Presentation for Trinity Cristo Rey Lutheran Church, Santa Ana, CA by Christopher Martin Digital Organs, Downey, CA

Overview Most digital organ companies use a few samples for each rank of pipes, bent to different pitches throughout the rank. The samples are very short, and often the beginning and the release are truncated. This was useful years ago for conserving memory and processing power, but with the technology currently available, it is outdated. Our organs use samples for each and every note in a rank. Our samples are very long—usually between 5 and 13 seconds. We use entire sampled organs so that the different voices blend together in the way a master pipe organ builder voiced them over many hundreds of hours. The difference in realism is astonishing and readily apparent even to untrained ears. All of our organs use the same software platform, so they share a lot of advanced features in common: Built in audio and MIDI recording (the organ can play itself with the press of a button). Randomization modeling for tuning and tremulants (to better imitate the sound of a pipe organ). Swell shoes apply filters to each and every pipe separately in real time. Touchsreen menu interfaces built into a drawer in the console. Easy access to transposition, temperaments, pitch adjustment, volume adjustment, and a host of other menu functions. Multichannel audio routing: different divisions of the organ are routed to different groups of speakers. Within those groups, each speaker carries its own pipe-load so that no one organ pipe sounds from more than one speaker. This fools the ear much better into believing it is hearing thousands of pipes than any possible stereo mix.

Organ Models Available Studio 2 Studio 3 Studio 3X T3 T4 S3 S4

Studio 2

Studio 2 Features 2 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 1 row of 20 thumb pistons for controlling the combination action including a Set, Cancel, 5 generals, 5 divisionals, 5 banks of combination memory, and 3 coupler duplicates. 10 toe pistons (5 generals and 5 pedal divisionals). A 32 note radiating and concave AGO standard pedalboard. A 44 stop disposition, 3 couplers, and a Swell tremulant controlled with center sprung, lighted rocker tabs. One swell shoe. A pedal lamp. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request.

Studio 2 Options Studio 2 Basic: $24,695 Add a crescendo shoe: $450 Add a second row of engraved pistons: $850 Add 4 LCD screens for displaying relevant information in real time: $1100 Add wood-core, wood-covered keyboards (standard or reverse colors): $3800 Add French Romantic (Cavaillé-Coll) and German Baroque (Silbermann) sample sets (including engraved label plates): $1400 Studio 2 with full options: $32,295

Studio 2 Stoplist Pedal 16' Principalbass 16' Contrabass 16' Soubasse 8' Octavbass 8' Gedackt 4' Octave Mixtur IV 16' Basson 16' Bombarde 8' Trompete Gt. to Ped. Sw. to Ped Great 16' Montre 8' Principal ' Flûte Harmonique 8' Gamba 8' Bourdon 4' Praestant 4' Rohrflöte 2 2/3' Quinte8 2' Superoctave Cornet II-V Mixtur V-VII Cimbel IV-V 4' Trompete Sw. to Gt. Swell (expr.) 16' Gedeckt 8' Geigenprincipal 8' Cor de nuit 8' Flûte Traversiere 8' Bourdon a cheminée 8' Voix céleste 8' Salicional 4' Flûte conique 2 2/3' Quinte 2' Doublette Swell (cont'd) 2' Octavin 1 3/5' Terz 1 1/3' Larigot Mixtur IV-VI 8' Trompette 8' Cromorne 8' Basson-hautbois Tremulant

Studio 3

Studio 3 Features 3 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 1 row of 20 thumb pistons for controlling the combination action including a Set, Cancel, 5 generals, 5 divisionals, 5 banks of combination memory, and 3 coupler duplicates. 10 toe pistons (5 generals and 5 pedal divisionals). A 32 note radiating and concave AGO standard pedalboard. A 45 stop disposition, 9 couplers, and Swell and Positiv tremulants, controlled with center sprung, lighted rocker tabs. Dual expression shoes. A pedal lamp. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request.

