Presentation is loading. Please wait.

Presentation is loading. Please wait.

Video Production The Camera – another transducer.

Similar presentations


Presentation on theme: "Video Production The Camera – another transducer."— Presentation transcript:

1 Video Production The Camera – another transducer

2 Video Scanning Process Pixels / lines / frames Persistence of vision NTSC 525 scan lines (480 used) x 640 rows 4:3 aspect ratio 30 fps interlaced -- 60 fields

3 Video Scanning Process HDTV / DTV 480 720 1080 scan lines Interlaced or progressive scan 24, 30, or 60 frame rate DV Cameras / switchable aspect ratio Beta SX, DVCPro, DVCam/mini DV Sony disc / DVD type recording Memory Cards / Cloud Storage Ultra HD / 4K

4

5 Principles of video color Light hits CCD / CMOS (1 or 3 CCDs) Beam splitter splits into the 3 primary colors (electrical signals) Other end—CRT/LCD/LED/DLP 3 attributes of color Hue, saturation, luminance Chrominance : hue & saturation

6 Color (cont.) HUE... Primary colors: RGB Complementary colors Cyan, magenta, yellow White: all colors; Black: absence

7 Color continued... Saturation Intensity or vividness of color Hue & Saturation=chrominance / chroma Luminance / luma = brightness

8 Camera Lenses Focal length…how wide or narrow Fixed focal length Zoom Lens Distance from front to back glass Focus soft, sharp Depth of field / rack focus / selective

9 Camera Lenses Front focus to focus a zoom lens Back focus : use macro flange at back of lens F-stop aperture (iris opening) F-22, 16, 11, 8, 5.6, 4 (double/half) Don ’ t use to compensate for lighting Smaller number = more light

10 Cameras Consumer, Prosumer, Professional Video vs. Film High End Video Red – Epic Dragon

11 Camera Mounts & movements Pedestal or tripod Mounting head (types of friction) Camera movements Pan, tilt, truck, dolly, arc, zoom, boom, crane, steady-cam, tracking, DVE, robotic control

12 Camera Mounts & movements Field of view LS/WS, est. shot, MS, CU, chest shot, waist shot, knee shot, 2-shot, OTS, head room, look space, cut-off lines, lead room, POV Depth composition  Rack focus, selective focus Angle : eye level/high/low/canted  Symmetrical shots / asymmetrical

13 Mulicamera Video Switcher Analog / digital / DA conversion Input sources Cameras VTRS / Computer outputs Weather, CG, SS, animation computers  Chyron / Quantel / paintbox / proprietary system Color bars, sync generator (house sync), frame syncronizer, TBC Remote signals

14 Outputs & Switcher operation Preview, Program Monitor, Program Line Output--4:3 @ 30 fps or DTV? SEG Separate DVE unit (DVEous) Computer software program as a switcher (Video Toaster) Grass Valley Group / Ross

15 Functions of the switcher Program signal Cut, Fade, Dissolve, Wipe Super Chromakey DSK (luminance key) Banks and buses DVE

16 Commands Ready / Prepare Take / Dissolve / Wipe / ‘ Super ’ Roll Bump in / out Stand by / mic and cue Hand signals / time cues Cross arms-- :30 fist :15, wrap up, cut, stretch, 1/2/3 minutes, break ###


Download ppt "Video Production The Camera – another transducer."

Similar presentations


Ads by Google