HOW THE DIRECTOR TRIED TO ENGAGE THE AUDIENCE? Opening sequence of Skyfall.

Slides:



Advertisements
Similar presentations
AS Level Media Studies. Mise-en-scene A French term meaning what is put into a scene or frame. Visual information in front of the camera. Communicates.
Advertisements

In the Lesson we watched a few scenes from the original film Scarface where the song Tonys theme was being played. As a class we then had discussed how.
Studying films The technical stuff. What makes a film? There are lots of important techniques used to make films interesting to watch. We are going to.
Textual Analysis of Collateral By Yasmin Hoque. Location/setting Airport: The first location is set at an airport, which is clear when we see the character.
COLLATERAL- Textual Analysis. Describe the Location(s) /setting A busy airport or some sort of public transport station and a loud taxi rank How is it.
1. In what ways does your media product use, develop or challenge forms and conventions of real media products? Tatjana Harrington-Steward- S1-08.
COLLATERAL OPENING TITLE SEQUENCE ANALYSIS. MISE EN SCENE The first scene in the opening title sequence of collateral is in a very crowded airport with.
Michael Mann COLLATERAL, This is the opening title sequence of collateral.
Analysis Of Eden Lake. The Trailer In the beginning of the trailer, you can see a car driving down a country.
Cinematography & Direction
Analysis of Opening Title Sequences The Butterfly Effect Eric Bress, J. Mackye Gruber 2004 Titles used How are the titles presented? The titles are presented.
AS Media Studies: Mise-en-scene We are learning to: Understand the concept of ‘mise en scene’ Apply the concept to analysing a piece of print-based media.
Location/setting The very first shot is of a bedroom, the rest of the OTS appears to have no relevance to this shot and so leaves the audience with questions.
The Dark Knight Close Analysis Jeffrey Berris Pria Shoha Stefanie Sternfeld Alexa Hannawa.
Learning Objective: To understand and explore the term ‘mise-en-scene’.
 The location for this film is on a train that is making its way through the countryside toward a city; Chicago.  The lighting of this sequence is very.
Mise en Scence Emily Hemmings. ‘’ Don’t Look Now’’ 1973 Nicolas Roeg.
Evaluation Question 7. Looking back at your preliminary task, what do you feel that you have learnt in the progression from it to the full product? By.
AbbreviationLego /Found imageDescriptionSuggestion BCU Big Close Up A big close-up is a shot whereby the camera will focus upon one particular aspect of.
Q1: In what ways does your media product use, develop or challenge the forms and conventions of real media products? Emily Newell.
In the opening sequence the audience and introduced to the main characters and its made quite clear who the antagonist and protagonist are. We see typical.
Hurt Locker Opening Sequence
David Fincher 1995.
Collateral opening title sequence Analysis. Mise – en –scene Location and setting – At the beginning of the opening title sequence the character seems.
By – Connor Western, Ethan O’Neill and Dylan Davies.
Detailed Analysis on the open title sequence of Brick.
‘… nothing happens by accident…’. Pre Production Period Concept Development Script Storyboarding Casting Funding Planning.
Collateral Mise-en-scene LA airport Typical to thriller; Not often typical to thrillers as it isn’t a deserted/secluded area, however the busyness provides.
Lighting. Classic 3-point lighting.
EMS3O - Film Introduction to Film Language Mise En Scene.
Detailed Analysis on the open title sequence of Collateral.
The Dark Knight Opening sequence analysis Alex Campbell.
FILM TECHNIQUES.
Introduction to Video Communications Types of Camera Shots 1. EXTREME WIDE SHOT ( EWS )  Shows the subject’s surroundings  Also called establishing.
Good Morning! Please get out your notes on Cinematic and Film terms. Remember that Friday is a READING DAY!
Skyfall opening sequence analysis 1.How has the Director/Producers tried to engage the audience? Jake Weighell.
Arlington Road. Emily Hemmings.. The first shots. The first shot we see is a blurred vision of a young boy moving towards the audience as he staggers,
Analysis of Opening Title Sequences Talented Mr Ripley Anthony Minghella 1999 Titles used How are the titles presented? The titles are sans-serif, white.
ANALYSIS OF OPENING TITLE SEQUENCES… Jack McFarlaneVarndean college.
Learning Objective: To understand and explore the term ‘mise-en-scene’.
BRICK Opening Title Textual Analysis Release dateRelease date: April 7, 2006 (USA) DirectorDirector: Rian Johnson Rian Johnson.
5 seconds- the trailer opens a video tape being rolled as if it was being played inside a cinema. While it’s loading we can ear mysterious music being.
Textual Analysis. Mise en Scene In the Opening Title Sequence for American Pyscho the shots were filmed in three different locations; the apartment, the.
Hoodwink Opening Title Sequence Pitch By Katie, Rebecca and Andrew.
By Adam Al-Kadhimi.
L O O P E R O P E N I N G T I T L E S E Q U E N C E.
Insidious Film Opening Analysis
Analysis of Opening Title Sequence: The Talented Mr Ripley.
Editing 4 By Joanna Crook. Opening Scene We took several different shots of this one piece of film in order to get the case file to land in the centre.
Textual analysis of the Bourne identity By Sian Perrier.
It is clear from the start that this is a thriller film. It is extremely confusing and enigmatic, just as thrillers should be. The scene opens with a.
PHOTOGRAPHY CAMERA SHOTS Reilly Russell. EXTREME CLOSE UP An extreme close shot is used in order for the audience to see detail on a characters face to.
Thriller analysis. Mesrine OTS The title are presented in a typewriter style, flashed on with a faded centre. This kick-starts the eeriness and gives.
Top left Lighting: Scene filmed with darkening sky's, and street lamps Sound: There was no sound apart from general background noise Dialogue: No dialogue.
Question 1.
Presentation These are my notes from the presentation video analysis of Frozen.
Question 1 In what ways does your media product use, develop or challenge the forms and conventions of real media products?
Water aid advert.
Hospital Sequence/Corruption of Michael
Learning Intentions To be able to identify the different types of camera shots and camera angles used in film. To be able to comment on the purpose of.
COLLATERAL Opening Title Sequence Analysis Director-Michael Mann Release date- 17th September 2004 By Naomi Adams.
Analysis Opening Title Sequence Brick
FILM Key Terms.
COLLATERAL Opening Title Sequence.
Enduring love, 2004 Roger Mitchell
Monstrous (Working Title)
How did you attract/address your audience?
Neo-Noir Thriller Brick Ryan Evans.
Presentation transcript:

HOW THE DIRECTOR TRIED TO ENGAGE THE AUDIENCE? Opening sequence of Skyfall.

Bathes codes. Enigma code- The opening sequence begins with a silhouette of Bond who walks up to the camera into a close up were he then holds up a gun this is a good example of an enigma code as the audience are enticed into what is going on and what Bond is doing. Action code- This appears in the next scene as Bond sees these dead bodies and another agent down who he wants to help this leads the audience to believe something is going to happen it also builds suspense as we don’t know what happened to the other agents. This means the audience is guessing what will happen next. Semantic or Linguistic- Bond is holding a gun this connotes violence. The room he enters is in a mess this suggests there has been a struggle. The scene set place in a grotty hotel room this suggest they were trying to hide or be undercover. Symbolism- The light in the room is important as firstly it is cast upon bonds face showing him as important and perhaps the saviour. The second is the light is on the agent who has been injured centralising him in that moment as bond has to make the decision to save him or to go on with the mission.

Technical aspects Mise on scene- Costume-Bond is wearing a suit representing his class and that his job is very formal. He also has an ear piece showing that he is talking to someone and is not alone Lighting- The Lighting in the scene is very important it focuses the audience on the main area in the scene. As bond walks down the corridor there is a window behind him,which is the low key lighting, this light creates a silhouette causing ambiguity. The light shows over bonds face as he comes into position at the end of the corridor, light or brightness symbolises happiness we as the audience are excited to see the main character. There are several filler light in the room used to illuminates the room but are not very bright so creates lots of shadows seeming mysterious. But the low key lighting is the sun through the window shining onto the agent that has been wounded. Actors positioning-Throughout bond is often at the centre of the scene showing his importance. The second character is sitting in a chair and is at a lower eye level so the second character would have to look up suggesting the need for help. Then Bond moves to a similar eye level creating the feeling of support.

Props- There are quite a few props in the scene. Bonds gun is the first example it shows danger. On the table as he enters the room there is a glass of liquor, money and a laptop. The laptop is key as it held the disk that Bond is after and it has obviously been ripped form the casing in the computer. Sound- As Bond enters the corridor, as he turns the corner there is a sharp and low intro into the infamous music but then stops and there is silence creating suspense. As there is very little noise at this point you are able to hear his footsteps and the gun moving. The sounds have been sharpened so they stand out. The scene continues and there is a high humming noise which make the audience feel uncomfortable the humming continues throughout the scene. As soon as you see the dead bodies music begins again. Bond begins his dialogue,and you can also hear M’s voice in the background as if the audience are in first person.

Camera work The Camera is stationary as Bond walks towards it. Bond moves from a long shot to a close up. It then moves to an over the shoulder shot revealing the door cracked open. The camera moves around the room showing the bodies creating a first person effect which adds to the suspense. However we then tilt up to see bond and we then move to a Wide shot showing the surrounding so the audience can take in the visual information. We then go to the 180 degree rule often used in dialogue but in this instance the only dialogue is with M.