Set at night in an imaginary city (Basin City) the scene is based on the top of an apartment block, on the open balcony. The characters are at a party,

Slides:



Advertisements
Similar presentations
COLLATERAL- Textual Analysis. Describe the Location(s) /setting A busy airport or some sort of public transport station and a loud taxi rank How is it.
Advertisements

MISE EN SCENE BRICK. By showing a close up of the boy’s eyes, this is a way of introducing his character to the audience. It is said that eyes are ‘the.
COLLATERAL OPENING TITLE SEQUENCE ANALYSIS. MISE EN SCENE The first scene in the opening title sequence of collateral is in a very crowded airport with.
Michael Mann COLLATERAL, This is the opening title sequence of collateral.
We see a lot of recurring props in the sequence, they all seem to be focusing on photos, writing, books, small metal objects and cuttings from pictures.
Analysis of Opening Title Sequences The Butterfly Effect Eric Bress, J. Mackye Gruber 2004 Titles used How are the titles presented? The titles are presented.
By Tara Smith. The genre of a film dictates how the film will be presented, the cast involved, and the overall storyline. When creating a thriller film.
Location/setting The very first shot is of a bedroom, the rest of the OTS appears to have no relevance to this shot and so leaves the audience with questions.
Se7en.
SE7EN Textual Analysis. Describe the Location(s) /setting  You don’t see the location/surrounding area in this opening title sequence;  However, it.
Analysis of Opening Title Sequences- Slide Show 1 Jane Lawrance Media Studies Varndean College.
 The location for this film is on a train that is making its way through the countryside toward a city; Chicago.  The lighting of this sequence is very.
Mise en Scence Emily Hemmings. ‘’ Don’t Look Now’’ 1973 Nicolas Roeg.
CLOSE READING BY ISABELLA AND SHANIA. THE HUNGER GAMES.
In the opening sequence the audience and introduced to the main characters and its made quite clear who the antagonist and protagonist are. We see typical.
Opening Sequence Analysis Leah Walden. Setting (Mise-en-Scene) 1) Ferry Port The setting contrasts with the thriller genre since the first location in.
Studying films Revision for The Woman in Black. What makes a film? There are lots of important techniques used to make films interesting to watch. Meaning.
Se7en Opening title sequence Analysis. Mise – en - scene Location and setting – The opening title sequence for se7en does not include any long shots of.
David Fincher 1995.
Collateral opening title sequence Analysis. Mise – en –scene Location and setting – At the beginning of the opening title sequence the character seems.
Don’t Look Now (1973) Nicolas Roeg Drive (2011) Nicolas Winding KATIE DINNAGE Examples of Mise en Scene.
Detailed Analysis on the open title sequence of Brick.
om/watch?v=AbvWoru vf5c. The sequence begins with fiery red titles. The colour links to the gore in the rest off the film and also.
Identity (James Mangold, 2003) The sound of the voice over gives the spectator enigmas straight into the opening of the films title sequence. Also the.
Analysis of Opening Title Sequences The Ring Gore Verbinski 2002 Titles used How are the titles presented? There aren’t any titles in the opening scene.
Analysis of Opening Title Sequences- Slide Show 3 Jane Lawrance Media Studies Varndean College.
Liam, Ryan and Jamie’s Pitch.. Act 1: In the first act we'll focus on character development of our main character by showing that he likes to be alone,
The opening scene of ‘Casino Royale’ is set in Prague in the Czech Republic. The first scene shows a large office block at night, during a calm and relaxed.
DONNIE DARKO DONNIE DARKO OPENING TITLE SEQUENCE.
Trailer Analysis on Dystopian By George Rose. Trailer analysis - Day After tomorrow Mise-en-scene: In the trailer it shows the devastation that s going.
Collateral Mise-en-scene LA airport Typical to thriller; Not often typical to thrillers as it isn’t a deserted/secluded area, however the busyness provides.
