POP ART.

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Presentation transcript:

POP ART

POP ART’S CHARACTERISTICS POPULAR VS. ELITIST MUNDANE, EVEN KITSCHY CELEBRATES THE ORDINARY DRAWS FROM AND REFLECTS ON BOTH THE THEMES AND TECHNIQUES OF POPULAR MASS CULTURE Advertising Comic books Cartoons

REACTION TO ABSTRACT EXPRESSIONISM? RETURN TO REPRESENTATIONAL ART CONCRETE VS. ABSTRACT CONTROLLED AND DETAILED PAINTWORK “INDUSTRIAL” PROCESS PARODY OF “FINE ART”

THE POP ARTISTS ANDY WARHOL JASPER JOHNS CLAES OLDENBURG ROY LICHTENSTEIN ROBERT RAUSCHENBERG

ANDY WARHOL SILK SCREEN PROCESS MASS PRODUCED THE MASS PRODUCED THE COMMODITY THE DEMOCRATIC IDEAL? OR THE LOST OF INDIVIDUALITY?

MASS PRODUCING THE MASS PRODUCED EVERYDAY PRODUCTS SOUP CANS COCA-COLA MONEY CELEBRITIES MARILYN MONROE ELVIS PRESLEY JACKIE KENNEDY

MARILYN MONROE

MARILYN DYPTYCH

ELVIS TIMES THREE

CAMPBELL’S TOMATO SOUP

MORE SOUP

JACKIE

JASPER JOHNS INFLUENCED BY MARCEL DUCHAMP IRREVERENCE FOR FIXED ATTITUDES ABOUT ART FLAGS, MAPS, NUMBERS, TARGETS INFORMAL BRUSHWORK OBJECTS ATTACHED TO OR BURIED BENEATH PAINTED SURFACE

WHITE FLAG

FLAG

FLAG DETAIL

THREE FLAGS

TARGET

CLAES OLDENBURG EVERYDAY OBJECTS IN GIANT SIZES OUTDOOR SCULPTURE CONFRONTED CONCEPTS OF SCALE WHIMISICAL, YET PROVOCATIVE

TYPEWRITER ERASER

SPOONBRIDGE AND CHERRY

SOFT DRUMSET

ROY LICHTENSTEIN COMIC BOOKS GUM WRAPPERS BOLD COLORS THICK OUTLINES “ARTICFICAL AS POSSIBLE” COMIC BOOKS GUM WRAPPERS BOLD COLORS THICK OUTLINES PAINTED IN OIL & MAGNA TO MIMIC PHOTOGRAPHIC REPRODUCTION ENLARGED BENDAY DOTS

BENDAY DOTS

DROWNING GIRL

WHAAM

WHAAM

House I: an OPTICAL ILLUSION the point that appears to be the nearest corner is the farthest from the viewer

ROBERT RAUSCHENBERG ASSEMBLAGE: “COMBINES” LARGE SCALE PIECES SILKSCREEN, LITHOGRAPH REMOVE BOUNDARY BETWEEN SCULPTURE & PAINTING QUESTIONS THE RELATIVE VALUE OF OBJECTS REJECTS SERIOUSNESS OF ABSTRACT EXPRESSIONISTS

MONUMENT

BACK OUT

ROBERT RETROACTIVE I

STONED MOON