Bessie Smith- (April 15th, Sept 26th 1937)

Slides:



Advertisements
Similar presentations
What is the Harlem Renaissance ?. What is a Renaissance? rebirth or revivalrebirth or revival A period or movement of vigorous artistic or intellectual.
Advertisements

Jazz – Chapter 3 Roots of Jazz
Chapter 1 – Roots of Rock Music
The Harlem Renaissance
The Blues Roots of the Blues And Performers Roots of the Blues And Performers.
Friendly Warning Test # 2 – next class meeting Thursday: 5 March 2015 covers Chapters 2, 3 & 4 Review Sheets for 2, 3 & 4 now on Course Website Includes.
By Shaquana White The blues are made up of 3 different parts. The parts are called the chords, the melody line and the scale. The chords are the base of.
Race Records and Hillbilly Music. Musical Diversification Record companies targeted new audiences between World War I and World War II (1918–40). Record.
The history of the BLUES
Derived from African-American Folk Songs. Early English Definitions “Affected with fear, discomfort, anxiety,” as in “To look blue” occurs as early as.
© 2005 The McGraw-Hill Companies, Inc. All rights reserved. Jazz Tenth Edition Chapter 3 PowerPoint by Sharon Ann Toman, 2004.
A History of “The Blues” General Music Grade 6 Michael Perkins.
By: Michael Stillings. History  Sometime around 1890, the blues emerged as a distinct African-American art form, rooted in the southern U.S. and drawing.
Bessie Smith By Anna Horsman and Zack Laning Bessie Smith  Bessie Smith was a violent woman. She was a very crazy woman and did some wild things. She.
Harlem Renaissance Research PowerPoint
Unit 1 Lesson 5 Simple Predicates.
By Katarina Friesen.  Born on April 7, 1915 with the name of Eleanora Fagan Gough.  Father eventually became a famous jazz musician, Clarence Holiday.
By: Jaclyn, Adam, and Leah. The 1920's also referred to as the "Jazz Age", got its name because the lively, loose, jazz beat caught hold of the "carefree"
Jazz Brief Overview. About Jazz  You may know jazz when you hear it  May not be able to describe what you hear  Jazz has signature traits:  Improvisation.
The Harlem Renaissance Pt.3: The City of Harlem and It’s Music The Americans Pg
The Emergence of Black Music
The Blues Early blues –Pre-Civil War –Result of slaves singing very sad songs –No chords –No set form –Sung in unison –Songs were performed privately of.
Billie HolidayBillie Holiday A African American Hero By: Emily Cantrell 2012.
 1946 – 10,o00 TV sets in America  1956 – 35 million TV sets in America  Popular TV programs included:  1. Dramas  2. Game Shows  3. Soap Operas.
Agenda Read through the following sections of the power point and take notes in your notebook: Intro to Jazz & Blues Ragtime: What is a Rag Delta Blues.
The Harlem Renaissance Give me some examples of intolerance during the 1920s.
A movement to recognize African American artists, musicians, dancers, and poets.
OTIS RAY REDDING, JR. Destinee Grimmett. BIOGRAPHY American Soul/Rhythm & Blues artist Born in Dawson, Georgia, September 9, 1941 Began his career working.
What are the 12 bar blues? The 12 bar blues is a chord progression; it is the most common form of blues. It is called this because of the length of music.
By Brieya Pottinger 8G1. What are the blues  The blues is a type of African American music usually in the sequence of 12(hence the name 12 bar blues).
The Harlem Renaissance
Music of the Roaring Twenties Clip Clip Clip. The Jazz Age Louis Armstrong- one of the people who helped change the music of the twenties Louis Armstrong-
Dixieland (New Orleans Jazz). Origin Around 1910 a new style of music, Jazz, became popular in New Orleans, Louisiana. Jazz was influenced by many sources:
Harlem Renaissance. Definition African American Art Movement Stimulated artistic development, racial pride, a sense of community and promoted political.
BILLIE HOLIDAY By: Sean Wilson. BIOGRAPHY  Her birth name is Eleanora Fagan (also known as Lady Day)  She was born on April 7 th 1915 in Philadelphia,
Jazz of the 1920s and 1930s. What is Jazz? American style music that blended African rhythms with classical structure Musicians often “improvised” or.
Jazz History: The Advent of Jazz Dawn of the 20 th Century.
SECTION 13.4: FOCUS QUESTIONS
The Harlem Renaissance: African-American Pop. Culture Spreads.
The Great Migration  Between 1910 and 1920, the Great Migration saw hundreds of thousands of African Americans move north to big cities  By 1920 over.
Black History By: Kelly Melendez, Jazmine Ayala, Daniel Diaz.
Bessie Smith’s Downhearted Blues Duke Ellington’s Sophisticated Lady
Javaughn Zaimara Kenyon Rshonda
 Once upon a time, Jim was reading a book about the blues and then he said the magic word “blacamico!” and he was in the book as he read through the.
Women of the Blues. Mamie Smith First black female singer to record vocal Blues. (1920) First black female singer to record vocal Blues. (1920) Record.
Dave O’Brien MU757 Blues Music Curriculum for High School.
TESSA BUEHNER Gertrude “Ma” Rainey “Mother of the Blues”
THIS IS A PIECE OF MUSIC THAT HAS A LENGTH OF 12 BARS.
Group Blues tunes The Blues. Commercialism & Exploitation ● Many blues artists didn't believe in commercialism ● Songs spread by word of mouth ● When.
The genre I have chose is R&B… I have chosen R&B because it’s music I enjoy regularly listening too. I like R&B because 99% of the time the lyrics are.
“Lady Sings the Blues” Bessie Smith and the “New Woman” of the 1920s.
Edward Kennedy "Duke" Ellington was born on April 29, 1899, in Washington, D.C. He began studying the piano at the age of seven. He started playing.
A History of “The Blues” General Music Grade 6 The Roots of the Blues Faint echoes of the Blues can be traced to West Africa between the 16 th century.
Race Records and Hillbilly Music. Mamie Smith (1883–1946) “Queen of the Blues” Vaudeville performer “Crazy Blues” (1920)
The Devil´s Music..  Definition.  Origin of the word.  History.  Race.  Role of women.  Louis Armstrong.  Mamie Smith.
Chapter 20: The 1920s Section 5: The Harlem Renaissance.
The Abridged Series.  “Melancholic music of black American folk origin… (which) developed in the rural southern US toward the end of the 19th century,
BESSIE SMITH. VIDEO LINK ABOUT BESSIE SMITH What is jazz? ● Different kinds of American popular and dance music ● Rhythm with stimulating,off beat accents.
History of Rock and Roll
Unit 6: The Jazz Age The 1920’s Culture & Influential African Americans By: Mrs. Laren Carlton SS5H4: The student will describe U.S. involvement in World.
REPORT EXAMPLE (add pictures etc to yours)
Blues.
Chapter 3 The Blues.
Max Gordon Mike Milhem Maynard Wheeler 12/7/12
Period 2, 5, & 6 We will examine the Harlem Renaissance and its impact on America in the 1920’s. Harlem Renaissance Chart Music from Harlem Renaissance.
LIFE & CULTURE IN AMERICA IN THE 1920S
African American Voices in the 1920’s
LIFE & CULTURE IN AMERICA IN THE 1920S
Female Blues & Jazz Artists
JAZZ -Melissa Almeida -María Blum -Víctor León -Diego Maldonado.
Presentation transcript:

Bessie Smith- (April 15th, 1894- Sept 26th 1937) “ There aint nothin’ I can do, or nothin’ I can say, that folks don’t criticize me. But im going do just as I want anyway”

Introduction Known as the Empress of the Blues Performed with Famous Jazz and blues artists such as Ma Rainy and Louis Armstrong Bessie Smith was born in Chattanooga, Tennessee in 1894 Her music stands historically as the exact halfway point between black and white singing styles in the 1920s. (known as vaudeville Blues) or Classic Blues Bessie was a woman with a huge appetite for life and was an unapologetically bisexual woman and alcoholic which influenced her music and life greatly Was a major African American influence and has changed the lives of people as diverse as Billie Holiday to James Baldwin Bessie smith represents the highest point reached by a African American singer in the 1920s

Early Life and Career Bessie Smith was born into poverty in the 1894 Started Performing on street corners and by the age of 9 made her professional debut at the Ivory theater in Chattanooga TN Bessie was Discovered by Ma Rainy around 1912 and took her on the road performing in Olio's and small time traveling tent shows. Bessie was signed to Columbia records in (1923) When her first Hit “Down Hearted Blues” was released it was an immediate success selling over 2 million copies As a result of her hit, she started touring on the best race artist vaudeville circuits booked by the Toby, or TOBA, short for Theater Owners Booking Association Even though she was paid little for the sale of her songs and got no royalties, she still was the highest paid African American entertainer of her time

“Downhearted Blues” (1924) http://youtu.be/nobsWuEScl0

Stylistic Points of Emphasis Please notice the following : 12 bar blues form - Breaks with the piano Chord Changes. The introduction of a predominately urban instrument the piano Notice connection between the African American blues tradition and vaudeville music (style of pianist) The Ability of Bessie’s passionate voice to overcome the primitive recording quality of the time

Mid/ Late Career Bessie smith continued to record steadily throughout the decade of the 1920’s Her summer tent show Harlem Frolics was a big success and ran during 1925-1927, and Mississippi Days in 1928 kept her career momentum going However By 1929 the blues were falling out of fashion and Bessie Smith’s career was on the decline despite being at the peak of her singing powers (age 35)

“Nobody knows you when your down and out” (1929) http://youtu.be/6MzU8xM99Uo

Stylistic Points of Emphasis 12 Bar blues form Clarinet (classic blues instrument) Realism and personal content of lyrics “Bending” of voice to that enabled her to slide up and down different notes of chords Great use of “Melisma” ( the singing of several notes on a single syllable of text)

Death and cultural impact Despite the changing times and tastes Bessie smiths career was on the rise with the towards the end of her life She died in a tragic controversial car accident in (1937) Bessie smiths impact on American music is great with iconic artist still covering her music She impacted many aspects of music including blues, vaudeville, jazz, gospel, musical theater and even film

St. Louis Blues (1929) http://www.youtube.com/watch?v=8Who6fTHJ34

Stylistic Points of Emphasis Call And Response pattern Excellent Diction Ability To improvise Strong Sense of pitch “Growling in voice” Clever use of Musical dynamics The overall power of Bessie's voice Gospel Influence “Lining out” of lyrics

Thank you for your time. Andrew Sheldon Affleck