Haydn: The Joke LO: To be able to recall detailed information about the musical features of Haydn’s The Joke. C I list and define key features found in.

Slides:



Advertisements
Similar presentations
Musical Terms 2.
Advertisements

Area of Study 1: Mozart Symphony No.40 In G minor Mov 1
From Stravinsky to Schoenberg… Twentieth Century Music.
Chopin: Prelude Number 15 in Db Major "Raindrop" Opus 28.
The Classical Period (c ) Composers of the Viennese School Composers of the Viennese School Wolfgang Amadeus Mozart ( ) Wolfgang Amadeus.
Chopin Analysis.
Answering Aural Questions-Dynamics and Expressive techniques
Classical Music Higher Music.
 A less complicated texture than Baroque times (less Polyphonic/more homophonic)  More use of Dynamics.  Elegant  Question & Answer phrases  Clear.
General Characteristics of Classical Music Balance and proportion Clarity and accessibility Simple, logical and clear harmonies Shorter phrases “Simpler”
Chapter 12: The Symphony The Slow Movement.
Chapter 12: The Symphony Rondo Form. Key Terms Rondo form Rondo Episodes Sonata rondos Finale.
Chapter 12: The Symphony Minuet Form.
Classical Music By Sandy Fraser. What is Classical music/period? The Classical Period started about 1750 to 1810 approximately. Composers around this.
Year 8 Music Homework Topic 2: Reggae
© 2010 The McGraw-Hill Companies, Inc. All rights reserved The World of Music 7 th edition Part 4 Listening to Western Classical Music Chapter 11: Music.
Tonality Major Minor Atonal Modal. Rhythm / Rhythmic Devices Syncopation Dotted Rhythms Poly-rhythms Cross-rhythms Ostinato Off-beat Swing rhythms Rubato.
S5.  Learn about the Classical era.  Listen to some music from the classical period.  Discover famous classical composers.
“Skye Waulking Song” - Capercaillie
The Classical Period
Seachanges with Danse Macabre Raymond Deane. This is an excerpt from Seachanges What can you hear?  Instruments are added in this order: Maracas, piano,
A&D 3 B&E 4-1 Mr. Pinelli Contact Information
The Baroque Era New exploration of ideas and innovations in the arts New exploration of ideas and innovations in the arts Italy was at the.
Chapter 13 The Symphony. Key Terms Symphony Sonata form Exposition First theme Bridge Second group Second theme Cadence theme Development Recapitulation.
Area of Study 03: Texture and Melody “Melody” AQA GCSE Music.
Unit 4: Classical. Review Phrase Cadence Homophonic  “Having one part or melody predominating”  All sounds (full chords) moving at the same.
Music in the Baroque Period. LOs: To develop my knowledge and understanding of music history; to identify characteristics aurally; to expand my knowledge.
Mozart: “Symphony No. 40 in G minor Revision. Learning Objective By the end of the lesson, you: Will be able to define the three sections of a Sonata.
Schoenberg “Peripetie” for Five Orchestral Pieces.
Semester Exam Study Guide Mr. Major. Directions- After accessing the Online Norton Tutorial (websites are at the bottom of the page), double click the.
Some good questions.  Is there a strong feeling of pulse?  Are there regular accents, or are the accents irregular?  What is the tempo of the pulse.
CLASSICAL.
Classical
Begins on page 145 Chapter 17 The Concerto Solo Concerto  Contrasts soloist with orchestra  Solo part more showy  Soloist stands before orchestra.
A framework for answering aural questions using the 6 concepts of music.
GCSE MUSIC MOCK EXAM Steps to success. This exam is a LISTENING EXAM However success in this paper ( 40% of the total grade) depends on:- Sound revision.
AND THE GLORY OF THE LORD HANDEL. Background Information Comes from the Oratorio the ‘Messiah’ Written in 1741 First performed in Dublin in 1742 Fourth.
BAROQUE AND CLASSICAL CHAMBER MUSIC – AOS2. This lesson… All of you will be able to name some features of Baroque and Classical Chamber music. All of.
Overview of the course UnitUnit TitleMethod of assessment Final assessment date WeightingStructure of assessment 1 Listening to & Appraising.
BEETHOVEN 1 On the Classical-Romantic border…. LEARNING OBJECTIVES To revise the background and instrumentation of the Septet To revise the background.
JAZZ – AOS2 – SHARED MUSIC L.O - To understand the musical features found in Jazz music. To be able to learn and use the correct musical vocabulary.
 L.O – To understand the musical features found in Gamelan music.  To be able to learn and use the correct musical vocabulary in a listening test. Gamelan.
Haydn Symphony No. 26, 1 st movement. L.O  To understand features of Classical Music  To begin to analyse the musical characteristics of Haydn’s symphony.
NAM 16: STRING QUARTET “THE JOKE”, MOVEMENT 4 (HAYDN)
Classical Era The Classical Era  Important events: –American Revolution ( ) –French Revolution ( ) –The Industrial Revolution.
Elements of Music. Melody Single line of notes heard in succession as unit Phrases Cadences—Points of arrival/rest Conjunct vs. disjunct motion Contour:
 L.O – To understand the musical features found in Indian Classical music.  To be able to learn and use the correct musical vocabulary in a listening.
Schumann 2 Instrumental Music. What we are going to learn  An analysis of all three movements of Kinderscenen  To compare the Schumann with another.
Classical Music Higher Music.
Area of Study - Popular Music
Classical Music Higher Music.
Classical Music HIGHER.
Instruments and their techniques
S4 (Higher) BAROQUE MUSIC
Gamelan AOS2 – Shared music
Corelli: Trio Sonata in D, Op. 3 No 2
The World of Music 6th edition
Baroque revision question
Classical Music S5.
MUSIC HIGH SCHOOL – MUSIC THEORY
Classical period ( ) Characteristics of music in this period:
Classical Period 1750 – 1810.
The concerto through time: Romantic edition
Classical Music Higher Music.
Homework: A0S2, The Concerto Through Time Due: Friday 9th March
To know and be able to recognise the following musical features:
Peripetie 4 Arnold Schoenberg.
Key styles, composers and their works.
Chapter 12: The Symphony The Slow Movement.
Harold in Italy Berlioz.
Presentation transcript:

Haydn: The Joke LO: To be able to recall detailed information about the musical features of Haydn’s The Joke. C I list and define key features found in the set work B I provide detailed examples to demonstrate my understanding of the set work. A I apply my knowledge of the set work correctly to an unheard extract of music

Background to Haydn 1.Using the information, highlight what you consider to be key information. 2.Now summarise your notes into 3 sentences. Write this down. 3.Now boil this down into 5 key words.

Write the key words that match these definitions.  Arco  anacrusis  sforzando  acciaccatura  Rondo  passing note  diatonic  String Quartet  double stopping  pedal  Arco  anacrusis  sforzando  acciaccatura  Rondo  passing note  diatonic  String Quartet  double stopping  pedal

Haydn: The Joke LO: To be able to recall detailed information about the musical features of Haydn’s The Joke. C I list and define key features found in the set work B I provide detailed examples to demonstrate my understanding of the set work. A I apply my knowledge of the set work correctly to an unheard extract of music

Haydn Treasure Hunt Find the following information in the unmarked copies of the Anthology: Yo ho me hearties! each section of rondo form dominant 7 th chord a pedal note in section B arpeggio movement in the melody 2 examples of homorhythms 4 different examples of ornamentation

Haydn: The Joke LO: To be able to recall detailed information about the musical features of Haydn’s The Joke. C I list and define key features found in the set work B I provide detailed examples to demonstrate my understanding of the set work. A I apply my knowledge of the set work correctly to an unheard extract of music

What words would we expect to use in the listening exam? Melody Rhythm Texture Dynamics

A2 Listening