Chapter 3: Production Design This multimedia product and its contents are protected under copyright law. The following are prohibited by law: any public performance or display, including transmission of any image over a network; preparation of any derivative work, including the extraction, in whole or in part, of any images; any rental, lease, or lending of the program. Copyright © Allyn and Bacon 2007

What the production designer does ä Reading the script ä Visualizing the look ä Setting the budget ä Sketches (Visual concepts) ä Issues of character and story ä Digital previsualization ä Scouting locations (recces) ä Supervises production crew Copyright © Allyn and Bacon 2007

Creating a unified design ä Interplay of all design elements within a shot ä Layout of sets ä Architectural styles and building materials ä Coloring and texture of buildings ä Costumes Copyright © Allyn and Bacon 2007

ä Basic tools of production design: ä Sets ä Costumes ä Mattes ä Miniatures Copyright © Allyn and Bacon 2007

Sets ä Interior ä Exterior ä Miniatures ä Large scale set design ä Ken Adams Copyright © Allyn and Bacon 2007

Ken Adam ä Dr. Strangelove ä Barry Lyndon ä Dr. No ä Goldfinger Copyright © Allyn and Bacon 2007

Costumes ä Details of period or setting ä Color and spectacle ä Commentary on the characters Copyright © Allyn and Bacon 2007

Mattes ä Extend scope and size of sets ä Tromp l’oeil ä Translite Copyright © Allyn and Bacon 2007

The Design Concept ä Detailed visual concept ä Organizes the way that sets and costumes are built dressed and photgraphed Copyright © Allyn and Bacon 2007

Digital Effects ä Digital components of production design ä Pre-visualization ä Digital grading ä Greenscreen soundstage ä Digital extensions of sets and miniatures ä The Truman Show ä Gladiator ä CGI environments Copyright © Allyn and Bacon 2007