Studio 3 Options Studio 3 Basic: $28,595 Add a crescendo shoe: $450 Add a second row of engraved pistons: $850 Add a third row of engraved pistons $850 Add 4 LCD screens for displaying relevant information in real time: $1100 Add wood-core, wood-covered keyboards (standard or reverse colors): $5700 Studio 3 with full options: $37,545 Additional sample sets available upon request

Studio 3 Stoplist Pedal 16' Principalbass 16' Contrabass 16' Soubasse 8' Octavbass 8' Gedackt 4' Octave Mixtur IV 16' Basson 16' Bombarde 8' Trompete Gt. to Ped. Pos. to Ped Sw. to Ped Sw. to Ped. 4' Great 16' Montre 8' Principal 8' Flûte Harmonique 8' Gamba 8' Bourdon 4' Praestant 4' Rohrflöte 2 2/3' Quinte 2' Superoctave Cornet II-V Mixtur V-VII Cimbel IV-V 4' Trompete Pos. to Gt. Sw. to Gt. Sw. to Gt. 4' Positiv 8' Cor de nuit 8' Salicional 8' Flûte Traversiere 4' Flûte conique 2' Doublette 1 3/5' Terz 1 1/3' Larigot Mixtur IV-VI 8' Trompette 8' Cromorne Tremulant Sw. to Pos. Sw. to Pos. 4' Swell 16' Gedeckt 8' Geigenprincipal 8' Bourdon a cheminée 8' Voix céleste 4' Flûte octaviante 2' Octavin 8' Basson-hautbois Sw. to Sw. 4'

Studio 2 vs. Studio 3 Similar features, similar options, similar stoplists. The Studio 3 spreads the stops of the Studio 2 onto 3 manuals to better facilitate the playing needs of liturgical worship and much of the organ repertoire. The Studio 3 has two enclosed expressive divisions compared to one enclosed expressive division on the Studio 2.

Studio 3X

Studio 3X Features 3 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 1 row of 20 thumb pistons for controlling the combination action including a Set, Cancel, 5 generals, 5 divisionals, and 5 banks of combination memory, and 3 coupler duplicates. 10 toe pistons (5 generals and 5 pedal divisionals). A 32 note radiating and concave AGO standard pedalboard. An 80 stop disposition and 16 couplers and tremulants controlled with center sprung, lighted rocker tabs. Dual expression shoes. A pedal lamp. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request.

Studio 3X Options Studio 3X Basic: $34,095 Add a crescendo shoe: $450 Add a second row of engraved pistons: $850 Add a third row of engraved pistons $850 Add 4 LCD screens for displaying relevant information in real time: $1100 Add wood-core, wood-covered keyboards (standard or reverse colors): $5700 Add a second sample set (plus engraved plates) $1600 Add a third sample set $1000 Add a fourth sample set $1000 Studio 3X with full options: $46,645

Studio 3X Stoplist Pedal 32' Soubasse 16' Principalbass 16' Soubasse 16' Contrebasse 8' Octavbass 8' Gedäckt 8' Cello 4' Octave 4' Tibia Zinck III Mixtur IV 32' Bombarde 16' Bombarde 16' Basson (Pos.) 8' Trompete 4' Clairon Solo (floating; expressive) 16' Rohrbourdon 8' Principale 8' Voce humana 8' Konzertflöte 5 1/3' Nazard 3 1/5' Tierce 2 2/7' Septième Great 16' Montre 8' Principal 8' Flûte harmonique 8' Bourdon 8' Gamba 4' Praestant 4' Rohrflöte 2 2/3' Quinte 2' Superoctave Cornet II-VII Mixtur V-VII Cimbel IV-V 16' Trompete 4' Trompete Crescendo On Solo (cont'd) 2' Flûte Sesquialtera II Plein jeu III-V 8' Cor anglais 8' Tuba mirabilis Chamade (floating) 16' Chamade 8' Chamade 4' Chamade Positiv (expressive) 8' Cor de nuit 8' Salicional 8' Unda maris 4' Flûte conique 2' Doublette 1 3/5' Terz 1 1/3' Larigot 1' Piccolo Mixtur IV-VI 16' Dulzian 8' Trompette 8' Cromorne 8' Clarinette Couplers Gt. to Ped Pos. to Ped Sw. to Ped Solo to Ped Chamade to Ped Pos. to Gt. Sw. to Gt. Solo to Gt. Swell (expressive) 16' Violon 8' Geigen Principal 8' Bourdon a cheminée 8' Voix Céleste 4' Violine 4' Flûte octaviante 2 2/3' Nasard 2' Octavin 1 3/5' Tierce Progressio II-IV 8' Trompette harmonique 8' Basson-Hautbois 8' Voix humaine 4' Clairon harmonique Couplers (cont'd) Chamade to Gt. Sw. to Pos. Solo to Pos. Chamade to Pos. Solo to Sw. Chamade to Sw. Pos/Solo. Trem Sw. Trem

