1. AIA Iowa #A203 Demystifying Fellowship Workshop #8 Melinda Pearson, FAIA Jeffrey Anderzhon, FAIA September 25, 2014

2. Demystifying Fellowship September, 2014

3. Credit(s) earned on completion of this course will be reported to AIA CES for AIA members. Certificates of Completion for both AIA members and non-AIA members are available upon request. This course is registered with AIA CES for continuing professional education. As such, it does not include content that may be deemed or construed to be an approval or endorsement by the AIA of any material of construction or any method or manner of handling, using, distributing, or dealing in any material or product. _______________________________________ ____ Questions related to specific materials, methods, and services will be addressed at the conclusion of this presentation.

4. Since 2005 there have been only three AIA Iowa members who have been elevated to Fellowship, the highest individual member honor bestowed by the Institute. This is in spite of the fact that there are certainly AIA Iowa members whose work and achievements deserve this recognition. Perhaps it is because we Iowans are a naturally humble society or perhaps it is because submitting for Fellowship seems like too daunting a task. This presentation is designed to dispel that latter notion and to provide encouragement and a “road map” for those who may be interested in submitting for Fellowship or those individuals who wish to assist a colleague in doing so. Presented by the Central States Regional Representatives to the College of Fellows, this program will explain the requirements for submission, the timetable of submission and provide examples of exemplary submissions for comparative purposes. Course Description

5. Learning Objectives 1.Learn about the requirements for submission for Fellowship. 2.Learn about the schedule and anticipated effort necessary for submission for Fellowship. 3.Understand where assistance can be garnered for a successful submission for Fellowship. 4.Understand what graphic and written documentation of ones work is necessary for a successful submission for Fellowship. At the end of the this course, participants will be able to: SAMPLE SLIDE

6. Introductions Melinda Pearson, FAIA University of Nebraska Medical Center melinda.pearson@unmc.edu Jeffrey Anderzhon, FAIA Eppstein Uhen Architects jeffa@eua.com

7. Presentation Agenda Why submit for Fellowship Important Dates/Changes Understanding the Jury Process What the Jury Looks For The Submission Process Resources FAIA Data and Statistics Purpose of College of Fellows Questions & Answers

8. Important Dates October 17, 2014 - Electronic Submissions Due - Reference Letters Due - By 5:00 p.m. Eastern Time, NO EXCUSES - Uploading the submission takes time, don’t wait until 4:30 to start! January 24-28, 2015 - Jury Meeting February 2, 2015 (at the latest) - E-mail notification

9. 2015 Jury of Fellows John Castellana, FAIA, Chair (Michigan) Steve Crane, FAIA (Western Mountain) Brian Dougherty, FAIA (California) Diane Georgopulos, FAIA (New England) Mary Katherine (Mary Kay) Lanzillotta, FAIA (Middle Atlantic) Kenneth Schwartz, FAIA (Gulf Coast) Don Yoshino, FAIA (Florida/Caribbean) Jury members come from many sources and represent a geographical and object mix

10. Jury Responsibilities Review 1/7 of total submissions (approximately 30 – 35 per juror) Present assigned candidates View summary section for each and every candidate Rule – a juror will not review candidates from their own firm or region

11. Jury Process Candidates are presented alphabetically Jurors review submission simultaneously Presenter draws attention to what does or does not support claims Presenter answers questions from jurors and makes recommendation Jury discussion – 10-12 minutes total

12. Jury Process THEREFORE it is critical for the submission to be: clear and concise results oriented well-documented influence on profession

13. Voting Process Only six jurors vote – one sits out (juror from their region or firm, or next presenter) Takes a minimum 4 votes for elevation Unanimous vote NOT REQUIRED Ties are set aside until the end

14. There are NO QUOTAS Number of candidates elevated Number of candidates per category Number of categories per component or region Quotas of any kind are a myth!

15. What the Jury is Looking For Has nominee been nationally recognized? Has the nominee had a “ripple effect”? What is the ripple effect? Has the nominee been active in the AIA?

16. What the Jury is Looking For Strong, specific sponsor letter Strong, specific reference letters Well organized submission, not to exceed 40 pages, 10 pt. font is the minimum! Clear, concise summary statement that is not overreaching High quality images/exhibits Consistency Leadership Results

17. What the Jury is Looking For Distinguished Body of Work Published work Award recognition Notable Contribution Impact on other practices Lecturing National leadership

18. What the Jury is Looking For Widespread Recognition of Results Publications Awards Requests to speak Requests to serve on juries

19. What the Jury is Looking For Sharing of Knowledge or Expertise Speaking and leading seminars Publications in architecture journals Publications in associated professional journals National news media coverage Published peer recognition

20. What the Jury is Looking For Leadership in the AIA National office Local and regional offices Committee chair Jury service Authored articles Presented at conventions Need impact and results

21. Submission Composition Sponsor Letter – sent as part of your submission. Section 1: Summary of Achievements Section 2 : Significant work, awards, publications, volunteer work, presentations/lectures, service Section 3: Exhibits List Section 3: Exhibits – References – sent directly to AIA by letter writer

22. Sponsor Must be an FAIA or AIA member in good standing Must provide a one-page letter of support Should be BEST and WORST critic, someone that knows you well! May sponsor more than one candidate, but they should be specific to candidate and/or in different categories

23. Sponsor Should be very knowledgeable about candidate's accomplishments Involved in submission process Letter speaks directly and specifically of achievements Serves as a buffer between candidate and references LAY IT ALL OUT IN THE LETTER

25. Object 1 - Design Design, Urban Design, and Preservation MUST have 5 projects where candidate is “Largely Responsible for Design” with proper signoff Jury doesn’t judge design Jury looks for peer recognition through awards, articles, etc…

26. Object 2 – Education, Literature, Research, or Practice Practice Having a good firm is your job How are you sharing with the profession? Specialty Practice Show that through design/innovation the field is better Might not have Honor Awards – OK but in lieu of those, expect to see sharing Education Show impact through teaching tools; student work

27. Object 3 – Led the Institute or Related Organization Led Institute Jury looking for “So What?” factor Provide quantifiable results Led Related Organization Not enough just to lead it What did you do to connect it to the AIA? Seat time is not important – what did you do?

