4.02 elements and principles of design.

Line Color Texture Shape/Silhouette The elements** of design are combined in different ways to form designs. Line Texture Color Shape/Silhouette

The principles** of design are guidelines/rules for using the elements of design. It’s HOW you use the elements** Balance Proportion Emphasis Rhythm

When the elements of design are used effectively according to the principles of design, harmony** results. Harmony: The pleasing visual effect of a design created by tasteful use of the elements of design following the principles of design. Example: **redesigning a room in your house

The Importance of Color Greatest visual impact for the consumer Affects illusions of the size and shape Reflects the personality of an individual Is associated with psychological traits and emotions

Color Hue: (1) The technical word for color**. (2) The name given to a color, such as red or yellow, that distinguishes one color from another.

Color Value**: The lightness or darkness of a color. Tint**: The lighter hue created when white is added to a color. Shade**: The darker hue created when black is added to a color. Intensity: The brightness or dullness of a color. Neutrals: Black, white, beige, and gray. Neutrals can be used alone or with any other colors.

Color wheel

Primary hues. : Red, yellow, blue Primary hues**: Red, yellow, blue. All other colors are made from a combination of these. Secondary hues: Orange, green, violet. These are created by mixing equal amounts of two primary colors.

Intermediate hues: Blue-violet, blue-green, yellow-green, yellow-orange, red-orange, red-violet. Combine equal amounts of adjoining primary and secondary hues.

Warm and cool colors Warm colors: Red, orange yellow. Think of the sun and its warmth***. Cool colors: Green, blue, violet. Think of the calmness*** of the ocean or sky.

Color schemes Plans that can be used to provide harmonious color combinations.

Monochromatic** Different tints, shades, and intensities of a single color. Example: light blue trousers and jacket with a navy blue vest.

Analogous colors Two to five colors that are adjacent on the color wheel. Example**: red-orange, red, red-violet worn together Example**: blue, blue-green, green

Complementary colors Two colors opposite each other on the color wheel. Example: Orange and blue

Split-complementary colors One color plus the colors on each side of its complement. Example**: yellow combines with red-violet and blue-violet.

Triad colors** Three colors that are equidistant from each other on the color wheel. Yellow-orange Blue-green Red-violet

Accented neutral White, gray, black, or beige with a bright color accent. Example: Businesswoman wearing a gray dress with a red scarf.

Psychology of color RED: exciting, aggressive, passionate ORANGE: earthy, warm, hopeful YELLOW: cheerful, sunny, cowardly** GREEN: restful, envious, fresh BLUE: calming, cool, depressed PURPLE: drama, rich, royal** WHITE: innocent, pure, peaceful BLACK: sophisticated, gloomy, mysterious** GRAY: old, sad, modest

Shape The silhouette** or the overall form or outline of an outfit or clothing style. Influences the illusion of size Indicates whether or not apparel is “in fashion” at a given time

Most silhouettes are formed by: The width and length of the neckline, sleeves, and/or waistline. The width and length of pants and skirts.

Basic silhouettes for women’s fashions Straight** makes you look taller Bell-shaped Back fullness (bustle) Basic silhouettes for men’s clothing American or classic cut European

Silhouettes Are always changing in fashion The general direction that a silhouette takes either becoming wider, narrower, longer, or shorter shows a fashion trend. Examples: varying lengths for women’s skirts, varying widths for men’s neckties

Line A distinct, elongated mark that can lead*** the path of eye movement up and down, side to side, or around objects. Feeling of movement Visual direction Helps draw attention to good points and play down the bad ones

Basic types of lines Straight lines: Severe and formal and suggest power and dignity. Curved lines: Add softness, roundness and femininity to apparel.

Directions of lines Vertical lines**: Lines that go up and down. Vertical lines create a taller, more slender look. Horizontal lines**: Lines that go across. Horizontal lines give a shorter, wider look. Diagonal lines: Lines that slant at an angle rather than being vertical or horizontal.

Ways to create lines in garments Structural lines**: Lines formed by the seams, darts, pleats, tucks, and edges when garments are constructed. Decorative lines: Lines created by details added to the surface of clothing including fabric design and trims such as top-stitching, lace, tabs, flaps, and buttons used to decorate the garment.

Texture: The look and feel of fabric**. Create illusions of size Disguise figure irregularities Add interest to a garment *Textures used in apparel should be suited to the occasions for which the garments will be worn.

Texture can be provided in two ways… Structural texture: determined by the fibers, yarns, and the method of construction used to produce a garment. Examples: velvet shirt, striped wool pants Visual texture: The finishes and designs applied to the surface of the fabric. Examples: The print of the fabric can give the illusion of height or width to the wearer. Shiny textures make people look larger because they reflect light.

Examples of textures Corduroy Velvet Denim Satin Cotton Polyester

Balance The principle of design that implies equilibrium or steadiness among the parts of a design or outfit. Balance in garments is produced by structural parts and added decoration. A properly balanced garment appears equal in weight and power of attraction from all sides, from top to bottom, and from front to back.

Formal balance (symmetrical ) One side resembles the other.

Informal balance (asymmetrical) One side is unequal to the other.

Proportion** The principle of design dealing with the relative sizes of all the parts in a design to each other and to the whole. Garment details and accessories should be proportioned for the wearer. Short jacket, long skirt

Emphasis The area of focus in a particular design. Focal point can be used to draw attention or to keep the eye away. Emphasis can be provided through size**, color, texture, structural lines, decorative lines, or accessories***.

Rhythm The pleasing arrangement of design elements to produce a feeling of easy movement of the observer’s eye. Rhythm is what allows the viewer’s eye to move steadily and smoothly through the lines and spaces of the design.

Types of rhythm*** Repetition Gradation Radiation Alternation

Rhythm Repetition: Rhythm created by repeated lines, shapes, colors, or textures in a garment. Gradation: Rhythm created by a gradual increase or decrease of similar design elements.

Rhythm (cont) Radiation: Rhythm created by lines emerging from a central point like rays, resulting in the parts being an equal distance from a given point. Alternation: Rhythm created by alternating elements such as light and dark colors or stripes of two colors or sizes.

To appear taller and thinner Black, navy blue, charcoal, and chocolate brown Monochromatic colors Straight silhouettes Vertical lines Subtle prints, plaids Smooth, flat textures Narrow, matching belt

To appear shorter and thicker (*if you are tall and skinny) Sharply contrasting colors Light, bright, warm colors Wide silhouettes Horizontal lines** Bold prints, plaids Bulky texture Wide, contrasting belt Gathers or pleats

To attract attention White, yellow, orange, and red Bright colors Busy prints Shiny or textured fabric Clingy fabrics

To avoid attention Dark, cool, and dull colors Plain patterns Minimal structural design Earth tones*** No applied decoration