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Sonnets Shakespeare's 154 sonnets, first appearing in a collection in 1609, may be roughly divided into three groups. 2015-10-251.

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Presentation on theme: "Sonnets Shakespeare's 154 sonnets, first appearing in a collection in 1609, may be roughly divided into three groups. 2015-10-251."— Presentation transcript:

1 Sonnets Shakespeare's 154 sonnets, first appearing in a collection in 1609, may be roughly divided into three groups. 2015-10-251

2 Sonnets Numbers 1 ~ 126 are addressed to a handsome young man, a friend of the poet. 2015-10-252

3 Sonnets Numbers 127 ~ 152 are addressed to a dark woman, whom the speaker loves passionately. The last two sonnets are conventional love poems about Cupid. 2015-10-253

4 Sonnets Efforts have been made to ascertain the identity of these characters, but no one has produced solid evidence that the sonnets are related to Shakespeare's private life. 2015-10-254

5 Sonnets The term “ sonnet ” derives from the Italian sonetto a “ little sound ” or “ song ”. Except for the curtal sonnet, the ordinary sonnet consists of fourteen lines, usually in iambic pentameters with considerable variations in rhyme scheme. 2015-10-255

6 Sonnets The three basic sonnet forms are: (a) the Petrarchan which comprises an octave rhyming abbaabba and a sestet rhyming cdecde or cdcdcd, or in any combination except a rhyming couplet; 2015-10-256

7 Sonnets (b) the Spenserian of three quatrains and a couplet, rhyming abab, bcbc, cdcd, ee ; 2015-10-257

8 Sonnets (c) the Shakespearean, again with three quatrains and a couplet, rhyming abab, cdcd, efef, gg. 2015-10-258

9 Sonnets The Italian form is the commonest. The octave develops one thought; there is then a “ turn ” or volta, and the sestet grows out of the octave, varies it and completes it. In the other two forms a different idea is expressed in each quatrain; each grows out of the one preceding it; and the argument, theme and dialectic are concluded, “ tied up ” in the binding end-couplet. 2015-10-259

10 Sonnets The following excerpts are Sonnets 18 and 29. In Sonnet 18, the poet writes on the conventional theme that poetry will bring eternity to the one he loves. 2015-10-2510

11 Sonnet 18 Shall I compare thee to a summer's day 1 ? Thou art more lovely and more temperate. Rough winds do shake the darling buds of May, And summer's lease hath all too short a date 2. Sometime 3 too hot the eye of heaven 4 shines, And often is his gold complexion dimmed; And every fair 5 from fair sometime declines, Notes: 1. a summer's day: It is considered the most pleasant season in England. 2. date: period 3. sometime: sometimes 4. the eye of heaven: the sun 5. fair: beautiful person or beautiful thing. Here it refers to something concrete. The next “ fair ” refers to something abstract, “ beauty ”. 2015-10-2511

12 Sonnet 18 summer’s day 2015-10-2512

13 Sonnet 18 By chance, or nature's changing course, untrimmed 6 ; But thy eternal summer shall not fade, Nor lose possession of that fair thou ow'st 7, Nor shall Death brag thou wand'rest in his shade, When in eternal lines 8 to time thou grow'st. So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. 6. untrimmed: stripped of gay apparel 7. ow'st: own 8. lines: poetry 2015-10-2513


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