1. AISHA NDIAYE

2.  Written anddirected byQuentin Tarantino  Uniqueinterpretation of anAmerican Westernfilm  Stars of the filminclude JamieFoxx, ChristophWaltz, LeonardoDiCaprio, SamuelL. Jackson, andKerry Washington,

3. Django (Jamie Foxx)  Main Character  Former Slave Dr. Schultz (Christoph Waltz)  Main Character  Dentist turned Bounty Hunter

4. Calvin Candie (Leo DiCaprio )  Supporting Character  Plantation and Slave Owner Broomhilda (Hildy) (Kerry Washington)  Supporting Role  Django’s Wife  German Speaking Slave Stephen (Samuel L. Jackson)  Supporting Character  Candie’s loyal slave

5. ESTABLISHING SHOT  Establishes the setting  Emphasizes how vast Candie’s plantation is  Mansion in similar design to white house

6. MEDIUM CLOSE UP  Candie in center of frame sitting in red velvet carriage gives him an heir of royalty  Overseers riding behind him captured in shot makes Candie look like king in royal carriage followed by his subjects

7. TWO SHOT  Medium shot of Django and Dr. Shultz  Little space between Django and Shultz and vast landscape establishes the two as a team  Completely separate from band of travellers  Look like two tough Western cowboys about to enter battle

8. MEDIUM CLOSE UP  Django showed alone within the framing of the shot  Indicates that while he is a part of a team he is really a lone ranger  This shot is a set up for the next shot

9. PANNING LONG SHOT  Camera panning field of tall grass  Hildy seen standing in the grass  Subjective character experience: Django sees Hildy but continues to pass her on horse

10. MEDIUM CLOSE UPS  Different Slaves each looking at Django  The slaves resent Django for his status as someone almost equal to whites  Series of medium close ups emphasize the fact that each individual holds a collected attitude towards Django

11. TWO SHOT  Blurry two shot that slowly comes into focus  Subjective Character Experience: people on the plantation eye’s coming into focus as Django and Sholtz get closer  Same two shot from earlier except it is the people on the plantation not the audience that is seeing them as a team

12. MEDIUM SHOT  Continuing with the subjective character experience it is clear from this medium shot that it is Django that everyone is looking at not the team  The sight of a well dressed black man on a horse with white people

13.  Workers walking towards the hot box.  Opening is the front of the frame but still see workers walking towards it  Implies action is centered around this chamber AERIAL SHOT  First time in this scene there is an aerial shot  Omniscient point of view  Audience watching over the action

14. DOLLY IN  Camera quickly dolly’s into Django’s face  Camera movement imitates the anxiety Django feels  Will it be Hildy who comes out of the box? Will she be alive?

15. AERIAL SHOT  Back to an omniscient point of view  Audience see’s Hildy is inside and alive

16. RAPID CAMERA MOVEMENT  Cuts alternate between shaky shots of Hildy being dragged and the camera dollying into Django’s face  End in a close up of Django’s eyes  Close up reveals the tear well up in his left eye (first sign of vulnerability)

17. HIGH ANGLE SHOT  Hildy is being wheeled away from the scene  Camera angled above her  Emphasizes he helplessness and the fact that she is the least powerful person in this scene

18. SLOW MOTION  Shot of Hildy being wheeled out of frame is in slow motion  Manipulation of speed prolongs moment and mirrors Django’s thoughts  Surreal moment- Django is seeing his wife for the first time in years only to watch her being dragged off  Leaves the audience feeling uncertain