Painting Techniques Only a sample – there are principles but there are NO RULES.

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Painting Techniques Only a sample – there are principles but there are NO RULES.
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Presentation transcript:

Painting Techniques Only a sample – there are principles but there are NO RULES

Alla prima A painting done in just one layer

Alla Prima

Richard Diebenkorn

Henri Matisse - link

Broken color Layering paint so that the bottom layers show through

Paul Cezanne

Paul Cezanne - link

Willem De Kooning

Richard Diebenkorn – link

Andy Warhol

Stippling using the tip of the brush to apply dots of color Paul Klee

Pointillism Georges Seurat

Pointillism Georges Seurat

Georges Seurat - link

Impasto Applying very thick paint so that the brushstroke actually leaves a trail in the paint and these trails create texture and shadow.

Vincent Van Gogh - link

Philip Guston

Wayne Thiebaud

glazing Applying thin coats of paints on top of each other

Cornelis deHeem - link

Morris Louis

Morris Louis - link

Richard Deibenkorn

Helen Frankenthaler

Wayne Thiebaud

scraffito Putting on a layer of paint and then scratching back through it to reveal the paint underneath

Jean Dubuffet

Cy Twombly

Cy Twombly - link

drybrush Using an almost empty brush to apply the color

Francis Bacon

Claude Monet – link

scumbling Putting layers of lighter color over layers of darker colors

J.M.W. Turner

J.M.W. Turner - link

Claude Monet

Sfumato – or smooth blending Blending the paint in a naturalistic way

Titian - link

Eduard Manet

Georgio Morandi

The steps to making a painting Whether realistic or abstract

imprimatura Putting down a thin layer of color before painting thicker layers on top of it

The underpainting Highlights and details are gradually added. Note the colors are in contrast to what the final colors will be.

Color is gradually added and modeled in both thick and thin layers until the final result is achieved.

Another example

A good site to visit for more information

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