Studio 3 vs. Studio 3X Similar features and options Much larger stoplist and alternate stoplists More powerful computer system (to process the larger stoplist)

T3

T3 Features 3 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 3 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 15 generals, 15 divisionals, 10 banks of combination memory, coupler duplicates, volume controls, and user assignable pistons. Lighted magnetic reed pistons. Ergonomic toe stud mounts, angled stopjambs, and ornamented console. 15 toe pistons (10 generals and 5 pedal divisionals). 5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes, pitch, volume, temperament, transposition, etc.). A 32 note radiating and concave AGO standard pedalboard. An 80 stop disposition and 16 couplers and tremulants controlled with center sprung, lighted rocker tabs. Dual expression shoes and a crescendo shoe. A pedal lamp and lighted acrylic music desk. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request. Double manual and pedal harpsichord and chamber organ.

T3 Options T3 Basic: $48,395 Add wood-core, wood-covered keyboards (standard or reverse colors): $3100 Add a second sample set (plus engraved plates) $1600 Add a third sample set $1000 Add a fourth sample set $1000 T3 with full options: $55,095

T3 Stoplist Pedal 32' Soubasse 16' Principalbass 16' Soubasse 16' Contrebasse 8' Octavbass 8' Gedäckt 8' Cello 4' Octave 4' Tibia Zinck III Mixtur IV 32' Bombarde 16' Bombarde 16' Basson (Pos.) 8' Trompete 4' Clairon Solo (floating; expressive) 16' Rohrbourdon 8' Principale 8' Voce humana 8' Konzertflöte 5 1/3' Nazard 3 1/5' Tierce 2 2/7' Septième Great 16' Montre 8' Principal 8' Flûte harmonique 8' Bourdon 8' Gamba 4' Praestant 4' Rohrflöte 2 2/3' Quinte 2' Superoctave Cornet II-VII Mixtur V-VII Cimbel IV-V 16' Trompete 4' Trompete Crescendo On Solo (cont'd) 2' Flûte Sesquialtera II Plein jeu III-V 8' Cor anglais 8' Tuba mirabilis Chamade (floating) 16' Chamade 8' Chamade 4' Chamade Positiv (expressive) 8' Cor de nuit 8' Salicional 8' Unda maris 4' Flûte conique 2' Doublette 1 3/5' Terz 1 1/3' Larigot 1' Piccolo Mixtur IV-VI 16' Dulzian 8' Trompette 8' Cromorne 8' Clarinette Couplers Gt. to Ped Pos. to Ped Sw. to Ped Solo to Ped Chamade to Ped Pos. to Gt. Sw. to Gt. Solo to Gt. Swell (expressive) 16' Violon 8' Geigen Principal 8' Bourdon a cheminée 8' Voix Céleste 4' Violine 4' Flûte octaviante 2 2/3' Nasard 2' Octavin 1 3/5' Tierce Progressio II-IV 8' Trompette harmonique 8' Basson-Hautbois 8' Voix humaine 4' Clairon harmonique Couplers (cont'd) Chamade to Gt. Sw. to Pos. Solo to Pos. Chamade to Pos. Solo to Sw. Chamade to Sw. Pos/Solo. Trem Sw. Trem

