1. Composition The Elements of Art and the Principles of Design

2. Line Line is defined as a series of points connected through space.

3. Line http://www.betterphoto.com/gallery/dynoG all2.asp?catID=361&pageID=1&rows=12& contestCatID=&camID=http://www.betterphoto.com/gallery/dynoG all2.asp?catID=361&pageID=1&rows=12& contestCatID=&camID

4. Line 6 types : * horizontal: imbues calm & peace *vertical: imbues strength & stability *diagonal: directional/guiding lines *zig-zag: imbues anxiety & danger *curving: imbues whimsy and fun *implied: unconnected series of points that create a sense of a line

5. horizontal Do not place horizontal lines in middle of page Use caution when applying lots of horizontal lines, can cause visual boredom Make sure you “square” your horizontal lines Don’t bisect your format

6. What did they do great?

7. What did they do poorly?

8. Vertical Keep lines from “tapering” Using a horizontal orientation with strong verticals imbues a sense of barely contained strength Be careful of bisecting format

9. How do they work?

10. diagonal Lead the viewer through image Create visual interest points when intersecting with other lines Don’t bisect format Brain “reads” visual information from left to right, therefore diagonals starting from bottom left to upper right are natural directional lines

11. What’s working?

12. Zig-Zag Great directional potential Creates energetic rhythm

13. Curving Variety of curving lines: peaceful flowing bands to whimsical spirals

14. Great compositional trick, say what? The “S” curve is a compositional practice that engages the viewer to follow the curve throughout the image. Follow the river…..

15. Implied

16. Say….what are you implying?

17. Resources http://drawsketch.about.com/od/drawingles sonsandtips/ss/contourdrawing_5.htmhttp://drawsketch.about.com/od/drawingles sonsandtips/ss/contourdrawing_5.htm http://www.google.com/images?um=1&hl= en&rlz=1T4ADSA_enUS370US377&tbs=is ch:1&ei=9JOSTLOvAcK88gaGg5GnBQ&q =horizontal+lines+in+photos&start=20&sa =Nhttp://www.google.com/images?um=1&hl= en&rlz=1T4ADSA_enUS370US377&tbs=is ch:1&ei=9JOSTLOvAcK88gaGg5GnBQ&q =horizontal+lines+in+photos&start=20&sa =N

18. Space and Shape The final frontier….ha ha

19. Space: positive & negative Space: the areas composing an artwork Positive space is filled with value Negative space is unfilled

20. Are U positive?

23. Shape Shape: defined areas…can be defined by pattern, color, line, value, etc Geometric: defined mathematically: square, circle, oval, triangle, etc Organic: not defined mathematically: any amoeba shape or freeform shape

24. Diagram: all the pretty shapes…

27. Value Hatching: lines to show value Cross hatching: crossed lines to show value Stippling: using dots to show value Blended: gradual transition of value

28. High contrast: Great difference in value

29. High Key: overall value is light values

30. Texture: the appearance of a tactile texture

31. What?

32. Pattern: Repetition of shapes, lines, values and/or objects. Just like visual texture, your brain will recognize similar elements. If the pattern is the same over whole image, the brain will “read” it quickly and then dismiss it. Need to include a little variety for interest.

33. What is not working?

34. Does it work and why?

35. color Characteristics: *Represents meaning (culturally dictated) *Affects psyche *Has temperature 3 Primary: Red, Yellow, and Blue 3 Secondary: *Orange= Red + Yellow *Green= Yellow + Blue *Purple= Blue + Red

36. color 6 Tertiary or Intermediate colors: *Red-Purple *Red-Orange *Blue-Green *Blue-Purple *Yellow-Orange *Yellow-Green

37. Color Schemes Monochromatic: one hue and it’s corresponding tints and shades. Tint= hue + white and Shade = hue + black Analagous: one color and the colors next to it on the color wheel that are related. Ex. Blue, blue- purple, purple and red-purple

38. Color Schemes Complementary Colors: colors that are not related and have a unique relationship. 3 basic pairs: Pair each secondary color with the only primary color not used to create that secondary color. Opposites on color wheel.

39. 3 Uses for Complementary colors To create a focal point or emphasis: when placed next to each other, the colors create an area of visual interest because they contrast in temperature and due to the fact that they are not related. To tone down the intensity of another color: small amounts of complement placed on top of a color will lesson the brightness of the base color. To make brown or gray: mixing complements will create gray if you use more of the cooler color and brown if you use more of the warm color

40. Color schemes Split complementary: one color and the 2 colors on either side of it’s complement Triad: the 3 primary colors or the 3 secondary colors: all share same color intensity.

