1. 0505 IAT 102 Graphic Design

2. 0505 New Typography Review Connotation / Denotation What’s in a logo?

3. El Lissitzky (Russia, Constructivism): Poem, 1923

4. Typographische Mitteilungen, 1915 Jan Tschichold

5. Jan Tschichold (Germany): Typographische Mitteilungen, 1925

6. Jan Tschichold (Germany): The New Typography, 1928

7. Jan Tschichold (Germany)

8. Jan Tschichold (Germany), late works: traditional typography, humanist tradition

9. Tschichold Bill

10. Jan Tschichold (l), dispute with Max Bill (r) about symmetry Jan Tschichold: Symmetry Or Asymmetry (according to content) Max Bill: Asymmetrical Layout = Progress

11. Reading Practices of Looking

14. Connotative: Culturally specific meanings with the cultural and historical context of the image and the viewer’s lived, felt knowledge: all that the image means to them personally and socially Denotative: Documentary evidence; the literal, descriptive meaning

22. A brand began as a permanent sign of ownership of an animal made with a hot poker. It was subsequently used to burn a mark on casks of wine. A “brand-mark” came to mean a “trademark” or “brand.” Brand was formally adopted as a term in 1929 when Standard Brands (now Kraft) resulted from the merger of several food manufacturers. Origin of Logos and Brands Content and images taken from: White’s Advertising Design and Typography and Gordon + Gordon’s Digital Graphic Design

23. A uniquely styled brand identity creates a recognizable ‘signature’ that creates recognition among consumers and enhances their familiarity with the product. A uniquely shaped signature is also referred to as the brand’s logo. The logo can take many forms. It can be based on the brand name in a unique typographic format. The logo can also take the form of a symbol that has an association with the product or can also be an abstract shape designed to achieve brand recall. What the Logo/Logotype tells the consumer about your product

24. There are many well-known logo that serve as examples of styles ranging from simple letter forms to elaborately styled icons and signatures. simple lettering company initials representative symbols

25. script lettering modified lettering symbol and signature combinations stylized lettering abstract symbols

26. It is important to keep logo as constant as possible. The logo style and proportions should be maintained on all packages, regardless of packaging form, shape, and size. Many companies do not follow this rule. They allow the proportions of the logo to be altered depending on the package proportions, on the vertical or horizontal orientation of the packages, or to accommodate variations in the packaging graphics. Maintaining the integrity of the Logo This only serves to dissipate brand recognition and can weaken the franchise of the product.

27. “Words are like faces: the more features we can see, the easier it is to tell who is who.” Content and images taken from: Spiekermann & Ginger’s Stop Stealing Sheep

28. Type: capitals + lowercase

29. Typefaces

30. Which one of these products would you choose? Lifestyle + Value

31. Moving to the “Upper Right”

32. Logos

33. How to present

34. announcements

35. Project 01 Presentation Info: submit a printed copy of the whole article duration: 3 minutes. both partners MUST speak ONE ppt file, on USB-stick or CD Contents: scan of original magazine sentence identifying what was wrong complete redesign choices of font and colour grid for the new design how did redesign solve the problems

36. fin