10/24/20151 RTV 322 Camera use: Shooting to Edit Film and Video.

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10/24/20151 RTV 322 Camera use: Shooting to Edit Film and Video

10/24/20152 Project 1 Training and certification Sign up now See syllabus and outline directions

10/24/20153 Film vs. Video Film  a thin flexible strip of plastic or other material coated with light- sensitive emulsion for exposure in a camera, used to produce photographs or motion pictures Video  magnetic tape for recording and reproducing visual images and sound.

10/24/20154 Film vs.Video Film stock is the imaging device for motion picture film CCD or CMOS is the imaging device for video Future for film?

10/24/20155 Film 8 mm, 16mm, 35mm, 70mm Super 16 and 35 mm Film stock--costs and processing  Film stock types: b/w or color, negative or reversal, fast or slow, tungsten or daylight 1.33:1 aspect ratio 24 fps Sprocket holes, audio recording  Chapter 14 sound and film

10/24/20156 Magnetic Videotape Analog vs. Digital Interlaced or Progressive Standard or High Def 4:3 or 16:9 Digital Compression Codecs Not ‘filming’ Chemical vs. electromagnetic

10/24/20157 New storage options HDD DVD / Blu Ray / Optical discs Flash memory (built in vs. removable, like SD card) Cloud Storage

10/24/20158 Digital Recording 480 vs. 720 vs Contrast ratio Megapixels I vs. P Lossy or Lossless codecs Color sampling: relationship of chroma to luminance / luma Bit depth: the number of individual 0s and 1s sampled

10/24/20159 Illusion of Movement Persistence of vision 24 vs. 30 fps (transfers) Shoot only in 30 fps ‘shutter speed’

10/24/ Time Code Vital to videotape Important for timing / syncing SMPTE VITC vs. longitudinal ‘striping’ Time code vs. control track

Our cameras Canon XH A1 (mini DV)  Manual mode Manual mode  ‘point and shoot’ JVC HM 150 (SDXC card)  Class 6 or above  Brand matters  Georgia tutorial Georgia tutorial  Our settings:  SD(DV), QuickTime, 16:9 (GL1) 10/24/201511

10/24/ Lenses Camera body vs. lens Zoom or fixed (prime) -- critical focus Optical vs. Digital zoom Diaphragm / aperture -- f-stops / t-stops / number means what? Manual vs. autofocus  Sharp focus, Selective focus, follow focus, rack focus, soft focus, swimming focus Depth of field is affected by focal length, aperture, and the distance of objects from the camera.

10/24/ Video Shooting Tips /tutorials/shooting_tips/

10/24/ Camera mounts Tripod and pedestal  Friction head / Fluid Head Crane vs. jib Dolly / track SteadiCam vs. Handheld  Image stabilization Robotics, follow me, Segue, ‘copter, cable mount, etc.

10/24/ Shot Composition Rule of Thirds Point of View Angle  High angle, low angle, high level, low level, bird’s eye view, canted / Dutch angle Cut off lines, look space, lead room, head room, eye line Terms: WS, OTS, 2/S, etc.

10/24/ Transitions What is a shot? Fade / cut / Diss / Wipe / DVE ‘Changing shots’ in a one-shot Multi cam shoots vs. film style Real time to Filmic time Invisible / seamless edits Sequences Master Shot / cover shot Jump cuts / pop cuts

10/24/ Camera movements Pan, tilt, truck, dolly, arc, zoom, boom/pedestal DVE Crane, tracking, feather, 360 shot, follow, swish pan, snap zoom

10/24/ The Static Frame Storytelling involves interplay of blocking, lighting, costumes, and setting -- as captured by the camera Balanced shots? Edge of the frame / off-screen space

10/24/ Technical vs. aesthetics What kind of camera? What kind of lighting? What kind of lens? Consumer vs. Prosumer vs. professional cameras How the story is told? ‘Language’ of visual storytelling -- Hollywood style, home movies style, new media style, NPPA / news style ###

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