GUNEETA CHADHA.  The quality that gives pleasure to the mind or senses and is associated with such properties as harmony of form or color, excellence.

Slides:



Advertisements
Similar presentations
© POSbase 2004 Beauty Contributor The philosopher George Santayana defined beauty as value positive, intrinsic, and objectified. Value positive and intrinsic.
Advertisements

Immanuel Kant ( ) Theory of Aesthetics
Socrates About Beauty 周艺菲 丁潇怡 廖赞钰.
1 The definition of beauty 2 Original beauty in Greek 3 The characteristic of beauty 4 Historical view of beauty 5 Human beauty.
Part two: Defining & judging art
The Subject-Matter of Ethics
Asian Philosophy Lecture 1.
Kant Career Köningsberg in East-Prussia Professor at the University Lutheran rationalist The categorical imperative One of the most influential.
THEORIES ON ART &BEAUTY
LOVE Symposium by Plato. Symposium A Greek discussion or debate.
Landscape Painting The «second class» stature of landscape painting allowed the painters of the Romantic movement a relatively large amount of creativity.
Aristotle On art and poetry. Aristotle From Makedonia ( ) Studied in Plato’s Academy Founded his own school, Lykeion Wrote: –Socratic dialogues.
Hume on Taste Hume's account of judgments of taste parallels his discussion of judgments or moral right and wrong.  Both accounts use the internal/external.
Chapter 9-4: Greek Achievements
Non-relative Virtues, An Aristotelian Approach
T. S. ELIOT & NEW CRITICISM 1. T. S. ELIOT T. S. Eliot has described himself as a classicist in literature, a royalist in politics, and an Anglo-Catholic.
Of the Standard of Taste
Philosophy of Fine Art G.W.F. Hegel. Hegel – Philosophy of Fine Art Art, for Hegel, is “the sensuous presentation of the Absolute itself”, and hence the.
MICHELANGELO BUONARROTI. ITALIAN RENAISSANCE
The Philosophy of Art Saint Thomas Aquinas defined the beautiful as that which, being seen, pleases: id quod visum placet.
More categories for our mental maps  How we understand knowledge has repercussions for how we understand our place in the world.  How we understand.
Looking at the Roots of Philosophy
Epistemology Revision
Vocabulary for Chapter 1
Idealism Theory By: Jennifer M. May. Quote About Idealism “Idealism owes much to the suns of other philosophers but believes it has some ultimately fundamental.
Ethical Theory: Absolute & Relativist theory L.O: Be able to understand the concepts of absolutist & relativist morality Explain the characteristics of.
Linking Verbs The great equals sign of sentences.
Aristotle’s Theory of Eudaimonia or Happiness. 500 BC200 BC Greek Philosophers (500BC – 200BC) Timeline The Great Three Plato ( ) Socrates (469.
Areas of knowledge – The arts
The Renaissance in Italy Chapter 13: Section 1. What Was the Renaissance? Time of creativity Shift from agricultural to an urban society.
Art Analysis and Criticism When evaluating a work of art, it is always important to make a thorough inventory of the various characteristics and ideas.
BBL 3103 LITERARY THEORY FROM PLATO TO T. S. ELIOT DR. IDA BAIZURA BAHAR.
INTRODUCTION: REVIEW. What is Art?  Form of expression with aesthetic  Organize perception  A work of art is the visual expression of an idea or experience.
BBL 3103 LITERARY THEORY FROM PLATO TO T. S. ELIOT DR. IDA BAIZURA BAHAR.
AESTHETIC JUDGEMENT Theory of Knowledge AESTHETIC JUDGEMENT What is aesthetic judgement and what is its sphere? Are all humans equally competent judges.
Rules of Good Composition The Rule of Thirds is based on the fact that the human eye is naturally drawn to a point about two-thirds up a page. Crop your.
TEKS 8C: Calculate percent composition and empirical and molecular formulas. Ancient Greek Culture.
Fundamentals of Visual Arts At the end of the review lesson, You should be able to: 1. Define Art and study the nature and subjects of art; 2. Identify.
WHY DID GOD CREATE THE UNIVERSE?. When analyzing this issue, some facts must be kept in mind. While we perceive things from a human perspective, God does.
Socrates. The life of SocratesThe life of Socrates  You are about to meet one of the most powerful, intriguing, annoying, inspiring, widely known and.
The Culture of Classical Greece
Moulay Ismail University Faculty Of Letters And Humanities English Department Master program Communication in contexts Approaches To Criticism Prof.
3/19.  Art Exposure  Aesthetic Judgments  Universal Standards  How do/should you judge art?
The Components of Design Subject Form Content. Subject We often identify a work by its subject : a landscape painting, a sculpture of a young woman, a.
4.4 Notes: Ancient Greek Culture. Analyze the political and ethical ideas developed by Greek philosophers. Understand how balance and order governed Greek.
“The Renaissance Man” Artistic and Scientific Achievements of the Renaissance.
Introduction to Philosophy
Chapter 3 The Humanist Approach.
The Philosophy of Art What the philosophers had to say.
UNIT6: PHILOSOPHY: PERSONAL IDENTITY
Aristotle “The Naturalist”. Aristotle Born in 384. From the northwestern edge of the Greek Empire in Stagira. Father was physician to King Amyntas of.
Matthew Arnold. Limitations Matthew Arnold was a man of letters,who became a literary critic by accident, he was mainly interested in educational, political.
Arttalk Review for Chapter 2
 Introduction  Biography  Theories  The cave allegory.
Art is among the highest expressions of culture, embodying its ideals and aspirations, challenging its assumptions and beliefs, and creating new possibilities.
PRESENTATİON ABOUT ARİSTOTLE
European Culture Greek Philosophy. Socrates, Plato, Aristotle (5 th & 4 th century BC) Socrates (470 – 399 BC) 1.Known mainly through the writings of.
What is Art? Create a Diagram: Compare and contrast three of the four forms.
AMERICAN LITERATURE PERIODS Romanticism - Transcendentalism We will walk with our own feet We will work with our own hands We will speak our own minds.
Theme № 16. A subject and aesthetics problems. The plan: 1. Sense of the term "aesthetics". 2. An aesthetics subject. 3. Interrelation of an aesthetics.
What is Philosophy?.
EDUCATIONAL & CURRICULUM Philosophy
Aesthetics: general Introduction
What Is Morality?.
Ancient Greek Culture.
Object Orientated Programming
Art History and Aesthetics… Why should I care?
Art is not created in a vacuum - R.B. Kitaj
A Movement Across the Arts
Philosophy A Brief Introduction.
Presentation transcript:

GUNEETA CHADHA

 The quality that gives pleasure to the mind or senses and is associated with such properties as harmony of form or color, excellence of artistry, truthfulness, and originality

 Beauty is a characteristic of a person, animal, place, object, or idea that provides a perceptual experience of pleasure, meaning, or satisfaction.  Beauty is studied as part of aesthetics, sociology, social psychology, and culture. An "ideal beauty" is an entity which is admired, or possesses features widely attributed to beauty in a particular culture, for perfection.

 The experience of "beauty" often involves the interpretation of some entity as being in balance and harmony with nature, which may lead to feelings of attraction and emotional well-being. Because this is a subjective experience, it is often said that "beauty is in the eye of the beholder."In its most profound sense, beauty may engender a salient experience of positive reflection about the meaning of one's own existence.A subject of beauty is anything that resonates with personal meaning.

 The origin of the word is from the classical Greek language. The word Kallos is a noun for "beauty" and the adjective for "beautiful" was kalos in Greek. The Koine Greek word for beautiful was hōraios, an adjective etymologically coming from the word hōra, meaning "hour." In Koine Greek, beauty was thus associated with "being of one's hour.“ For eg. A ripe fruit (of its time) was considered beautiful, whereas a young woman trying to appear older or an older woman trying to appear younger would not be considered beautiful.

 Natural objects such as human beings, animals, landscapes and artificial objects like structures, objects, and works of art can be described as beautiful or ugly.

 The concept of beauty has originated with the philosophers and not with artists. The artist has been in love with his particular subject, he has never set out to achieve the beautiful in art. What then is Beauty?  Beauty is that which pleases the mind, the senses, the finer sensibilities of human beings. It involves an aesthetic experience. There is an aesthetic intuition on the part of the original artist or poet or creator.

 TWO THEORIES OF BEAUTY ARE POPULAR  WESTERN THEORY  ORIENTAL/ INDIAN THEORY  WESTERN THEORY:  In the western theory beauty is OBJECTIVE.  The Greek masters had great appreciation for physical beauty. The great masters of Renaissance valued beauty as one of the main objective in their works of art. Leonardo’s Monalisa, Michealangelo’s David and the Sistine ceilings, Rapheal’s school of Athens are all examples of the beautiful in art.

 INDIAN THEORY:  In the Indian theory beauty is SUBJECTIVE.  This concept can be understood as Satyam- Shivam-Sundram.  It means that truth is god and god is beauty and beauty is subjective. God was considered as the source of all knowledge, power and wisedom. He is beautiful. God as absolute beauty is one of the basic ideas of ancient Hindu culture.

 Discussions on beauty are found in Alankar Shastra and in Sanskrit poetry.  In Alankar Shastra the word ‘Saundriya’ is rarely used.  The term ‘Ramaniyata’ is generally used in the sense of beauty. That is Ramaniyata which arouses in the mind some joy. Thus a beautiful object arouses in the mind, a feeling of beauty.  The feeling of beauty is a particular state of mind. It is subjective and engendered by RASA.

 RASA IN THE EAST IS KNOWN AS BEAUTY IN THE WEST.  Rasa is the main base of the feeling of beauty and it is said to be the culmination of the feeling of beauty. So whatever is beautiful is because of the Rasa associated with it.  HOWEVER  There are no general principles of classification of beauty. For something that may seem beautiful to one person can be ugly to somebody else.

 1.Beauty is relative to an artist and later to critic’s taste. For an open minded critic can appreciate any work of quality, even if it is of any period or any style.  2.Beauty is an important element in a work of art.  3.BEAUTY IS NEITHER SUBJECTIVE NOR OBJECTIVE BUT A MIXTURE OF BOTH.  4.Emotions play a major role in aesthetic judgement.  5.Aesthetic consciousness is related to our senses and psychological understanding.  6.Beauty has its relation with pleasure more so ANANDA.

 Aristotle: “ Beauty or goodness depends upon the object, realisation of its form, purpose, essence, notion or idea in it.” Keats : “ A thing of beauty is joy forever”. Though this phase does not tell us anything about beauty, but this for sure that beauty gives us lasting pleasure. The Vedic Ananda leaves us with no conception of beauty except that it can give joy to its beholder. Socrates: “Everything is beautiful” for whatever purpose it serves well and everything is bad or ugly for what it does not serve its purpose well.