Kyle Burger.  TRIPTYCH  Line  Shape/Form  Space  Value  Color  Texture.

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Presentation transcript:

Kyle Burger

 TRIPTYCH

 Line  Shape/Form  Space  Value  Color  Texture

 Snow Contrast

 Repetition/Pattern  Balance  Emphasis  Contrast (In B&W)  Movement  Unity  Portraits

 He was a Polish American Painter who lived in Chicago  He was trained by the Art Institute of Chicago  He was inspired by cartoons, animations, and the work of his father.

 He works with abstraction and expressionism  He sometimes used oil paints

 I used different hues, saturation, lighting, and coloring effects to create the color of the project, while using a neon filter to outline the hoodie.

 I used juxtaposition by placing a sloth in an astronaut suit and placing a flagpole in his hand  I used feathering to fade the outer space scene with the scene of the clouds.  The mountains in the background are distorted, since they are originally flat. I distorted them to create a circular feel about them.

 Surrealism is the abstraction of reality in art in order to create something that is beyond our perception of the world.  Famous Surrealists: Salvidor Dali, Man Ray, and René Magritte  Surrealism originated in the early 1920s as a result of Dada activities during WW1 and triggered a global art movement.  2 Famous Paintings:  The Empire of Light by Rene Magritte (c ) Salvador Dalí. (Spanish, ). The Persistence of Memory The Empire of LightRene Magritte

 For this image, I took my friend Austin and used dislocation to place him in Da Vinci’s The Last Supper. I used the lasso tool to cut him out from his original image, and used clothes from the art piece and placed them on him using new layers. I then adjusted the saturation to make him look like he fits in the painting. (This image is in no way meant to deface any religion)

 In this scene from The Hangover, I used dislocation to make it appear as though my friend Austin was in the elevator. I used the lasso tool to cut him out from his picture, and then I adjusted the hue to make it match the scene’s lighting. I then made a new layer with Zach Galifianakis above everyone so it looked like Austin was behind him.