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Without these building blocks the principles are meaningless.

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Presentation on theme: "Without these building blocks the principles are meaningless."— Presentation transcript:

1 Without these building blocks the principles are meaningless.
Elements of Design The elements of design are the seven basic building blocks of art & design. Without these building blocks the principles are meaningless. Think of them as “Legos:” parts, pieces or elements of something bigger or whole. We use directions and rules to make something. Day 4

2 Without these directions the elements are meaningless.
Principles of Design The basic rules of aesthetics that guide in the organization of elements in a work of art. Without these directions the elements are meaningless. Think of them as “Legos Directions:” Rules or steps to utilize many different, similar and identical elements to create a meaningful, cohesive and understandable piece of artwork. Day 4

3 LINE SHAPE COLOR VALUE TEXTURE SPACE FORM
Design Elements Design Principles LINE SHAPE COLOR VALUE TEXTURE SPACE FORM BALANCE VARIETY MOVEMENT CONTRAST EMPHASIS PROPORTION UNITY Day 4

4 Line A mark. Lines have thickness, direction, and movement; they can be interrupted and can show emotion in an artwork. Day 4

5 Element of Line Day 4

6 Element of Line Contour lines- outline the edges of forms or shapes Gestural lines- indicate action and physical movement Day 4

7 Element of Line Draw an example of an Interrupted Line in the 1st box Draw an example of a Varied Line that starts thin and gets thicker in the 2nd box Day 5 A mark. Lines have thickness, direction, and movement; they can be interrupted and can show emotion in an artwork. Line

8 Element of Line Organic Line
Draw an example of Organic Line in the 3rd box. Day 5 Line that has a natural or imperfect path rather than a rigid or geometric path. Organic Line

9 Element of Line Geometric Line
Draw an example of Geometric Line in the 4th box. Day 5 Line that has a rigid or mathematically correct path and is not free flowing. Geometric Line

10 Element of Shape When line curves or corners around and crosses over itself it becomes a shape. GEOMETRIC square, triangle, rectangle, rhombus, circle, cone ORGANIC free form shapes, shapes in nature for example: leaves, trees, clouds, animals Day 5

11 Element of Shape Shape Create: Overlapping Shapes in the 1st box.
Day 5 When a line curves or corners around and crosses over it self it becomes a shape Shape

12 Element of Shape Organic Shape
Draw an example of Organic Shape in the 2nd box. Day 6 Shape that has a natural or imperfect path rather than a rigid or geometric path. Organic Shape

13 Element of Shape Geometric Shape
Draw an example of Geometric Shape in the 3rd box. Day 6 Shape that has a rigid or mathematically correct path and is not free flowing. Geometric Shape

14 Element of Color Color has three properties: 1. The first is:
Hue: The name of a color 2. The second property of color is: Value: the lightness or darkness of a hue 3. The third property of color is: Intensity: the purity of a hue; the brightness or dullness of a hue Day 6

15 Element of Color Basic Hues
Using colored pencils, fill in the 3 Primary colors in the 1st three circles. Using colored pencils, fill in the 3 Secondary colors in the 2nd three circles. Day 7 Basic Hues

16 Value: Tints and Shades
white Tints-adding the color Shades- adding the color Day 6 black

17 Value Value contrasts help us to see and understand a two-dimensional work of art. Value describes form and value defines space. Day 6

18 Element of Color Color Variation
Using colored pencils, in the “Hue” circle fill in any primary or secondary color of your choice. Using colored pencils, in the “Tint” circle fill in a tint of that hue. Using colored pencils, in the “Shade” circle fill in a shade of that hue. Day 7 Color Variation

19 Intensity: Neutral Colors
These colors are made by adding a complimentary color (opposite on the color wheel) to a hue. Neutralized hues are called tones. Day 6

20 Element of Color Color Variation
Using colored pencils, in the “Tone” circle fill in a tone of that hue. Day 7 Color Variation

21 Warm and Cool Colors Day 6

22 Element of Color Color Temperature
Using colored pencils, fill in 3 Warm colors in the 1st three circles. Using colored pencils, fill in 3 cool colors in the 2nd three circles. Day 7 Color Temperature

23 Element of Color Neutral
Using colored pencils, fill in 4 neutral colors in the circles. White Black Brown Grey Day 7 Neutral A color that is neither cool nor warm. Neutrals are made by mixing two complimentary colors together.

24 The lightness or darkness of a hue.
Element of Color Using graphite pencils draw a Value scale (gradual transition from light to dark) in the 1st long box. Using colored pencils draw a Value scale (gradual transition from light to hue to dark) in the 2nd long box. USE CRAFTSMANSHIP! Day 7 Value The lightness or darkness of a hue.

25 The brightness or dullness of a hue.
Element of Color Using colored pencils (from red caddy) , draw an Intensity scale in the 3rd long box. Start with 1 hue moving into the neutral moving into the complimentary hue USE CRAFTSMANSHIP! Day 8 Intensity The brightness or dullness of a hue.

