Public Education and American Culture. Chapter 21, Section 4 Public Education and American Culture How did public education grow after the Civil War?

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Presentation transcript:

Public Education and American Culture

Chapter 21, Section 4 Public Education and American Culture How did public education grow after the Civil War? How did newspapers, magazines, and dime novels reflect changes in reading habits? Why did writers and painters turn to everyday life for subjects?

Public education As industry grew, the nation needed a more educated work force. States improved public schools. Most states passed compulsory education laws that required children to attend school, usually through sixth grade. In large cities, public schools taught English to young immigrants. In the 1880s, Catholics opened their own parochial, or church- sponsored, schools.

The school day The school day usually lasted from 8:00 A.M. to 4:00 P.M. Students studied reading, writing, and arithmetic. Schools emphasized discipline and obedience.

Higher learning Many cities and towns built public high schools. New private colleges for women and men opened. Most public schools had programs to prepare students for jobs in business and industry.

Family learning In 1874, a Methodist minister opened a summer camp at Lake Chautauqua in New York. People gathered each summer for spiritual guidance and lectures on art, politics, and other subjects. By the early 1900s, the Chautauqua Society was sending out traveling companies to 10,000 American towns every year.

As education spread, people read more, especially newspapers. The number of newspapers grew dramatically. Many immigrants learned to read English by reading the newspaper.

Joseph Pulitzer created the first modern, mass- circulation newspaper— the New York World. William Randolph Hearst challenged Pulitzer with his paper, the New York Journal. Critics coined the term yellow journalism for the sensational reporting style of the World and the Journal. Newspapers published special sections for women readers. A few women worked as reporters. Nellie Bly wrote about cruelty in mental hospitals.

Americans also read more books and magazines. Each magazine, such as The Ladies’ Home Journal and Harper’s Monthly, had its special audience. Low-priced paperbacks, known as dime novels, offered thrilling adventure stories. Many told about the “Wild West.” Horatio Alger wrote more than 100 dime novels about poor boys who became rich.

Chapter 21, Section 4 American Writers RealistsA group of writers who tried to show the harsh side of life as it was. They wanted to make people aware of the costs of urbanization and industrial growth. Stephen CraneBest known for a Civil War novel, The Red Badge of Courage. He also wrote Maggie: A Girl of the Streets, about young city slum dwellers. Jack LondonWrote about miners and sailors on the West Coast. Kate ChopinWrote short stories about women breaking out of traditional roles. Paul Laurence Dunbar Was the first African American to make a living as a writer. He wrote poems, such as “We Wear the Mask.” Mark TwainThe most famous and popular author of this period. He used local color to make his stories more realistic. Local color refers to the speech and habits of a particular region. Twain used homespun characters to poke fun at serious issues. He wrote Huckleberry Finn.

Chapter 21, Section 4 American Painters RealistsLike writers, many artists sought to capture local color and the rough side of modern life. Winslow Homer During the Civil War, Homer drew scenes of battles for magazines. Later, he painted realistic images of the New England coast. Thomas Eakins Learned anatomy and dissected dead bodies to learn to portray the human form accurately. He painted sports scenes and medical operations. Henry TannerWon fame for pictures of black sharecroppers. James Whistler His use of color and light influenced European artists. Mary CassattEspecially known for her bright, colorful scenes of mothers with their children.