Studio 3X vs. T3 Similar stoplists All optional features of Studio Series are standard in T Series except wood keyboards Lighted magnetic reed pistons in T Series Ergonomic toe piston mounts, angled stopjambs, and ornamented console

T4

T4 Features 4 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 4 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 20 generals, 20 divisionals, 15 banks of combination memory, coupler duplicates, volume controls, and user assignable pistons. Lighted magnetic reed pistons. Ergonomic toe stud mounts, angled stopjambs, and ornamented console. 25 toe pistons (15 generals, 5 pedal divisionals, and 5 couplers). 5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes,. pitch, volume, temperament, transposition, etc.) A 32 note radiating and concave AGO standard pedalboard. A 96 stop disposition and 34 couplers and tremulants controlled with center sprung, lighted rocker tabs. Triple expression shoes and a crescendo shoe. A pedal lamp and lighted acrylic music desk. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request. Double manual and pedal harpsichord and chamber organ.

T4 Options T4 Basic: $57,395 Add wood-core, wood-covered keyboards (standard or reverse colors): $4900 Add a second sample set (plus engraved plates) $1600 Add a third sample set $1000 Add a fourth sample set $1000 T4 with full options: $65,895

T4 Stoplist Pedal 32' Majorbass 32' Soubasse 32' Violon 16' Principalbass 16' Soubasse 16' Contrebasse 16' Violon (Sw.) 10 2/3' Grossquinte 8' Octavbass 8' Gedäckt 8' Cello 4' Octave 4' Tibia Tercsept II Zinck III Compensum VII Mixtur IV 32' Bombarde 16' Bombarde 16' Basson (Pos.) 8' Trompete 4' Clairon Solo (expressive) 16' Rohrbourdon 8' Principale 8' Voce humana 8' Konzertflöte 5 1/3' Nazard 3 1/5' Tierce 2 2/7' Septième Great 16' Montre 16' Bourdon 8' Principal 8' Flûte harmonique 8' Bourdon 8' Gamba 4' Praestant 4' Rohrflöte 2 2/3' Quinte 2' Superoctave Cornet II-VII Mixtur V-VII Cimbel IV-V 16' Trompete 4' Trompete Solo (cont'd) 2' Flûte Sesquialtera II Plein jeu III-V 8' Cor anglais 8' Tuba mirabilis Chamade (floating) 16' Chamade 8' Chamade 4' Chamade Positiv (expressive) 16' Principal 16' Quintatön 8' Cor de nuit 8' Flûte traversière 8' Salicional 8' Unda maris 4' Flûte conique 2' Doublette 1 3/5' Terz 1 1/3' Larigot 1' Piccolo Mixtur IV-VI Septnon II 16' Basson 16' Dulzian 8' Trompette 8' Cromorne 8' Clarinette Tremulant Couplers Gt to Ped Pos to Ped Sw to Ped Solo to Ped Chamade to Ped Pos to Gt Sw to Gt Solo to Gt Chamade to Gt Sw to Pos Solo to Pos Chamade to Pos Solo to Sw Chamade to Sw Chamade to Solo Gt to Ped 4' Pos to Ped 4' Swell (expressive) 16' Gedeckt 16' Violon 8' Geigen Principal 8' Bourdon a cheminée 8' Voix Céleste 8' Aeoline 4' Violine 4' Flûte octaviante 2 2/3' Nasard 2' Octavin 1 3/5' Tierce Progressio II-IV Cymbale IV 8' Trompette harmonique 8' Basson-Hautbois 8' Voix humaine 4' Clairon harmonique 4' Hautbois Couplers (cont'd) Sw to Ped 4' Gt to Gt 16' Gt to Gt 4' Pos to Gt 16' Pos to Gt 4' Sw to Gt 16' Sw to Gt 4' Pos to Pos 16' Pos to Pos 4' Pos Unison Off Sw to Pos 16' Sw to Pos 4' Sw to Sw 16' Sw to Sw 4' Crescendo On