26 Element of Texture Textures are all around us in our environment; textures are the quality of a surface. Actual texture – texture that you can feel with your sense of touch. Implied texture – texture that has been simulated in drawing and painting on a smooth surface to appear as if it is textured. Day 8

27 Hatching and Cross Hatching
Line can be used to create value and textures Hatching Cross Hatching Day 8

28 Stippling Small marks, dots or shapes can be used to create value and textures Stippling Day 8

29 The way something actually feels.
Element of Texture Write 3 examples of Actual texture on the lines provided. Day 9 The way something actually feels. Actual Texture

30 The way something appears to feel.
Element of Texture Draw 4 examples of Implied texture in the boxes provided. Stippling Hatching Cross Hatching Your choice Day 9 The way something appears to feel. Implied Texture

31 Element of Space The amount of depth in both 2D and 3D artworks.
Around, above, inside, outside, positive or negative. The feeling of space in a drawing or painting is always an illusion. Artists combine the use of light and dark value with other techniques. Linear perspective, and atmospheric perspective create the illusion of space. Day 9 Linear perspective “Snow in New York”

32 The amount of depth in both 2D and 3D artworks
Element of Space Draw a mini picture in the 1st box provided. Label the positive space and the negative space. Draw a mini picture in the 2nd box provided showing how things get smaller and lighter as they travel further into the background. Day 10 The amount of depth in both 2D and 3D artworks Space

33 In 2D and 3D artworks it is the quality of the shape.
Element of Form In 2D and 3D artworks it is the quality of the shape. Form describes volume and mass, or the three-dimensional aspects of objects that take up space. Forms can be realistic, abstract, geometric, organic etc… Form is considered three-dimensional showing height, width and depth. It can be illustrated or constructed. Day 10

34 Element of Form Draw a plain circle in the 1st box provided. This circle does not show form Re-Draw the sphere you see below in the 2nd box provided. This sphere shows form. Day 11

35 Without these building blocks the principles are meaningless.
Elements of Design The elements of design are the seven basic building blocks of art & design. Without these building blocks the principles are meaningless. Think of them as “Legos:” parts, pieces or elements of something bigger or whole. We use directions and rules to make something.

36 Without these directions the elements are meaningless.
Principles of Design The basic rules of aesthetics that guide in the organization of elements in a work of art. Without these directions the elements are meaningless. Think of them as “Legos Directions:” Rules or steps to utilize many different, similar and identical elements to create a meaningful, cohesive and understandable piece of artwork.

37 LINE SHAPE COLOR VALUE TEXTURE SPACE FORM
Design Elements Design Principles LINE SHAPE COLOR VALUE TEXTURE SPACE FORM BALANCE VARIETY MOVEMENT CONTRAST EMPHASIS PROPORTION UNITY Day 4

38 Balance An appearance of evenness in an artwork. There are two kinds: Symmetry & Asymmetry

39 An appearance of evenness in an artwork.
Principle of Balance An appearance of evenness in an artwork. This is an example of symmetrical balance in which the design is the same on both sides of the center axis. This is an example of asymmetrical balance because the object is not the same on both sides.

40 Vertical symmetry

41 Horizontal symmetry

42 Radial symmetry

43 Asymmetrical

44 Principle of Balance Using shapes only, in the first box Draw 1 example of Vertical Symmetry. Using shapes only, in the second box Draw 1 example of Horizontal Symmetry. Using shapes only, in the third box Draw 1 example of Radial Symmetry. Using shapes only, in the fourth box Draw 1 example of Asymmetry.

45 A large difference between elements.
Contrast A large difference between elements. Green and Red, dark and light, large and small, thin and thick, bright and dull. Contrast refers to differences in values, colors textures, shapes and other elements.

46 A large difference between elements.
Principle of Contrast Draw an example of: Contrast in color in the 1st box. Draw an example of: Contrast in shape in the 2nd box. Draw an example of: Contrast in size in the 3rd box. Contrast A large difference between elements.

47 Principle of Emphasis Emphasis is when an artist draws attention to one or more areas of an artwork. Areas of dominance or interest become a focus. Contrast is a very effective way to create emphasis.

48 Principle of Emphasis Emphasis
Draw an arrow pointing to: The Emphasis in all 4 boxes using a colored pencil. Emphasis Emphasis is when an artist draws attention to one or more areas of an artwork.

49 Principle of Movement The path the viewer’s eye is directed to take by the artist’s choice of elements such as line. M.C. Escher

50 Principle of Movement Movement
Draw the line of visual Movement in all 4 boxes using a colored pencil. Movement The path the viewer’s eye is directed to take by the artist’s choice of elements such as line.

51 Principle of Variety Variety is a combination of small differences or changes that create interest in an artwork. Variety can create Rhythm & Pattern by repeating similar or identical elements like: colors shapes, lines, values, forms, spaces, and textures. Left off here in Studio Art on Thursday.

52 Principle of Variety Variety
Draw an example of: Variety in shape in the 1st box. Draw an example of: Variety in color in the 2nd box. Draw an example of: Variety in size in the 3rd box. Variety A combination of small differences or changes that create interest in an artwork.

53 Principle of Proportion
The relationship of size in artwork in relation to how it would be viewed in reality.

54 Principle of Proportion
Draw 1 example of: “Out of Proportion” using a flower and a building in the 1st box. Draw 1 example of: “Out of Proportion” using one figure in the 2nd box and remember no stick figures! Draw 2 examples of: “In Proportion” in your own way in the 3rd and 4th box. Proportion The relationship of size in an artwork compared to how it would be viewed in reality.

55 Principle of Unity A sense that all of the elements belong and work together to create a cohesive whole. All the principles work together to create unity and therefore a successful design. Salvador Dali Andy Warhol

56 Principle of Unity Unity
Write: What do you think makes “Unity” in an artwork? Unity A sense that all of the elements belong together as one piece of artwork.


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