28. Object 4 – Advancement of Living Standards Government industry or organization Need to document the benefit to the AIA How is your work affecting policies? How are you making things easier for architects in the profession?

29. Object 5 – Alternative Career, Volunteer, Service to Society Show how contributions are significant because the nominee is an architect Volunteer work not used as marketing tool Must be clear you are NOT gaining commissions through volunteer service

30. Fellowship Submission Story about YOU – but not womb to tomb. WHO you are WHAT you accomplished WHEN it occurred WHY it’s significant HOW it benefited or was shared with profession PROVE IT! – documentation and support

31. Section 1 - Summary This is where you lay out your case Your “architectural tombstone” Focus on about 3 main points Expand information in Section 2

32. Section 1 - Summary Be clear, concise, succinct Restate claims from sponsor letter HAMMER IT IN! Prove “ripple effect” of work Local work OK, but show broad impact

34. Section 2 - Accomplishments 2.1 Significant Work - Projects - Jury Service - Presentations/Lectures - AIA Involvement - Civic/Volunteer Involvement 2.2 Honors, Awards, Recognition 2.3 Publications

35. Section 2 - Accomplishments Demonstrate broad influence and impact Can reformat, but keep in same order Group similar accomplishments together Jury needs a quick visual of - lectures and seminars - awards - publications

36. Section 2 - Accomplishments Work supporting YOUR case first Explain any time gaps Divide up different types of awards Make distinction about articles - about you - authored by you

39. Section 3 - Exhibits Exhibits supporting YOUR case first Show tangible results If submitting in design: - Show more than minimum of 5 projects - BUT use only your strongest projects If not in design, don’t put projects first One picture worth 1,000 words

44. References Each reference focus on one-two points from Summary Statement Speak directly about your work Seek those with a direct connection Recognized leaders in your field Broad geographic range Avoid “big names” offering no substance

47. In Short… Clear, Concise Presentation Strong Sponsor Strong/Specific References Support for Summary Statement Focus on Results/Achievements Demonstrate Influence on Profession

48. Fellowship Myths It’s best to get only Fellows to write reference letters Your reference letters should come from members only Letters from BIG names are best You can’t get Fellowship in Object 1 unless you have a National Honor Award Horizontal format is preferred

49. 2014 Fellowship Statistics 237 Candidates 139 Elevated = 58.65 % # of Candidates by Year of Nomination 169 1 st year = 71.31% 52 2 nd year = 21.94 % 16 3 rd year = 6.75%

50. 2014 Fellowship Statistics 239 Candidates 139 Elevated = 58.65% # Elevated of # Entries Received in Submission Year 101/169 1 st year = 59.76% 28/52 2 nd year = 53.85% 10/16 3 rd year = 62.50%

51. 2014 Fellowship Statistics 237 Candidates 139 Elevated = 58.65 % # of Candidates by Nomination Object 68 Object 1 = 28.69% 119 Object 2 = 50.21% 18 Object 3 = 7.59% 14 Object 4 = 5.91% 18 Object 5 = 7.59%

52. 2014 Fellowship Statistics 237 Candidates 139 Elevated = 53.04 % # Elevated of # Those Nominated in Object Object 1 46/68 = 67.65% Object 2 68/119 = 57.14% Object 3 11/18 = 61.11% Object 4 5/14 = 35.71% Object 5 9/18 = 50.00%

53. Fellowship So, why go through all of this……

54. Purpose of College of Fellows Recognition of individual achievement in the profession and contribution to profession and to society Advancement of the profession Promote the purposes of the Institue Mentoring of young professionals Service to society Fostering the “community” of the profession

55. Purpose of College of Fellows Financial Awards Emerging Professional Component Grants –Small grants to components to assist in fostering the mission of Young Architects and Associates Latrobe Prize –Biennial $100,000 award to support a 2 year research program

56. Why Submit for Fellowship Recognition by your peers for your contribution to the profession and society Continued and reinforced commitment to advancing the profession Becoming a more integral part of the professional community

57. The College of Fellows, founded in 1952 (Modern College), is composed of members of the Institute who are elected to Fellowship by a jury of their peers. Fellowship is one of the highest honors the AIA can bestow upon a member (only the GOLD MEDAL is higher). Elevation to Fellowship not only recognizes the achievements of the architect as an individual but also elevates before the public and the profession those architects who have made significant contributions to architecture and to society. AIA College of Fellows

58. Resources www.aia.org/practicing/awards/AIAS075320 FAIA FAQ Online Submission FAQ Fellowship Walk-through Best Examples honorsawards@aia.org Kathleen Daileda, Hon. AIA 202.626.7474 or kdaileda@aia.org kdaileda@aia.org Elizabeth Henry 202.626.7563 or ehenry@aia.org ehenry@aia.org Elizabeth Wolverton 202-626-7586 or elizabethwolverton@aia.org elizabethwolverton@aia.org

59. Melinda Pearson, FAIA Central States Regional Representative, College of Fellows melinda.pearson@unmc.edu Jeffrey Anderzhon, FAIA Central States Regional Representative, College of Fellows jeffa@eua.com Resources

60. Sample Last Slide This concludes The American Institute of Architects Continuing Education Systems Course AIA IowaContact Information