T3 vs. T4 80 stops on T3; 96 on T4 4 manual dropsill console with extra stop controls allows for playing larger sample sets such as Marcussen and Willis Only the Chamade division is floating on T4 since the Solo has its own keyboard Triple expression shoes on T4 vs. dual on T3

S3

S3 Features 3 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 3 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 15 generals, 15 divisionals, 10 banks of combination memory, coupler duplicates, volume controls, and user assignable pistons. Lighted magnetic reed pistons. Ergonomic toe stud mounts, angled stopjambs, and ornamented console. 15 toe pistons (10 generals and 5 pedal divisionals). 5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes, pitch, volume, temperament, transposition, etc.). A 32 note radiating and concave AGO standard pedalboard. A row of 32 couplers programmed standard for all sample sets. 2 touchscreens built into stopjambs allowing theoretically unlimited sample sets to be playable from the same console. Stopjamb graphics for each sample set, allowing a virtual experience of the original organ from which the sample set was made. Dual expression shoes and a crescendo shoe. A pedal lamp and lighted acrylic music desk. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request. Double manual and pedal harpsichord and chamber organ. Easily expandable at any time to include additional organ sample sets.

S3 Options S3 Basic: $48,395 Add wood-core, wood-covered keyboards (standard or reverse colors): $3100 Add a second sample set $1000 Add a third sample set $1000 Add a fourth sample set $1000 S3 with full options: $54,495

T3 vs. S3 Similar design and price The physical stop controls of the T3 are desirable for those who prefer a more traditional experience at the organ console. The touchscreens of the S3 allow for control of unlimited organs and as many stops as are on the stopjamb graphcis. For example, a theater organ or 256 stops is easily playable on the S3, but only limited stops would be accessible from the T3.

S4

S4 Features 4 high quality tracker touch keyboards, available in heavy (150g), medium (125g) or light (100g) playing weights. 4 rows of 20 thumb pistons for controlling the combination action including a Set, Cancel, 15 generals, 15 divisionals, 10 banks of combination memory, coupler duplicates, volume controls, and user assignable pistons. Ergonomic toe stud mounts, angled stopjambs, and ornamented console. 25 toe pistons (15 generals, 5 pedal divisionals and 5 couplers). 5 LCD screens displaying relevant information in real time (sample set loaded, state of expression shoes, pitch, volume, temperament, transposition, etc.). A 32 note radiating and concave AGO standard pedalboard. A row of 32 couplers programmed standard for all sample sets. 2 touchscreens built into stopjambs allowing theoretically unlimited sample sets to be playable from the same console. Stopjamb graphics for each sample set, allowing a virtual experience of the original organ from which the sample set was made. Triple expression shoes and a crescendo shoe. A pedal lamp and lighted acrylic music desk. A touchscreen menu interface built into a drawer in the console for simple access to advanced user functions. 20 temperaments available standard. Up to 300 temperaments available upon request. Double manual and pedal harpsichord and chamber organ. Easily expandable at any time to include additional organ sample sets.

S4 Options S4 Basic: $57,395 Add wood-core, wood-covered keyboards (standard or reverse colors): $4900 Add a second sample set $1000 Add a third sample set $1000 Add a fourth sample set $1000 S4 with full options: $65,295

Recommended Audio System 8 channel amplifier: $2000 8 speakers: $3600 2 subwoofers: $4000 Total: $9600 Labor involved in routing cables for the audio system can be contracted by us or performed by qualified church personnel.

