Music In the early 1900s.

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Presentation transcript:

Music In the early 1900s

Journal – Scott Joplin

Musical Elements – A review Rhythm Tempo Harmony Melody Form Timbre/Tone Color Dynamics

Key Terms Art music Popular Music World Music Sound Recording Atonality Serialism Sycopated Ragtime Dixie Land Collective improvisation

Changes in Society With Industrialization and urbanization came: phenomenal changes in technology (new products) the advent of instantaneous global communications (telegraph, telephone)

Changes in Music ambivalent attitudes toward the musical past a widening gap between “art” and “popular” music the advent of sound recording (victrola) the birth of a “world music” culture- when music styles from around the world start to blend together

World Music Sample

The Victrola If the function is to play back music, how then could this device actually begin to effect music?

Art Music Art Music refers to musical traditions implying advanced structural and theoretical considerations In other words “serious” music with its roots in classical and ballet.

Changes In Artistic Musical Styles (1900s) Anything goes- composers are beginning to break from tradition all sounds are possible (even no sounds) new instruments and the sounds of popular music have changed the soundscape of the twentieth century rhythms and harmony are being experimented with Improvisation is becoming more popular

Composers of the Twentieth Century Arnold Schoenberg- 1874-1951 Known for his pioneering work: atonality music that lacks tone, timbre or key- (can sound weird or even bad to some) Serialism playing with the order of notes for new sounds Schoenberg - Pierrot Lunaire (1-5) - YouTube

Schoenberg - Pierrot Lunaire 1912

Popular Music Music designed for pure entertainment Often to get people to go to a concert or buy the music What average people are listening to!

Ragtime – 1900-1910 Ragtime is a style of popular music that began in America Its main identifying trait is its ragged or syncopated rhythm. Performing this required great skill, musicians began to “compete” with eachother. less concerned with musical values, designed as they were to reach a large and undiscriminating audience (not as formal as art music)

Composers of the Twentieth Century Scott Joplin syncopation written primarily for piano not improvised but written down contains march-like characteristics bouncy rhythm generally upbeat light melodies and satisfying harmonies

Maple Leaf Rag

New Orleans Style (Dixieland) 1900-1920′s After the Civil War, soldiers in the South pawned their instruments This left a cheap, ready supply of instruments for newly freed slaves. They formed bands and played out on the streets, a tradition still very much alive in New Orleans.

New Orleans Style (Dixieland) 1900-1920′s General Characteristics: three or four wind instruments a rhythm section – some combination of piano, tuba, drums, guitar or banjo trombone outlines harmonic progressions clarinet improvises above and below main melody collective improvisation all instruments solo at once.

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