Taxi Driver.  Light/ colour The red/ orange colure creates the emotion of anger and hate this could be what the character feels about people these are.
Detailed Analysis on the open title sequence of Collateral.
Film Terminology Shots and Framing Camera Angles Camera Movements
Brick Charlie Funnell. Character The main character in this scene is clearly an unpopular person because of the way he dresses which seems like he hasn’t.
By Naomi Adams BRICK Opening Title Sequence Analysis Director-Rian Johnson Release date- 20 th July 2009.
Shutter Island opening title sequence textual analysis (2010) directed by Martin Scorsese By Mahli Macwana View here:
(Skipping Futuristic Scene). The opening scene is set in a typical urban setting, this connotes the threat of danger in seemingly normal surroundings.
Vertigo… By Alfred Hitchcock.
Sight Words.
Thriller Film Opening Title Sequence Analyses ‘DRIVE’
The Silence Of The Lambs Opening Title Sequence Analysis Director-Jonathan Demme Release date- 14 th February 1991 By Naomi Adams.
BRICK- Textual Analysis. Describe the Setting & Location A small, dark drainage system- The tunnel is dark and some of the shots are unclear on what we.
Evaluation Question 7 Looking back at your preliminary task, what do you feel that you have learnt in the progression from it to the full product?
Brick 2006 – Rian Johnson By Phoebe Farrington. Location(s)/Setting; The first location is the tunnel/sewer opening. It is very closed, dark and isolated.
Brick Textual analysis 9o 9o By Joe Coquet Directed by Rian Johnson.
‘In what ways does your media product use, develop or challenge forms and conventions of real media products?’
Opening Sequence Textual Analysis - Brick Brandon Jewell.
The beginning of the trailer reveals the production company New Line Cinema. However, the logo has been personalised to reinforce the stereotypical view.
My opening title conforms to the genre of thriller. It is a conventional thriller and doesn’t really challenge the genre as I wanted to ensure it was.
Micro elements By Daniel Yearwood 12BMM. Close up’s Extreme close up This is used to show mainly the eyes or a very important object. It can show the.
Thriller Analysis Emily Hemmings. Donnie Darko The titles are first shown to the audience written in a white bold font against a black background showing.
The first location seen is at a storm drain, an isolated remote area on the outskirts of town. Giving the feel the character is away from civilisation.
BRICK Opening Title Textual Analysis Release dateRelease date: April 7, 2006 (USA) DirectorDirector: Rian Johnson Rian Johnson.
Textual Analysis. Mise en Scene In the Opening Title Sequence for American Pyscho the shots were filmed in three different locations; the apartment, the.
Hoodwink Opening Title Sequence Pitch By Katie, Rebecca and Andrew.
Question 1 Evaluation In what ways does your media product use, develop or challenge forms and conventions of real media products? (i.e.: of film openings)
Shutter Island OTS analysis Director: Martin Scorsese Release Date: 2010.
Textual analysis of the Bourne identity By Sian Perrier.
1. This is the opening title sequence showing the film and scene that we have chosen to do for our nine key frames. The title of the film was chosen because.
Question 1.
Brick, 2005 Rian Johnson
Setting/location The opening scene does not include any long shots of the room that the person is in but you would assume it is in an office of some sort.
Question 1 In what ways does your media product use, develop or challenge the forms and conventions of real media products?
Movie starter 1 Woman in Black.
Hospital Sequence/Corruption of Michael
QUESTION ONE In what ways does your media product use, develop or challenge the forms and conventions of real media products?
COLLATERAL Opening Title Sequence Analysis Director-Michael Mann Release date- 17th September 2004 By Naomi Adams.
Analysis Opening Title Sequence Brick
Opening Title Sequence analysis. Dillon
Presentation transcript:

Set at night in an imaginary city (Basin City) the scene is based on the top of an apartment block, on the open balcony. The characters are at a party, but are alone outside together. This setting is typical of Thriller as in this genre it is often that the action happens in a small, hidden part of a big urban place. Half way through the scene it starts raining. Rain is often thought of with bad connotations. Reflecting the mood to be brought by her murder. The fact the characters are at this party, gives the audience the idea that they are of some importance and high social status. The dark of the night hints that these characters are antagonist and are up to something. Location & Setting Lighting & Colour stock The whole opening scene is in contrasted black and white, except for the colours green and red which are shown only on certain features. One section is done in 100% contrast. The black and white helps create the dark night scene, and adds to sophisticated music and atmosphere. The red of her dress connotes blood and lust, both which are reflected in this scene. The 100% contrast helps to create the atmosphere, the sexual contact is reinforced by the sudden change in effect. Mise-En-Scene

Costume/appearances ‘The Customer’ wears a red dress, red lips, and we are shown a flash of her green eyes. The only colour we are shown in this scene is that on her. The colours; green and red, can both be interpreted with dangerous connotations: red with blood and lust. Green with money, envy and poison. These reflect how she had messed up with money and the situation she is now in. ‘The Salesman’ wears a sharp black and white suit, with smart sleek hair. The way he is dressed so well says that he is rich, important and ‘business’. Props The cigarette- Used frequently in Thriller films, connoted negatively they help give the idea that these characters aren’t all clean and good. The smoke is also used to help create atmosphere. ‘The Customer’ is in a bad position and the fact she is smoking could show she is nervous and weak. The shot were she takes the cigarette from ‘The Salesman’ is prolonged and builds tension. The suit- By using the suit, also as done in many Thrillers, we can straight away get a taste of his personality, status and sometimes situation. The gun- Showing the audience the gun lets us know for sure that he has shot her. The gun is the prop which makes the action and finishes the scene. Seeing ‘The Salesman’ in a suit, carrying a gun we can assume that he is a hit man. Mise-En-Scene

Actors’ performance ‘The Customer’ is shivering, she look sad and vulnerable, which she is in comparison to the dangerous situation she is in. She puts on a confident front to ‘The Salesman’ but we can tell she is scared. Later on in the scene this front is broken and she opens up to him, letting both him and the audience how she is really feeling. ‘The Salesman’ is confident and speaks knowingly of her. The way he speaks to her gives her false sense of security, he tells her he loves her though they both know he doesn’t. “I let her hear my footsteps”. He is clearly in control of the situation. He is shown to be emotional, “I hold her close until she is gone” and he describes her perfume as “sweet promise that brings tears to my eyes” but then kills her and says his line “I’ll cash her check in the morning” and we realise he is not really effected by killing her, how a hit man should be. We can also gather from this that she had hired him to kill her. Mise-En-Scene

Camera shots Wide shot- used to establish the surroundings and setting. From this shot we get an impression of how small and insignificant she is too the vast city. Wide shot, APOV- This allows us to see him coming towards her, it is APOV because we know she is aware he is approaching. This creates the tension which she must be feeling. Close up- This closeness of this shot clearly shows us the slowness of her action, both that and the fact she is smoking gives the audience the idea she is nervous. Close up- This shot is in time with when ‘The Salesman’ says: “its your eyes, all the things I see in your eyes” the close up allows us to see her eyes go green Mid shot- This shot is of both the characters facing the camera, allowing only the audience to see ‘The Customers’ face and reaction to what is being said to her. From this shot we can tell she is scared and lonely. Wide shot- over the city, zooming away from the murder. This shot reminds us just how small this action is in comparison to vast city, and how such things can go unnoticed by everyone else.

Mise-En-Scene Camera angles The first shot is high angle, from the point of view of ‘The Salesman’, this we can assume because in his dialogue he describes her actions as we can see. The high angle from his point of view along with the fact she doesn’t know he is there tells us he has control over the situation. Another high angle shot is used after he has murdered her, this enables the audience to see both characters and to see clearly what has happened. Camera movements The 180 degree rule is obeyed throughout the scene, keeping the action simply understood and not confusing to watch. A match on action shot is used as the girl turns around to face the man. As she turns the shot is cut and the next one shows an APOV of ‘The Salesman’ watching her, this adds to the tense atmosphere. A shot-return-shot sequence is also used. The shots switch between each character to show the audience their reactions to each other. The pace is slow, building up tension to the climax of the girl’s murder. Each shot is prolonged which reflects the calm and slow way the characters are speaking in. Even after he has shot her he slowly lets her to the ground and then waits holding her on the floor.

Mise-En-Scene Sound The non-diegetic film score heard is slow jazz, which reflects the slow prolonged shots and dialogue. Both the use of this film score and the dialogue between the characters builds the tense atmosphere and creates suspension for the climax. As well as dialogue between the characters there is also the use of objective character identification, dialogue from ‘The Salesman’ which can only be heard by the audience. Both help to give us insights to the characters personalities and situations. After the murder has happened the film score changes to faster jazz with a lower pitched backing beat; this reflects what happened, the romantic scene has turned into one of murder and the film now seems much more sinister. As well as these sounds we can also hear diegetic sounds in the background, very faint sounds of wind and city noises can be heard to give us a feel of the atmosphere and urban setting. > link to the opening scene, with sound.