Additional Sample Sets French romantic (Cavaillé-Coll, the greatest organ builder of 19th century Franch) German/Dutch Baroque (Silbermann; Schnitger) Neo-Baroque (Marcussen) English Cathedral (Father Willis) American Late Romantic Symphonic (E.M. Skinner) Harpsichord Chamber Organ

Harpsichord Stoplist Manual I 16' 8' 4' 2' Koppel Pedal 16' Bass (lowest notes only) Manual II Laute

Chamber Organ Stoplist Manual 8' Bordun 4' Flauto 2' Prinzipal 1 1/3' Quint Mixtur II

Cavaillé-Coll Stoplist (for Studio 2) Pédale 16' Soubasse (G.O.) 16' Contrebasse 8' Violon (G.O.) 8' Bourdon (G.O.) 16' Bombarde Grand Orgue 16' Bordun 8' Montre 8' Bourdon 8' Flûte harmonique 8' Salicional 4' Prestant 4' Flûte douce 2' Doublette Récit expressif 8' Cor de nuit 8' Viole de gambe 8' Voix Celeste 4' Flûte octaviante 2 2/3' Nasard 2' Flageolet Plein jeu III 16' Basson 8' Trompette 4' Clairon 8' Basson et hautbois 8' Voix humaine Trémolo Fonds Trémolo Anches Accouplement Tirasses-G.O. à Pédale Tirasses-Récit à Pédale Récit Anches Récit à G.O. Récit à G.O. O. Gr. L'Orage

Silbermann Stoplist (for Studio 2) Pedal 32' Gross Untersatz 16' Principal 8' Octaven Bass 16' Posaune 8' Trompete Bass Ventil Hauptwerk 8' Octav Principal 8' Viol di Gamba 8' Rohr Flöte 4' Octava 4' Spitz Flöte 3' Quinta 2' Octava Tertia Mixtur IV Cymbel III Cornet IV 16' Fachott Tremulante Klingel Oberwerk 16' Quintadena 8' Principal 8' Gedackts 8' Quintadena 4' Rohr Flöte 3' Nasat 1 1/3' Quinta Sechst Quint Altra 1' Sifflöt Mixtur III 8' Vox Humana OW-HW Coupler Schwebung

Schnitger Stoplist (for Studio 3 and 3X, T3 and T4, S3 and S4) Pedaal (Pedal) 16' Praestant 16' Subbas 8' Octaav 8' Holpyp 4' Superovtaav 2' Vlakfluit Mixtuur VIII 32' Fagot 16' Basuin 8' Trompet 4' Trompet 2' Cornet Borstwerk (Floating) 8' Fluitgedekt 4' Praestant 4' Roerfluit 3' Spitsfluit 2' Superoctaav 2' Gemshoorn 1 1/2' Quintanus 1' Nachthoorn Sexquialtera II Mixtuur III-IV 8' Dulciaan 8' Regaal Hoofdwerk (Great) 16' Quintadena 8' Roerfluit 4' Octaav 4' Speelfluit 3' Nasaat Ruyschpijp II Mixtuur VI Cimbel III 16' Trompet 8' Vox humana Couplers Hoofdwerk Pedaal Bovenpositief Hoofdwerk Rugwerk Hoofdwerk Borstwerk Hoofdwerk Borstwerk Bovenpositief Borstwerk Rugwerk Afsluiter Pedaal (ventil) Afsluiter Hoofdwerk (ventil) Rugwerk (Positiv) 8' Praestant 8' Quintadena 4' Fluit 3' Quintfluit Scherp IV 16' Fagot 8' Schalmey Couplers (cont'd) Afsluiter Rugwerk (ventil) Afsluiter Bovenpositief (ventil) Afsluiter Borstwerk (ventil) Tremulant Rugwerk Tremulant HW+BP+BW Bovenpositief (Swell) 8' Viola 6' Quinta 4' Holpyp 3' Quinta 2' Woudfluit 1 1/2' Sifflet Tertiaan II Scherp V 8' Viola di Gamba

