The Portrait
A portrait can tell the viewer much about the subject A portrait can tell the viewer much about the subject. A portrait can be flattering, epic, respectful, powerful or ugly; but all say something about the character of the person.
When creating a self portrait, one must consider what you want to say about yourself. Are you playful, serious, trying to portray a message? How can your clothing, surroundings, expression, and manner affect this portrayal?
To the left is a pencil portrait drawn in the detailed "realistic" style. This portrait was drawn from a photograph.
A detail of the eye. All the pencil strokes are "crosshatched", not smeared or smudged. The gentle crosshatch gives the portrait a cleaner, neater appearance. It is much easier to control than smudging. Small subtle details are easier to define. If the crosshatching technique is done with these small, refined pencil strokes, the effect will look smooth and even photo-realistic when the portrait is seen at a normal distance. If contour lines are used in conjunction with the crosshatching, a subtle but effective dimensional effect will occur. This will enhance the "realistic" look of the portrait.
A close-up of the nose and mouth. Notice that there is a subtle indication of a "highlight" on the tip of the nose, and a highlight on the bottom lip. This was achieved by gently laying down a light tone around these highlights. With a portrait this "detailed", most of the face will be rendered as a light gray, so that such "highlights" will show up. When seen at "normal" size, most of these light pencil crosshatching strokes will not be very visible. However, the crosshatching technique is not unattractive, and needn't been concealed, or hidden
Vincent Van Gogh Self Portrait 1886
Vincent Van Gogh Self Portrait, 1887
Vincent Van Gogh Self Portrait with Straw Hat, 1887
Vincent Van Gogh Self Portrait with Straw Hat, 1887
Vincent Van Gogh Self Portrait in front of Easel, 1888
Vincent Van Gogh Self Portrait dedicated to Paul Gauguin, 1888
Vincent Van Gogh Self Portrait, 1889
Vincent Van Gogh Self Portrait with Bandaged Ear, 1889
Botticelli. The Adoration of the Magi. Early 1470s
Jan van Eyck. Arnolfini Wedding Portrait. 1434 oil on wood
Toulouse Lautrec At the Moulin Rouge 1892 - 1995
Pablo Picasso The Artist Before His Canvas, 1938
Frida Kahlo. The Two Fridas 1939
Frida Kahlo. The Broken Column 1944
Egon Schiele Self Portrait 1912
Léopold Boilly Grimacing Man (Self-Portrait), c Léopold Boilly Grimacing Man (Self-Portrait), c. 1822-23, conte crayons on paper
James Montgomery Flagg (American, 1877-1960), I Want You for U. S James Montgomery Flagg (American, 1877-1960), I Want You for U.S. Army, 1917
Herbert Bayer Self-Portrait in Mirror, 1932
Chuck Close Self Portrait 1997
Chuck Close Self Portrait 1968
Tim Hawkinson (American, 1960-), Balloon Self-Portrait, 2004 Tim Hawkinson (American, 1960-), Balloon Self-Portrait, 2004?, latex sculpture, life size cast from the artist's body, turned inside out, then inflated by an air compressor, Ace Gallery, NYC.
Cindy Sherman
Cindy Sherman Untitled Film Still, 1981
Norman Rockwell Triple Self Portrait, 1960
Banksy Self Portrait, 2007
Eisuke Sato Self Portrait, 2008
Gustav Courbet, Self Portrait/The Desperate Man. o/c 1843
Pierre Auguste Renoir Self Portrait, 1910
Joe Peller Self-Portrait—Day’s End , 2003
Costa Vavagiakis, Self Portrait, 1994
Mary Beth McKenzie, Self-Portrait, Life Masks 1990
Michelle Flanagan Personal, 1997
John Hodapp Self Portrait, 2008
Eric Elliot Self Portrait, 2008
Chrissy Dwyer Self-portrait, 2005
Arkady Roytman Self Portrait, 2006
Susanna Coffey, Self Portrait (cloudy) 2002
Catherine Fox Self Portrait 2004
Andy Warhol Self Portrait 1986
Albrecht Durer Self Portrait 1500
Colin Harbut, Self Portrait Graphite on paper, 2010
Melissa Cooke Self Portrait as Pig, 2010
Ottilie Simpson, Self Portrait, 2010
Megan Van Groll
Megan Van Groll Bakery Brawl
David Airey Self Portrait of the Artist with Liquid Refreshment Chalk, 1997
Francis Bacon Self Portrait 1969
All of these artists gazed into their mirrors and attempted to grasp their identities. They sought to portray their image, whether it showed a clear representation of their features, a walk through their childhood or an outpouring of emotions. Some self-portraits show only what the artist wants us to see, some chronicle the history of the artist, others reveal personal secrets and a sense of isolation. Whichever method is employed each artist took a long literal and figurative look at him/herself. Each portrait is an exploration of the self.
Fin