By Angel and Farah Music 2 Year

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Presentation transcript:

By Angel and Farah Music 2 Year 11 2016 Order in Music By Angel and Farah Music 2 Year 11 2016

Structure: Sonata Form Sonata form is referring to a type of composition in three sections. These three sections include: Exposition Development Recapitulation

Exposition First theme in tonic (home) key Bridge containing modulation from home key to new key Second theme in new key Closing section in key of second theme

Development New treatment of themes; modulations to different keys

Recapitulation First theme in tonic key Bridge Second theme in tonic key Closing Section in tonic key

Mozart Symphony No. 40 in G Minor Fourth Movement: Allegro assai (very fast) Sonata form, duple meter 2 2 , G Minor Flute, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 French Horns, 1st Violins, 2nd Violins, Violas, Cellos, Double Basses

1. Upward arpeggio, explosive rushing phrase, minor key First theme: The opening theme is in the tonic key of G minor, which conveys a feeling of controlled tension. The opening theme in the tonic key of G minor, offers sharp contrast of dynamics and rhythm. A soft upward arpeggio (broken chord) alternates repeatedly with a loud rushing phrase. 1. Upward arpeggio, explosive rushing phrase, minor key

Bridge: Excitement is maintained throughout the long bridge which is based on violin 1 and 2 playing loud rushing phrases of the first theme. It consists of 2 sets of quavers with the first 2 notes slurred. The other instruments above it are playing crochets on the beat to harmonise and provide a thicker texture. The bridge ends clearly with a brief pause as do other sections in this movement.

Second Theme: The tender second theme starts in the new key of B fat major, lyrical contrast to the sharp opening them. It is softer, flows more smoothly and uses longer notes, with the violins playing slurred minims and crochets. This provides variation from the first theme, which consisted of quaver runs. All the other instruments are not playing, which emphases the beginning of the second theme. The key is in minor in this theme, whereas in the first theme it was in major. This modulation in tonality provides contrast and variation.

Development Mozart weaves almost the entire development section from the upward arpeggio of the first theme. During the opening few seconds, there is an eruption of violence as the all instruments play in unison a variation of the arpeggio and a series of jagged downward leaps. This provides a strong beginning to the new section. The development continues as the texture becomes polyphonic and contrasts with the homophonic texture of the exposition. Arpeggios press on each other in quick imitation between the violin 1 and 2 and viola. There is an imitation of rapid shifts in key which creates restless intensity. Imitation adds variety and contrast within a section.

Recap Both the first and second movement are in the tonic key G minor. This minor key now adds a touch of melancholy to the tender second theme, which was heard in major before. The passion and violence of this movement foreshadows the romantic expression to come during the 19th century.

First theme The upward arpeggio in a minor key played by flute. Introduces the recapitulation section. There is doubling with the strings to emphasize the new section.

Bridge Passage of continuously rushing notes played by the strings. Consists of sets of 4 quavers slurred. Provides rhythmical contrast and variation from first theme and thickens texture. All other instruments are playing crochets on the beat.

Second theme Violins play a tender melody in a minor key. Consists of slurred crochets and minims. Introduces the second theme. No other instruments are playing which thins out the texture and puts an emphasis on the main melody. Woodwinds take over the melody however is varied. Consists of slurred semibreves and minims. The variation in melody, from short note values played by the violin, to longer note values played by the flute, provides a rhythmical variation and balance to the section.

Closing section The piece ends on a perfect cadence.

Mozarts Recording: https://www.youtube.com/watch?v=FdXgijZVdPs

New England Conservatory Youth Symphony https://www.youtube.com/watch?v=eUMuNSVtQf8