Unit 2: Music Management (Part B – Short Term Associates) Players, People, Processes prepared by Philip Rothschild, Missouri State University, Entertainment Management Program
Gathering a Team for the Talent
Short Term Associates
1. Supporting Artists Same as discussed under long term associates. May also be short-term associates.
2. Coaches, Choreographers, Costume Design “It’s about ___________” –Vocal, choreography, stage, media Are you a singer or performer? Do you sing or do you engage? Vocal, stage presence coaching Media coaching Wardrobe, make-up
3. Promoter Promoter may be __________, internal staffer of the venue, chief promoter of a firm like ________. Promoter may be __________, internal staffer of the venue, chief promoter of a firm like ________. Most often_______ marketer of talent Most often_______ marketer of talent Book an artist, or create a booking, by finding place and time for performance Book an artist, or create a booking, by finding place and time for performance Agent or management might sell several dates to a local or regional promoter Agent or management might sell several dates to a local or regional promoter
Promoter takes on _______ and financing event Promoter takes on _______ and financing event Serves as liaison between artist, local media, and public Serves as liaison between artist, local media, and public Heavy _____, handsome _____ sometimes Heavy _____, handsome _____ sometimes –Sidebar: Mark West, Downhome Productions, promoting Petra on Oct 29.
4. Publicists/PR Firms Advertising vs. Publicity (PR) Advertising vs. Publicity (PR) –Advertising is often a function of Marketing –Paid ___________ may also be ___________ may also be –a function of marketing, –a separate department, –an outside agency (firm or individual) A “publicist’s” objectives are different than marketing A “publicist’s” objectives are different than marketing –Objective is to generate interest of print, TV, and radio –Usually via human interest, novelty –Coverage is not “paid-for,” but… Big ___________ Big ___________
Most important tool of a publicist is the _____________ (see sample) Most important tool of a publicist is the _____________ (see sample) Who uses them Who uses them –Personal manager – introduce artist to others –PR firm – send kit to media or in connection with other events –Talent agent – send to prospective employers and promoters –Advertising dept of record label – campaign to promote records or tour
5. Road Manager, Road Crew, Technicians Behind the scenes personnel Behind the scenes personnel Newsboys – largest portable amphitheater – road crew of Newsboys – largest portable amphitheater – road crew of _____________ – oversees logistics; transfer of equipment, accessories, wardrobe _____________ – oversees logistics; transfer of equipment, accessories, wardrobe –Footloose – 3 tractor trailers –Beauty – 26 tractor trailers
More on the Road Road Crews – travel by night work by day (and night) Road Crews – travel by night work by day (and night) –Arrive hours before talent –Some are per event ________ and ________ technical and stage crew
6. Production Companies Specialist: Audio/Video/Lighting/Rigging Local/National Production Company –Down Home Production, Nixa & Nashville, TN Presidential Visits Stockholder Meetings Martina McBride Wal-mart WWF Women of Faith –Brantley Sound Associates, Nashville, TN Serves the United States and abroad with high quality audio support and sound systems.
Production Companies Contracted by _________ Significant Investment in Equipment Significant Investment in Technical Expertise Interacts with Promoter or Event Planner
7. Record Producer Short term or long term – Example: Garth Brooks “I want a marketing guy” Hired by ________ if Label Artist Hired by ________ if Independent Per album basis or per track basis
Examples Mutt Lang – Shania Twain Nathan DeGesere – Kathy Trocolli Grammy Winning Producer Usually charges labels around $10,000 per tune “inclusive” Independents, $5000 per song “inclusive” Travis Cottrell – Living Proof One song for video project will be between $2000-$5000 Producer is responsible for much including arrangements, hire players, BGVs, others Producer or label may hire studio technical staff Engineer, other
Knowledge, Skills and Attitudes What do you know? What do you know? What do you need to know? What do you need to know? Next time