Early life Paul Gauguin was born in Paris, France, on June 7, 1848, to a French father, a journalist from Orléans, and a mother of Spanish Peruvian descent. When Paul was three his parents sailed for Lima, Peru, after the victory of Louis Napoleon (1769–1821). His father died during the trip. Gauguin and his mother remained in Lima for four years. There the young Gauguin lived a comfortable life. Gauguin then returned to Orléans, and eventually found his way back to Paris.Peru

Next he attended a seminary (a school for religious studies). At the age of seventeen he enlisted in the merchant marine (people who work on commercial ships). In 1870 Gauguin began a career as a stockbroker (a person who buys and sells shares of companies) and remained in this profession for twelve years. He married a Danish girl, Mette Sophia Gad, and seemed destined for a comfortable middle-class existence.

Beginnings as an artist Gauguin's hobby was painting, which he pursued enthusiastically. The Salon of 1876 accepted one of his pictures, and he started a collection of works by impressionist painters. The impressionists were a group of painters who concentrated on the general impression produced by a scene or object. They used unmixed primary colors and small strokes to simulate actual reflected light. As time went on, Gauguin's desire to paint became ever stronger.

The impressionists were a group of painters who concentrated on the general impression produced by a scene or object. They used unmixed primary colors and small strokes to simulate actual reflected light. As time went on, Gauguin's desire to paint became ever stronger.

In 1886, with Clovis enrolled in a boarding school, Gauguin lived for a few months in the village of Pont- Aven in the Brittany region of northwestern France. He then left for the island of Martinique, first stopping to work as a laborer on the Panama Canal. He returned to Pont-Aven in February 1888 and gathered about him a group of painters.

Gauguin preached and practiced a style he called synthetism, which involved pure color patterns, strong, expressive outlines, and flat planes. The painters admired the local people for their simple lives and deep religious faith. They felt these qualities reflected a truth about humanity's basic nature, which was not reflected in the sophisticated world of Paris.