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Published byCaitlin Bond Modified over 9 years ago
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Principles of Design
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PROPORTION Size relationships found within an object or design Commonly we think of ratios Certain proportions create a more pleasing effect –People prefer rectangles to squares (windows, rugs, picture frames, etc.) –Unequal divisions of space are preferred over equal divisions
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The Golden Section Study by ancient Greeks Dividing a line between 1/3 and ½ Ratio of the larger segment to the smaller segment = ratio of whole line to larger segment 1/3 1/2 1/3
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The Golden Rectangle Most visually satisfying rectangle- not too skinny, not too fat Approximate golden rectangle pattern: 2,3,5,8,13 Two consecutive numbers are close to a golden rec. 1 1.618
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SCALE How the size of an object or space relates to human beings and to other objects or spaces in a design Rooms and furnishings should be designed for the person who will use them
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BALANCE Provides a feeling of equality Occurs when the amount, size, or weight of objects on both sides of a center point is equal
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Symmetrical Balance Arrangement forms on one side of an imaginary central line is the mirror image of the forms on the opposite side Suggests rest and calm-more formal
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Asymmetrical Balance Elements on either side of an imaginary central line are unmatched, but appear to be in balance Informal Consider apparent weight
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RHYTHM Connected movement between different parts of a design Can be created with texture, line, colors, or forms Should not be overused Examples: fabrics, quilt, folds in draperies
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Types of Rhythm Repetition-repeating a pattern to help lead the eye from one point to another (ex. Color, design in flooring) Radiation-lines radiate, or move outward, from a central point (ex. Chairs around a round table, small pictures surrounding a larger one) Gradation-increasing or decreasing in size, color, or pattern (ex. Different sizes of candles)
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Types of Rhythm continued Opposition-When lines come together to form right angles (ex. Square corners of a doorway, couch with the arms at right angles to the back) Transition-When lines change direction by flowing in a curve, or when curved lines lead the eye from one object to another (ex. Arched doorways, a sofa with a back that curves in the arms)
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EMPHASIS Center of interest, focal point Could be one large piece or a grouping of smaller pieces Should be dominant but not overpowering Examples: large bouquet of flowers, stone fireplace, large cabinet, grouping of artwork
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UNITY & VARIETY Unity-all the parts of a design are related by one idea –Gives a harmonious design –Items do not have to match! Similar characteristics are what matter (ex. Furniture with curved lines) Variety-adds interest to room –Do not carry it too far!
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