrayed in A Rose for Emily’ ‘Aristocratic family life in the Southern U.S portrayed in A Rose for Emily’ ‘The way of life and thought of the European upper class as portrayed in the movie Titanic’.

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9. Prose Plot Begin/exposition Rising action/ Complication Crisis/Climax Falling action Resolusion/Denuemen t

10. PROSE Crisis/Climax In the climax the conflicts of the story reach the highest tension or the peak of conflicts  Climax In the climax the conflicts of the story reach the highest tension or the peak of conflicts  Climax When they reach the peak so there must be no new conflict/s would come up. In this stage, the (main) character/s try to find the solution of the conflict/s  Crisis When they reach the peak so there must be no new conflict/s would come up. In this stage, the (main) character/s try to find the solution of the conflict/s  Crisis In finding the solution of the conflict/s the character/s have to decide or choose or make a decision. In finding the solution of the conflict/s the character/s have to decide or choose or make a decision.

11. Conflict Any problems or two opposing powers/events occurred in a story. Any problems or two opposing powers/events occurred in a story. It is the story all about. It is the story all about. What the story really tell What the story really tell

12. Conflict Based on the source, the conflict can be divided into two: Internal Conflict Internal Conflict External Conflict External Conflict

13. Conflict Internal Conflict Internal Conflict Conflict that comes from the internal factor of the characters The conflict of spiritual The conflict of spiritual The conflict of mind The conflict of mind The conflict of … The conflict of …

14. Conflict External Conflict External Conflict Conflict that comes from the External factor of the characters The conflict between man and man The conflict between man and man The conflict between man and society The conflict between man and society The conflict between man and nature The conflict between man and nature

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16. Prose Place/Time Setting Function background Reinforcing the theme Antagonist To determine the relation between the story and the setting by finding out the function

17. Setting Function Background No significant relation between the story and the setting If the setting changed, there’s no significant effect to the whole story

18. Setting Function The setting and the story have close relation. Actually, the story has something to do with the setting. If the setting changed, there will be significant effect to the whole story. Reinforcing the theme

19. Drama / Play Setting Function The conflict is external conflict; Man vs nature. Antagonist

20. Thank You

21. PROSE