Presentation of creative industries and their role for the development of youth potential Eugeniy Ivanov 17 July 2012, Dobrich Investing in your future!

Slides:



Advertisements
Similar presentations
SEMINAR ON INTELLECTUAL PROPERTY AND CREATIVE SMALL AND MEDIUM-SIZED ENTERPRISES IN DIGITAL ENVIRONMENT Geneva, May 20-22, 2008 WIPO Creative Industries.
Advertisements

Creative Café (Basingstoke). Welcome to: The Creative Café Basingstoke Professor Anthony Dean Dean of Faculty of Arts University of Winchester.
Creative Industry in the UK Sean Robertson What it is What it is made up of Recent major developments Importance to UK economy Cultural importance Difference.
By Kieran Roy.  Creative Industries are those which have their origin in individual creativity, skill and talent. They also include industries which.
1 Cultural Economics and Cultural Policy: How are they Interrelated? David Throsby Professor of Economics Macquarie University, Sydney, Australia Keynote.
The Value of Nothing: Aesthetics, Creativity and Cultural Economy Justin O’Connor Media, Film and Journalism Monash University.
2014 CHADWICK FELLOWSHIP: Cultural Economic Development Policy in Hackney and Lewisham (London, UK) Richard G Maloney, PhD Director ad interim, Arts Administration.
Aberdeen Culture Network 14 th May Defining Culture Defies true definition but requires practical parameters Previous definition adopted by Cultural.
Young Artists Express Themselves. When I grow up, what kind of artist might I want to be? Exploring Careers in the Arts With Technology.
Creative Industries Finland
Creative industries-a summary of international research and comparisons Applicant: Benhua Wang Supervisor: Hong Wu.
The EU at a glance Culture, Tourism and SME development With the support of the Europe for Citizens Programme of the European Union Towards Excellence.
Information culture – cultural information Partner in the creative industry Katalin Hegedűs Hungarian Institute for Culture and Arts 04/05/ 2007 Berlin.
Between home and school: Daydreaming & mischief? 8.
VALORISATION The aim of valorisation is to: promote innovation transfer results into national systems so that project outcomes find their way into mainstream.
Seminar “From the AVMS directive to the Cinema communication Cinéma: towards a global and coherent approach of the European Cinema 3rd. Workshop : Cinema,
Research on the Cultural and Creative Industries of UK
Title Sub-title PLACE PARTNER’S LOGO HERE European Commission Enterprise and Industry Enterprise Europe Network Support for Creative Industries Carolina.
LIMITLESS POTENTIAL | LIMITLESS OPPORTUNITIES | LIMITLESS IMPACT Copyright University of Reading IMPACT AND THE ARTS AND HUMANITIES Anthony Atkin (Research.
Moldavian experience in promoting rural tourism projects Marina Miron Moscow, ADTM Association of Tourism Development in Moldova Asociaţia de.
Welcome to the TC Rainbow Show Brasov, 20 October 2005 European YOUTH Programme.
Youth Foundation under the President of the Republic of Azerbaijan.
The Creative Economy, the Creative Industries and the Ecology of Culture Colin Mercer.
- Sustaining creative diversity through cultural goods and services - A UNESCO Pilot Project
Katja Keinänen 1 BEN Creative Industries Šarūnas Radvilavičius Petrozavodsk,
Creative Britain: New Talents for a New Economy The UK strategy for the Creative Industries Will Calladine, Project Manager, Creative Economy Programme.
1 Introduction of Taiwan Cultural & Creative Industries Development Plan 2005/11/14.
Creative Industries in East Sussex Sally Staples Cultural Strategy Manager.
Welcome to Multimedia! “Multimedia is for people who gladly take up new challenges and are unafraid of learning curves and intensely creative work.”
Ashish Mishra, CEO Strategic Asia, European Office East Asia’s Creative Economy Opportunities and Policy Dimensions.
“ Creative Economy for SME Development "
Culture as an Economic Factor in the development of the city Geoffrey Brown
Michael Seeney Head of Creative Industries Division Department for Culture Media and Sport.
Visual Arts Further and Higher Education Guide Fine Art Textile ArtPhotography.
Creative industrial possibilities of media and technology interface within Eastern partnership Raimonda Laužikienė, Klaipeda Economic Development Agency.
CREATIVE INDUSTRIES IN THE OUTER HEBRIDES Joe MacPhee Michael Braun Comhairle nan Eilean Siar.
Modern forms of art and culture in urban environment as a means of youth expression ( Graffiti – street voices) Eugeniy Ivanov 19 July 2012, Dobrich Investing.
UK work to date and the use of allocation factors: The Problems of Mixed Classes in Economic Classifications OECD Workshop, Paris, 4-5 December 2006.
London 2012 The Cultural Olympiad - how to get involved 28 th May 2009.
│ 1│ 1 What are we talking about?… Culture: Visual Arts, Performing Arts, Heritage Literature Cultural Industries: Film and Video, Television and radio,
LEONARDO DA VINCI PROGRAMME PL/04/B/F/PP – _________________________________________________________________________ European Curricula for Economic.
What is it? “Creative employment provides around two million jobs, in the creative sector itself and in creative roles in other sectors. Employment in.
Creative Economy in a Mixed Society: Approaches to Measuring its Potential Inga Tomić-Koludrović & Mirko Petrić Department of Sociology University of Zadar.
Creative Industries: Brief Review of Research Literature Julie Carr Culture, External Affairs & Tourism Analytical Unit 6 August 2009.
Modern forms of art and culture in urban environment as a means of youth expression Eugeniy Ivanov 19 July 2012, Dobrich Investing in your future! Romania.
Task 1.3: Investigating jobs and conditions of employment in the radio industry.
Film  Option Agreements  Finance  Chain of Title  Talent Agreements  Copyright  Trademarks  Production  Post Production  Trade Unions  Distribution.
Graphic Designer Kenny Paresa. Job Description Graphic designers-a.k.a. graphic artists- plan, analyze, and create solutions to communication problems.
YOUTH Programme TC Rainbow by JINT vzw. WHY YOUTH ?  Stimulate the mobility of young people  Active participation in the development of Europe and of.
3. lesson Simona Škarabelová
Career Education Course on Cultural and Creative Industries (Industry Background in a Macro Perspective)
EXPANSION OF THE CULTURAL SECTOR SEEKING THE ECONOMIC DEVELOPMENT OF THE REGION Ingrida Tatarūnė Deputy head of the Planning and Finance department of.
Common borders. Common Solutions. Grant Contract No , MIS-ETC 2674 MANAGE.EDU: Efficient Education Management Network for LLL in the Black.
Creative Industries Donna Henderson. What is the creative industry? “The first Creative Industries Mapping Document, published in November 1998, was the.
LEONARDO DA VINCI PROGRAMME PL/04/B/F/PP – _________________________________________________________________________ European Curricula for Economic.
UNCTAD Classification – CREATIVE INDUSTRIES/CREATIVE ECONOMY
Tom fleming / creative consultancy /. Future City Jobs – Creative Jobs for Europe’s Young People.
To businesses seeking a competitive edge, To societies looking for new ways to tackle issues and improve the quality of life. This offers the UK enormous.
Driving Innovation Connect & Catalyse The Cultural – Creative Industries Contemporary & Future Challenges Sian Brereton 24 th February 2010.
Creative Industries By Jenny Johnston. What is the creative industry? The Uk Government has a Department called the DCMS which is Culture, Media and sport.
Mikolt Csap (Unit G.2 – Creativity)
Creativity, Culture & Innovation, finding new links
Chair of Information Management Cass Business School, London
Audio-Visual Sector: key skills, gaps & opportunities
Social Enterprise and Cultural and Creative Industries in Scotland
CREATIVE INDUSTRIES Alan Williamson.
Creative tourism as an incentive for the community economy
The Creative Economy, the Creative Industries and the Ecology of Culture Colin Mercer London, UK.
DIGITAL TRANSFORMATION, SMES AND THE LEGAL STATUS OF VIDEO GAMES
INTERCULTURAL INSTITUTE TIMISOARA (RO)
Presentation transcript:

Presentation of creative industries and their role for the development of youth potential Eugeniy Ivanov 17 July 2012, Dobrich Investing in your future! Romania - Bulgaria Cross Border Cooperation Programme is co-financed by the European Union through the European Regional Development Fund Project title: „Development of the civil society and the local communities by intercultural exchange of knowledge and experience”

Definition of creative industries “ Those industries which have their origin in individual creativity, skill and talent and which have a potential for wealth and job creation through the generation and exploitation of intellectual property”

Cultural goods and services [ “Cultural goods and services”] refer to those [goods, services and activities] that embody or yield [cultural expressions] and have the following characteristics: They are the outcome of human labour (industrial, artistic or artisanal) and require the exercise of human creativity for their production They express or convey some form of symbolic meaning, which endows them with a cultural value or significance distinct from whatever commercial value they may possess They generate, or may generate, intellectual property, whether or not they are protected under existing intellectual property legislation

Types of creative industries Architecture Design Designer fashion Crafts Publishing Arts (incl. performance arts) and antiques Interactive leisure software (electronic games) Music Advertisement Software and computer systems TV and radio Films and movie production

Needs of the youths Support in the earliest phase of appearance of creative skills in order to stimulate the available potential Better understanding of the opportunities for practical realisation of creative skills Acquirement of additional knowledge that is not directly connected with the creative process, but has huge importance for the professional development – marketing of ideas, producing, advertisement and design, intellectual property rights, etc.

Editor of the material: “Regional and Transnational Initiatives” Association The content of this material does not necessarily represent the official position of the European Union. Project title: „Development of the civil society and the local communities by intercultural exchange of knowledge and experience” Investing in your future! Romania - Bulgaria Cross Border Cooperation Programme is co-financed by the European Union through the European Regional Development Fund Date of publishing: 12 July