1. ‘… nothing happens by accident…’

3. Pre Production Period Concept Development Script Storyboarding Casting Funding Planning

4. Production Period The Film is being SHOT!

5. Post Production Period Editing Computer Generated Imagery (… and other digital enhancements…) Additional Sound Promotion

6. ‘… the marriage of elements…’

7. All films have… Narrative Elements Story Plot (… sub-plot etc…) Script/Dialogue Character Inter-textual links Production Elements Cinematography Sound (… all forms) Props Lighting Costume & Make Up Sets & Locations

8. Camera Angles

9. Extreme Close Up

10. Purpose? To show something in great detail. Why would a director need to do this?

11. Close Up

12. Purpose? The actor’s face is the subject. No background is visible. Also know as a head shot Why would a director need to do this?

13. Mid Shot

14. Purpose? Contains little background and much more detail (of the figures). Also known as a mid shot because the subject is shown from the waist up. Why would a director use this shot?

15. Long Shot

16. Purpose? The figures are clearly recognisable, but the view is still a wide one. Ideal for action shots where there’s a lot of movement. Allows the audience to see the actors in relation to their setting.

17. Establishing Shot

18. Purpose? Also known as an extreme long shot. This shot presents the location of the story to viewers. Why is this important?

19. Bird’s Eye View

20. Purpose? Also known as an overheard or aerial shot. The camera is above the character or scene that is being shot. It can show things that are not obvious on the ground. It can also make people look vulnerable.

21. Low Angle Shot

22. Purpose? The camera is below the subject. This makes the person or object seem more powerful and intimidating because we are ‘looking up’ at them.

23. High Angle Shot

24. Purpose? The camera is higher than the subject. The audience looks down on the subject, making the person look small and defenceless.

25. Point of View Shot (POV)

26. Purpose? Also known as a subjective shot. The camera sees what the character sees. We ‘become’ the character.

27. Camera Movement

28. PANNING Left to right and vise- versa usual 180º panoramas TILTING Up and down… lens facing up or pointing down TRACKING Side to side on actual tracks ZOOMING In and out… there are a number of types of zooming STEADY CAM Tripod-less, handheld camera that creates a realistic shaky image; often referred to as handy-cam

30. LIGHTING Why would a director use dark lighting? Why would a director use bright lighting?

31. Back light: separates the actor from the background. Fill light: soft, gentle light that reduces the harsh contrasts and gives a more natural feel. Key light: hard, bright light that emphasises all objects in the frame including the shadows. Reflector light: light that is reflected off a silver surface to capture reflections and soften shadows.

33. TYPES OF SOUND Dialogue: the relationship between characters is often best revealed through the conversations that they have. Music: Atmosphere is created through the use of music. Music sends cues to the viewer about the scene or character. It often adds to our understanding of what is happening on the screen. Sound effects: film makers fill their movies with everyday sounds. It enhances our understanding. Voice- overs: where someone who is not present on the screen delivers the speech or information.

35. PURPOSE Deliberately chosen. Why is setting so important?

37. PURPOSE Costumes are chosen very carefully. Actors don’t wear the clothes they’re in by accident. Why are costumes important?