Art and Culture Renaissance Mannerism Baroque 1500-1715.

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RENAISSANCE ART & ARCHITECTURE

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Presentation transcript:

Art and Culture Renaissance Mannerism Baroque 1500-1715

Medieval art

Art Reflects and Reacts Why does art change? Art Reflects and Reacts to LIFE! Fall of the Byzantine Empire The Black Plague Reformation

Society in the Renaissance Feudalism - Hierarchy Famine and disease – bubonic plague Gutenberg printing press Patronage of the arts – Medici, Pope Julius II and Pope Leo X Women and Childhood Legacy textbook – Pages 21-26 Question

Humanism Influx of scholars of antiquity from Constantinople Curriculum of a “humanist” (teacher) was rhetoric, grammar, poetry, history and moral philosophy (ethics) Merchant class established Florence, Italy (1450 onwards) Ancient ideals

Can you spot the differences? Which one is the Medieval painting?

Boticelli’s Primavera, 1480 Attributes of Renaissance Art Return to the Greek and Roman Classical style Proportions/balance Linear perspective- realism New paint – oil! Humanism-emotion The ideal Pyramid compositions Boticelli’s Primavera, 1480

Cranach the Elder The Last Supper, 1547 Donatello The Penitent Magdalene, 1453-55

Northern Renaissance: Outside of Italy ~1500 onwards Albrecht Dürer The Four Apostles, 1526 Gothic influence Secular Humanism Landscapes Reformation Brought religious art almost to a complete end

Stars of the Renaissance Sfumato and Chiaroscuro Leonardo Da Vinci

Michelangelo Pieta, 1499 Adam, Sistine Chapel, 1511

Art during the Reformation and Counter Reformation Mannerism (1520-1600) Baroque Protestant viewpoint Catholic viewpoint Council of Trent

Reformation and Counter Reformation Protestant viewpoint Catholic viewpoint Humans are made in God’s image. Therefore, all scenes of secular life are valid subjects for art Portraits Iconoclastic movements Glorify God through the beauty of his creations Council of Trent (1563) Focus on religious scenes and allegories Veneration paid to the person him/herself and not the image. Images realistic – nothing confusing or decorative

Mannerism Exaggerated poses, in unrealistic settings Parmigianino's Madonna of the Long Neck Exaggerated poses, in unrealistic settings More emotional approach to art with a sometimes distorted point of view Elegance Mystery, aloofness Flaw for perfection Two Mannerist Portraits

Unnatural pose! Michelangelo Ignudo, Sistine Chapel ceiling El Greco Adoration of the Shepards, 1605 Unnatural pose!

Bernini Baroque Emotion Chiaroscuro and Tenebriso Movement Natural Diagonal, “X” compositions Two paintings in the Baroque era

Vermeer Girl with a Pearl Earring, 1665 Carravaggio Entombment, 1600-04

Compare and Contrast Venn diagram

Important Terms Linear perspective Iconoclasm Sfumato Tempera Humanism Foreshortening Mannerism Baroque Naturalism, Realism Secular Chiaroscuro Tenebriso Based on the work of Amy Sohn