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TEACHING PRONUNCIATION Калинина Е. А. к.п.н., доцент кафедры филологического образования СарИПКиПРО.

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Presentation on theme: "TEACHING PRONUNCIATION Калинина Е. А. к.п.н., доцент кафедры филологического образования СарИПКиПРО."— Presentation transcript:

1 TEACHING PRONUNCIATION Калинина Е. А. к.п.н., доцент кафедры филологического образования СарИПКиПРО

2 TRUE, FALSE, DEBATABLE 1. T eaching grammar and communicative skills is more important than teaching pronunciation. 2. P ronunciation should not be deliberately taught. 3. R eceived pronunciation (UK) should be chosen as a model. 4. A non-native speaker can’t serve as a model for teaching pronunciation. 5. O ne of the reasons for pronunciation errors is that the learners transfer their native sounds to the second language. 6. T he learners should forget about the native language sounds to learn the target language pronunciation.

3 7777. Correct English speech sounds are more important than intonation. 8888. In order to master the p p p pronunciation it is necessary to sound like a native speaker. 9999. The fastest way to master the target pronunciation is to have contacts with native speakers. TRUE, FALSE, DEBATABLE

4 TTTTHE GOAL OF teaching pronunciation IS…

5 TTTTo develop in learners PHONETIC COMPETENCE which is the knowledge of the phonemes, syllable formation, word stress and intonation.

6 This approach to teaching pronunciation is called approximating.

7 PHONETIC COMPETENCE EEEELISIONS (ABSENCE OF SOUNDS) AAAASSIMILATION (ONE SOUND MERGES IN THE NEXT SOUND). IT IS CALLED “MODIFICATION OF PHONEMES IN CONNECTED SPEECH”.

8 PRONUNCIATION STARTING POINTS: MODEL NEW WORDS IN CONTEXT MODEL NEW WORDS IN CONTEXT MODEL INTONATION MODEL INTONATION USE DIALOGUES AND CHANTS USE DIALOGUES AND CHANTS USE SHADOW READING USE SHADOW READING WORK WITH THE PHONEMIC CHART WORK WITH THE PHONEMIC CHART

9 PRONUNCIATION GAMES PHONEME BINGO PHONEME BINGO ANAGRAMS ANAGRAMS CATEGORY WORDS CATEGORY WORDS

10 CUISENAIRE RODS (“SILENT WAY” APPROACH) Caleb Gattegno THEY CAN REPRESENT DIFFERENT THEY CAN REPRESENT DIFFERENT SYLLABLES, PHONEMES, INTONATION PATTERNS. THEY HELP TO FOCUS ON THE TOPIC THEY HELP TO FOCUS ON THE TOPIC

11 Two types of knowledge  Intuitive (language feeling)  Analytic (knowledge of articulation)

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13 Techniques for teaching pronunciation  Pronunciation drill (listen and imitate, tongue twisters, phonetic description, minimal pair drill)

14 DRILLING: CHAINING: BACK CHAIN CHAINING: BACK CHAIN …told him …Would’ve… …would’ve told him. …I would’ve told him. If I’d seen him… If I’d seen him, I would’ve told him.

15 FRONT CHAIN- the sentence is drilled and built up from the start, gradually adding to its length.

16 OPEN PAIR DRILLING OPEN PAIR DRILLING SUBSTITUTION DRILLING SUBSTITUTION DRILLING

17  A tutor who tooted the flute  Tried to tutor two tutors to toot  Said the two to the tutor  Is it better to toot or to tutor two tutors to toot?

18 Create your own tongue twister  WHO?  WHAT?  WHERE?  WHY? BECAUSE…

19  Mary married a monkey in Moscow at midnight because she was mad.

20 Creative exercises A phonetic task is incorporated in the creative communicative task.

21 Three-phase framework:  Pre-activity (isolating phonetic material, focusing on phonetic material, activating prior general knowledge, motivating the learners)

22  While-activity (performing the task, doing drill, using phonetic means for communicative purposes)

23  Post-activity (reflecting on the results, re-visiting phonetic material, further tasks for classroom or independent studies)

24 HOW DO YOU TEACH PRONUNCIATION?


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