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Baroque Art 17 th Century Italy, Spain, Flanders, Holland, France, England 2 nd ed chap 19 3 rd ed chap 22
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17 th Cen Baroque Characteristics Early Baroque = harsh realism of Caravaggio Academic Baroque = Carracci High Baroque = exuberance of Bernini & Rubens Spanish Baroque = realism & meticulous textures French Baroque = restrained & Classical Baroque of Holland = earthly bourgeois
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Fra Andrea Pozzo
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Fra Andrea Pozzo, Glorification of St. Ignatius,1691-1694 ceiling fresco Pieter Saenredam, Interior of the Choir of St. Bavo’s Church Haarlem, 1660
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Michelangelo Merisi CARAVAGGIO Self Portrait as Bacchus
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Caravaggio, Crucifixion of St. Peter, 1600-1601
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Caravaggio, Conversion of St. Paul, 1601
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Caravaggio, Calling of St. Matthew, c. 1597-1601
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Caravaggio, Death of the Virgin, 1605-1606
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Caravaggio, Entombment
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Caravaggio David with the Head of Goliath, 1606
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Artemisia Gentileschi
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1612-1613 1625
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Caravaggio Artemisia Gentileschi Judith Slaying Holofernes
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Italian Baroque Painting: Overall Stylistic Characteristics Increased sense of naturalism due to contemporizing religious subject matter and using everyday faces-the common man, unidealized, human earthly Dramatic lighting-using clearly defined and specific light sources, often w/in the picture- creates dramatic modeling of form (in chiaroscuro) emerging out of the darkness: tenebrism The use of saturated, intense, dramatic color
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Spanish Baroque Characteristics Make a list Realism and meticulous textures
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Jose de Ribera, Martyrdom of St. Bartholomew 1634 1639
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Francisco de Zurbaran, St. Serapion, 1628
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Francisco de Zurbaran, St. Francis in Meditation, 1639
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Ribera Zurbaran
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Diego Velazquez
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Velazquez Juan de Pareja, 1649-1650Water Carrier of Seville, 1619
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Velazquez, The Surrender at Breda, 1634-35
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Velazquez, Las Meninas (Maids of Honor), 1656
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February 12, 2009 Daily grade Name: _____________Per: ______Teacher: _________ Biographer Giovanni Bellori said about Caravaggio in 1672: “There is no question that Caravaggio advanced the art of painting because he came upon the scene at a time when realism was not much in fashion and when figures were made according to convention and manner satisfied more the taste for gracefulness than for truth. Thus by avoiding all prettiness and vanity in his color, Caravaggio strengthened his tones and gave them flesh and blood.” –Bellori, The Lives of Modern Painters, Sculptors, and Architects. Choose and identify a work by Caravaggio. Discuss the validity of Bellori’s statement about Caravaggio’s work in view of art works that have preceded it.
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Maderno, facade of St. Peter’s
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Francesco Borromini, San Carlo alle Quattro Fontane
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Interior Dome of Church of San Carlo alle Quattro Fontane, 1638-41 Francesco Borromini
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Flanders Baroque Characteristics Make a list
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Peter Paul Rubens
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Peter Paul Rubens, Lion Hunt, 1617-1618
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Peter Paul Rubens, Arrival of Marie de Medici at Marseilles, 1622-1625
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El Greco, Burial of Count Orgaz, 1586
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Annibale Carracci, Loves of the Gods, Palazzo Farnese, 1597-1601, Rome
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Guido Reni, Aurora, 1613-14
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Il Guercino, Aurora, 1621-23
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Reni vs. Guercino Quadro Riportato
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Fra Andrea Pozzo
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Fra Andrea Pozzo, Glorification of St. Ignatius,1691-1694 ceiling fresco Pieter Saenredam, Interior of the Choir of St. Bavo’s Church Haarlem, 1660
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Annibale Carracci, Flight into Egypt, 1603- 1604
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Salvator Rosa, St. John the Baptist in the Wilderness, 1640
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Fra Andrea Pozzo, Glorification of St. Ignatius, 1691-1694
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French Baroque Characteristics Make a list How does French Baroque differ from Italian Baroque? How do these differences reflect the French and Italian temperaments of this time period?
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Claude Perrault, Louis Le Vau, & Charles Le Brun, east facade of Louvre, Paris, 1667-1670
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How does Louis XIV “use” art? How does his use of art differ from the Catholic Church?
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Palace of Versailles
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Nicolas Poussin
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Poussin, Et in Arcadia Ego, 1638
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Poussin, Holy Family on the Steps, 1648
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Lorrain, Embarkation of the Queen of Sheba, 1648
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Hyacinthe Rigaud, Louis XIV, 1701 Poussin, Et in Arcadia Ego, 1638
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Georges de la Tour, Adoration of the Shepherds, 1645-1650
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La Tour, Magdalen with the Smoking Flame, c. 1640
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Baroque in Holland Characteristics Make a list
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Frans Hals, Willem Coymans, 1645
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Frans Hals, Archers of St. Hadrian, 1633
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Judith Leyster, Self-Portrait, 1635
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Rembrandt Van Rijn
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1640 1658 1669
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Rembrandt Supper at Emmaus, 1628-30 Supper at Emmaus, 1648
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Rembrandt, Night Watch, 1642
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Rembrandt, Three Crosses, 1653. Fourth state dry point engraving
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Jan Vermeer
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Vermeer, View of Delft, 1662
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Vermeer, Woman Holding a Balance, 1664
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