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Chapter 24 Italy & Spain 1600-1700 Baroque & Rococo Art.

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Presentation on theme: "Chapter 24 Italy & Spain 1600-1700 Baroque & Rococo Art."— Presentation transcript:

1 Chapter 24 Italy & Spain Baroque & Rococo Art

2 Caravaggio Tenebrism Naturalized religious imagery Makes viewers active participants Chiaroscuro Dramatic & theatrical

3 Velazquez Major patron king Philip IV (Hapsburg) Wanted prestige, thought of himself as royalty Caravaggio an influence “Las Meninas” most renown of his works Genre painting A Spaniard

4 ROCOCO Came with the French, aristocratic surge of power Softer style primarily seen in interior design Rococo = rocaille = shells & stones which were used to decorate interiors

5 Maderno, Santa Susanna, Rome, 1603

6 Maderno, Saint Peter’s, Vatican City, 1612

7 Aerial view, St. Peter’s, Piazza designed by Bernini, 1667

8 Bernini, Baldaccino, St. Peter’s, 1633

9 Bernini, Scala Regia (Royal Stairway), Vatican City, 1666

10 Bernini, David, 1623

11 Bernini, Ecstast of St. Teresa, Cornaro Chapel, 1652

12 Borromini, San Carlo alle Quattro Fontane, 1667

13 Borromini, San Carlo alle Quattro Fontane, dome, 1641

14 Borromini, Chapel of Saint Ivo, Rome, 1642

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17 Carracci, Flight into Egypt, 1604

18 CarracciLoves of the Gods, 1601

19 Caravaggio, Conversion of St. Paul, 1601

20 Caravaggio, Calling of St. Matthew, 1601

21 Caravaggio, Entombment, 1603

22 Gentileschi, Judith Slaying Holofernes, 1620

23 Cortona, Triumph of the Barberini, 1639

24 Battista Gaulli, Triumph of the Name of Jesus, 1679

25 SPAIN

26 Ribera, Martyrdom of Saint Philip, 1639

27 Zurbaran, Saint Serapion, 1628

28 Velazquez, Water Carrier of Seville, 1619

29 Velazquez, King Philip IV of Spain, 1644

30 Velazquez, Surrender of Breda, 1635

31 Velazquez, Las Meninas, 1656


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