Early 20th Century styles based on SHAPE and FORM: Cubism Futurism

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Early 20th Century styles based on SHAPE and FORM: Cubism Futurism Art Deco to show the ‘concept’ of an object rather than creating a detail of the real thing to show different views of an object at once, emphasizing time, space & the Machine age to simplify objects to their most basic, primitive terms

Pablo Picasso 1888-1973 Considered most influential artist of 20th Century Blue Period Rose Period Analytical Cubism Synthetic Cubism

Girl Wearing Large Hat Early Work, 1901. Lola, the artist’s sister Early Work, 1901.

Blue Period (1901-1904) Moves to Paris in his late teens Coping with suicide of friend Paintings were lonely, depressing Major color was BLUE!

Pablo Picasso, Blue Nude, 1902. BLUE PERIOD

Pablo Picasso, Self Portrait, 1901. BLUE PERIOD

Pablo Picasso, Tragedy, 1903. BLUE PERIOD

Pablo Picasso, Le Gourmet, 1901. BLUE PERIOD

Rose Period (1904-1906) Much happier art than before Circus people as subjects Reds and warmer colors Pablo Picasso, Harlequin Family, 1905. ROSE PERIOD

Pablo Picasso, La Familia de Saltimbanques, 1905.

Pablo Picasso, Girl With a Goat, 1906. ROSE PERIOD

Much more abstract than before… Pablo Picasso, Composition with Skull, 1908.

Georges Braque, Musical Instruments, 1908.

Georges Braque, Fruitdish, 1908-09.

Pablo Picasso, Three Musicians, 1921.

Pablo Picasso, Les Demoiselles D’Avignon, 1907. “I paint forms as I think them, not as I see them”

Paul Cezanne (Post-Impressionist) Major Influences… Femme de Vert 1909 Paul Cezanne (Post-Impressionist)

Les Demoiselles d’Avignon, 1907. Major Influences… Les Demoiselles d’Avignon, 1907. African Zimba Mask

Major Influences… African Zimba Mask

Analytical Cubism Pablo Picasso, Portrait of Vollard, 1910. Little contrast in color Complex and systematic design Faceted shapes, translucent divisions of space Differing views of the same subject in the same work Invented by Picasso and George Braque- at the same time, but not really in collaboration Retains some sort of depth Pablo Picasso, Portrait of Vollard, 1910. ANALYTICAL CUBISM

Pablo Picasso, Aficionado, 1912. ANALYTICAL CUBISM

Pablo Picasso, Glass and Bottle of Suze, 1912. SYNTHETIC CUBISM

Synthetic Cubism George Braque, Gillet, 1914. Invented by Braque and Picasso Puts forms back together after breaking them apart “Collage” comes from French word for “glue” Foreign materials are pasted onto the design- makes the collage look like a real surface Scraps are changed and painted on, giving them a double meaning George Braque, Gillet, 1914. New Space Concept - first since Masaccio