Romanesque Painting K.J. Benoy. Origins of Romanesque Painting  Painting in the Middle Ages revived with the Carolingian Empire – particularly in the.

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Presentation transcript:

Romanesque Painting K.J. Benoy

Origins of Romanesque Painting  Painting in the Middle Ages revived with the Carolingian Empire – particularly in the production of richly illuminated texts.  Large wall-paintings were also created, but little survives. Annunciation, Gegenbach, Germany

Origins of Romanesque Art  Byzantine influence was strong, but was fused with with early Christian and Germanic decorative traditions. Note the Byzantine influence in this Apse Mosaic, Cefalo Cathedral, Sicily

Origins of Romanesque Art  Tapestry work and painting were closely related in this period.  The story telling of the Bayeux Tapestry also appeared in paintings. An early scene. King Edward dies (left) and is buried (right).

Origins of Romanesque Painting Bayeux Tapestry. A later scene, the battle rages.

Romanesque Painting  Figures are stylized, rather than naturalistic – as in Byzantine icons.  Background is subordinated to the human figure David & Goliath, Santa Maria Church, Tahull, Spain

Romanesque Painting  Figures are generally sized according to importance, not in accordance with perspective. The Martyrdom of St. Francis

Romanesque Painting  The natural world is hinted at, but plants and scenery remain abstract and the result is usually a “fairytale landscape.” Janson Noah, Receiving Instruction from God

Romanesque Painting  Similarities in style and technique may relate to an internationalization of styles brought from place to place by traveling artists. Fresco in San Pedro de Sorpe, Spain

Romanesque Painting  Scenes are religious and are intended to educate. The Baptism of Christ

Romanesque Painting  Volume, perspective and proportion between elements are not important. Christ in Majesty, San Isodoro, Leon, Spain

Romanesque Painting  Background and landscape is often ignored entirely or presented as bands of colour or pattern

Romanesque Painting  Particular attention is given to the folds and pleats of clothing – as is the case with Byzantine icons. The scribe Eadwine, Canterbury Psalter

Romanesque Painting  Painting is often small.  Manuscripts are beautifully illuminated – often by women in convents. Illumination from the Lesson of St. Wenseslas

Romanesque Painting  The Scale of Painting can also be very large.  Frescoes covered entire walls or vaults. The Painted Vault of St. Savin-sur-Gartemps

Romanesque Painting – St. Savin-sur-Gartemps Detail Vault