41. Principles of Design Balance Emphasis Rhythm Proportion Unity/Harmony

42. Balance Balance: the visual weight of an artwork…think about your positive and negative space and where the areas affect composition 3 types of Balance: Symmetrical, Asymmetrical and Radial There are many other factors to consider in order to make pictures appear balanced. Some of these are as follows: –An object far from the center of the picture seems to have more weight than one near the center. –Objects in the upperpart of a picture seem heavier than objects of the same size in the lower part of a picture. –Isolation seems to increase the weight of an object. –Intensely interesting objects seem to have more compositional weight. –Regular shapes seem to have more weight than irregular shapes. –Elements on the right side of an asymmetrical picture appear to have more weight than elements of the same size on the left side of the picture. –The directions in which figures, lines, and shapes appear to be moving within the picture area are important to balance; for example, a person may be walking in a direction, or his eyes may be looking in a direction, or the shape of some element creates a feeling of movement. When the feeling of direction is present within a scene, it tends to upset the balance if judged on the size of the subject alone.

43. Symmetrical The visual weight is the same on both sides of the composition….does not mean it has to be the same subject on both sides!

44. Asymmetrical The visual weight of both sides of the composition is uneven.

45. radial The visual elements radiate from a central point, much like a bicycle or flower

46. Are you balanced? Important balancing techniques in photography Light against dark. Black against white has a much stronger contrast than gray against white. To balance gray against white you need a larger gray area to compensate compared to if you used black. Colors Small areas of vibrant color can be balanced to larger areas of more neutral colors Space Open space can be balanced on one side with the primary subject on the other side of the image Large against small Sometimes larger elements on one side of the image can be balanced by a smaller element that is positioned by itself at the far end of the other side of the image. Shape Large flat areas without much detail can be balanced by smaller irregularly shaped objects since the eye is led towards the more intricate shape. This is a very tricky type of asymmetrical balance that often ends up looking out of balance. Texture Smaller areas with interesting textures (variegated light and dark, or random fluctuations) can balance larger areas with smoother, untextured looks Eye direction Your eye can be led to a certain point in a picture by using elements like triangles or arrows or as simple as the eye is led in the direction the people in a picture is looking.

47. What’s the balance?

49. Emphasis/Focal Point The dominant area of the photograph. It is where your eye goes to first or where it dwells longest.

50. Ways to create Placement: near or around center Size: either smaller or larger than other elements Detail: more or less detail than other elements Color: contrast in temp or use complementary colors Converging lines: diagonal directional lines lead Contrast: any contrasting element The unusual: anything out of the ordinary

51. You find it!

52. Seat work! Find one example of each type of balance Find one example for each of the R U Balanced techniques Find one example for each emphasis/focal point technique

53. Unity/Harmony Use of similar elements throughout the image to create an overall sense of all areas relating Color Texture Value Shapes subjects

54. ?

55. Proportion proportion refers to the comparative, proper, or harmonious relationship of one part to another or to the whole with respect to size, quantity, or degree; a ratio Regular: the usual or normal relationship Distorted: some or all parts are bent at an unusual angle\ Exaggerated: at least one part is either smaller or larger than normal

56. ?

57. Rhythm Visual movement created by repetition of a motif or module. Motif: 2-D elemental unit Module: 3-D elemental unit Used to manipulate where the viewer looks in the image 5 types of rhythm: Regular, Random, Alternating, Flowing and Progressive

58. Regular Rhythm: even repetition of motif

59. Random: irregular repetition of motif

60. Alternating: repetition of 2 or more motifs OR altering the repetition pattern of one motif

61. Flowing: I think you get this one…

62. Progressive: Each time the motif is repeated, it changes

63. Compositional do’s and don’ts Frame within a frame Do not bookend Do not center focal point Do not “Corner” Do not put even subjects with even negative space Do isolate and concentrate Do let subjects go off page Do frame within a frame Do Use Rule of Thirds

64. More resources http://photoinf.com/General/NAVY/Photogr aphic_composition_Balance.htmhttp://photoinf.com/General/NAVY/Photogr aphic_composition_Balance.htm