Cavaillé-Coll Stoplist (for Studio 3 and 3X, T3 and T4, S3 and S4) Pédale Jeux de Fonds 32' Bourdon 16' Soubasse 16' Contrebasse 8' Grosse Flûte 8' Violoncelle 8' Bourdon doux 4' Flûte Jeux d'Anches 32' Contrebombarde 16' Bombarde 8' Trompette 4' Clairon Tirasses G.O Positif Récit Grand Orgue 16' Montre 16' Bourdon 8' Montre 8' Gambe 8' Bourdon 8' Flûte harmonique 4' Prestant 4' Flûte octaviante 2' Doublette 2 2/3' Quinte Cornet V Plein-jeu VII Accouplements Positif - G.O. Récit - G.O. Récit - Positif G.O. Sub Récit Sub Cop. G.O 8' Salicional 8' Unda maris 8' Cor de nuit 4' Flûte douce Carillon III 2 2/3' Nasard 1 3/5' Tierce 16' Basson 8' Cromorne Appels G.O. Récit (espressif) 16' Quintaton 8' Diapason 8' Viole de gambe 8' Voix céleste 8' Flûte traversière 8' Basson-hautbois 8' Clarinette 8' Voix humaine 2' Octavin Cornet II-V Plein-jeu Tremolo (Récit)

Skinner Stoplist (for Studio 3 and 3X, T3 and T4, S3 and S4) Pedal 32' Untersatz 16' Open Diapason 16' Diapason (Great) 16' Contra Bass 16' Bourdon 16' Gamba (Choir) 8' Octave 8' Gedeckt 8' Cello (Choir) 4' Super Octave 32' Bombarde 16' Trombone 8' Tromba Couplers Swell to Pedal 8' Great to Pedal 8' Choir to Pedal 8' Swell to Pedal 4' Great to Pedal 4' Choir to Pedal 4' Swell to Great 8' Choir to Great 8' Great 16' Double Diapason 8' First Diapason 8' Second Diapason 8' Harmonic Flute 4' Octave 4' Flute 2 2/3' Twelfth 2' Fifteenth Harmonics III 4' Clarion 8' Trompette en Chamade Great-Choir Chimes Carillon Couplers (cont'd) Swell to Choir 8' Swell Unison Off Swell 16' Swell 4' Swell to Great 16' Swell to Great 4' Swell to Choir 16' Swell to Choir 4' Choir 16' Choir 4' Choir to Great 16' Choir to Great 4' Choir 16' Gamba 8' Concert Flute 8' Gamba 8' Gamba Celeste 8' Dulciana 4' Gambette 2 2/3' Nazard 8' Clarinet 8' Orchestral Oboe 8' French Horn 8' Tuba Mirabilis Harp Celesta Zimbelstern Tremolo Swell 8' Diapason 8' Rohrflute 8' Flauto Dolce 8' Flute Celeste 8' Salicional 8' Voix Celeste 4' Flute (triangular) 2' Flautino Mixture V 16' Waldhorn 8' Trumpet 8' Oboe d'Amore 8' Vox Humana

