Jarrett Wold Director of Technology and Platforms.

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Presentation transcript:

Jarrett Wold Director of Technology and Platforms

 Ad-ID - Industry standard for identifying advertising assets across all media platforms  Joint venture of  American Association of Advertising Agencies (4A’s)  Association of National Advertisers (ANA) Ad-ID

 Giving Marketers  what they want  when they want it  and at the lowest price possible Advertising is no longer about

 If you can point to things that  simplify multi platform campaigns  Improve cross platform measurement  Reduce cost  Enable Interactivity  Underpin addressability  You earn a spot as a valued partner Marketers are looking for innovation

Bob Liodice – ANA President & CEO “Universal acceptance of Ad-ID by all marketers, media and agencies will unleash $1‐2 billion in productivity enhancement across the supply chain. Common coding will substantially enrich measurement for all syndicated suppliers.”

Today’s Analog Commercial Slate We’ve outgrown the Analog slate It is cut off before air Either by commercial distributor Or media outlet We need to move to a Digital slate

 Ad-ID is at the center of the industry transition to digital Ad slates  Metadata embedded into files (like iTunes)  XMP Ad-ID Schema developed with Interactive Advertising Bureau & Adobe  Radio, Online Video, Banners, and Magazines  MXF developed with the Advanced Media Workflow Association / Society of Motion Picture & Television Engineers  For Broadcast TV Moving to a digital “Ad Slate”

AD-Id is Advertising Metadata

Standards referencing Ad-ID  SMPTE RP Representation of Ad-ID®  SMPTE RP MXF Ad-ID® Digital Ad Slate  AMWA AS-12 MXF Commercial Delivery  Interactive Advertising Bureau – Video Ad Serving Template (VAST 4.0)  SCTE 130 Digital Program Insertion – Advertising Systems Interfaces  SMPTE RP Using Ad-ID and EIDR as Alternate Identifiers in SMPTE BXF and ATSC PMCP  Ad-ID Digital Ad Slate for XMP Version 1.0

What Is Ad-ID?What Is Ad-ID? Advertising Metadata Marketer related Parent Company Advertiser Brand Product Product Categories Agency Name Commercial related Media Type Medium Commercial Title Definition (HD, SD, 3D) Length Language ABCD XXXXXXX H or D Company Prefix User-Provided (letters, numbers) High-Def or 3D

 Advertisers using Ad-ID represent  84 % of Network Dollars  70 % of Cable Dollars  43 % of Spot TV Dollars  66 % of All TV Dollars  Used by over 600 Agencies  Nearly 1.7 Million ads registered since 2003 Some Ad-ID Adoption Facts

Share by Advertiser size Advertiser SizeNoYesTotalShare %YesShare % $ 500 Mllion %3284% Large ($100-$499 Million) %10463% Medium ($ 26 Million - $ 99 Million) %16237% Sub Total %29847% Small (less than $ 25 Million)324,8021,248325,8920%6490% Grand Total325,0541,634326,5301%9470%

Video Adoption is significant MediaUniverseAd-ID CountShareAd-ID CountShareAd-ID CountShare Video334,000160,81248%186,34356%264,08579% Audio285,00032,41511%33,90912%43,62915% Print170,00011,5847%11,5917%11,4077% Internet Display800,0004,0781%4,7651%6,2091% Out of Home Display50, %2,0074%2,6635% Other50,0002,2525%4,75810%6,54413% Grand Total1,689,000213,60113%243,37314%334,53720%

CLYDE SMITH - SVP NEW TECHNOLOGY - FOX “If you can’t identify it, you can’t operationalize or measure it; if you can't measure it you can't monetize it.”

Media Interoperability

SAG-AFTRA Contract requirement  As of April 1, 2014  All commercials produced for television, radio and digital platforms featuring SAG-AFTRA union members, must use Ad-ID as the sole standard commercial identifier.

Vendor Integrations Commercial Distribution Systems Vendors

The Coalition for Innovative Media Measurement (CIMM) and the Society of Motion Picture and Television Engineers (SMPTE) have partnered for the Open Binding of IDs (OBID) initiative. This will define an open method of directly associating industry standard content identifiers (Ad-ID for ads, and Entertainment Identifier Registry Association (EIDR) for programming) with the audiovisual content itself for a variety of purposes, including audience measurement. How Is This Different? Open ID takes a different approach Detect identifier of what is airing and then do with it what you like. It’s an open standard How it’s used is up to the industry How Do You Develop This? Initially came out of CIMM TAXI Formed Study Group in SMPTE to look at what’s possible Now in Drafting Group to get input from those willing to offer technology, and actu- ally draft standards docs. CoexistenceSince Open ID uses Audio watermarkingCoexistenceSince Open ID uses Audio watermarking inserted at the broadcast facility. that it not interfere with… Nielsen Anti piracy watermarks It’s criticalIt’s critical New Advanced Television Systems Com- mittee (ATSC) 3.0 standard watermark Some Other Requirements Carry either Ad-ID or EIDR Survive across all common distribution platforms Survive recording and playback Detect change in ID within a second Retrieve EIDR within five seconds, Ad-ID within three seconds Be able to replace an ID Insertion and detection at various points Do not degrade perceptible quality Insertion in linear or non-linear Don’t degrade performance of consumer devices Timeframe RFP issued: April 3, 2015 RFP closed: May 4 Meeting in NY for review of submissions: May 20/21 Potential Revisions to Test Plan based on responses: May 28 Self Testing: Aug / Sept 2015 Lab Testing: October 2015 SMPTE Publication: June 2016 SMPTE / CIMM OpenID

Questions?