Father Willis Stoplist (for T4, S3 and S4) Pedal 32' Double Open Bass 16' Open Bass 16' Open Diapason 16' Bourdon 8' Principal 8' Stopped Flute 4' Fifteenth 4' Open Flute Mixture IV 32' Bombarde 16' Ophicleide 16' Trombone 8' Trumpet 4' Clarion Solo 8' Viola da Gamba 8' Voix Celestes 8' Harmonic Flute 4' Concert Flute 2' Hohl Flute 8' or 16' Orchestral Oboe 8' or 16' Clarinet 8' Cor Anglais Great 16' Double Open Diapason 8' Open Diapason No.1 8' Open Diapason No.2 8' Open Diapason No. 2 8' Claribel Flute 8' Stopped Diapason 4' Principal No.1 4' Principal No.2 4' Flute 2 2/3' Twelfth 2' Fifteenth Mixture III 16' Double Trumpet Solo (cont'd) 8' or 16' Tromba 4' Glockenspiel 8' Tuba Tremulant Solo Octave Solo Suboctave Solo Unison Off Solo low pressure 16' Solo high pressure 16' Great to Solo Choir 8' Open Diapason 8' Lieblich Gedacht 8' Dulciana 4' Gemshorn 4' Lieblich Flute 2 2/3' Nazard 2' Spitzflute 1 3/5' Tierce Couplers Great to Pedal Swell to Pedal Choir to Pedal Solo to Pedal Swell to Pedal 4' Choir to Pedal 4' Solo to Pedal 4' Great & Pedal combinations coupled Swell to Great Swell to Great 16' Swell to Great 4' Choir to Great Choir to Great 16' Choir to Great 4' Swell 16' Contra Gamba 8' Salicional 8' Vox Angelica 4' Principal 16' Dulzian 8' Oboe Double Trumpet Trumpet Clarion Couplers (cont'd) Solo to Great Solo to Great 16' Solo to Great 4' Swell to Choir Swell to Choir 16' Swell to Choir 4' Solo to Choir Solo to Choir 16' Solo to Choir 4' Solo to Swell Solo to Swell 16' Solo to Swell 4' Swell 16' Swell 4'

Marcussen Stoplist (for T4, S3, and S4) Pedaal 32' Praestant 16' Octaaf 16' Open Subbass 10 2/3' Gedekte Quint 8' Octaaf 8' Gemshoorn 5 1/3' Roerquint 4' Octaaf 4' Koppelfluit 2' Nachthoorn 1' Dwarsfluit Ruispijp V Cornet III Mixtuur X 32' Bazuin 16' Bazuin 16' Fagot 8' Trompet 4' Trompet 2' Zink Hoofdwerk 16' Praestant 8' Openfluit 5 1/3' Quint 4' Spitsfluit 2' Octaaf Ruispijp III-IV Mixtuur VIII-X Scherp VI-VIII 16' Trompet Cornet V Borstwerk 8' Gedekt 4' Praestant 4' Blokfluit 2 2/3' Nasard 2' Gedekte fluit 1' Octaaf II Tertiaan IV-V Scherp 16' Regaal 8' Kromhoorn 8' Regaal Rugwerk 16' Quintadeen 8' Praestant 8' Holpijp 8' Quintadeen 4' Roerfluit 2 2/3' Quint 2' Woodfluit 1 1/3' Sifflet Sesquialter II-IV Mixtuur VI-VIII Scherp IV-VI 16' Dulciaan Tremulant Chamadewerk Bas 8' Orlos 4' Clarin Fuerte 8' Trompeta de Batalla 8' Trompete Brillante 2' Clarin Discanto 16' Trompeta Magna Bovenwerk 16' Gedekt 8' Baarpijp 8' Roerfluit 8' Viola di Gamba 8' Viola di Gamba ZW 4' Openfluit 3 1/5' Terts 2 2/3' Roerquint 1 3/5' Terts Mixtuur V-VII Cimbel III 16' Bombarde 8' Trompette 8' Voix Humaine 4' Clairon Couplers Hoofdwerk + Pedaal Rugwerk + Pedaal Bovenwerk + Pedaal Rugwerk + Hoofdwerk Bovenwerk + Hoofdwerk Borstwerk + Hoofdwerk Bovenwerk af Chamade aan Brustwerk + Chamade

Note regarding additional sample sets The sample sets represented here are by no means comprehensive. We've chosen what we believe are both the best and most useful sample sets available for general use. However, for interested organists who would put them to good use, the sky is the limit. Organs from the Italian Renaissance, Spanish Baroque, French Baroque and Classical, English Baroque, German Romantic, 20th century theater organs and many more are available. Nearly every major school of organbuilding is represented in sampled form and available for use.