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VARARENESANSS ITAALIAS SKULPTUUR
LORENZO GHIBERTI 1378-1455
GHIBERTI, Lorenzo East Door of the Baptistry 1425-52 Bronze with gilding, height 506 cm, width 287 cm (frame) Baptistry, Florence
GHIBERTI, Lorenzo North Doors 1401-25 Bronze Baptistry, Florence
GHIBERTI, Lorenzo North Doors (Life of Christ) 1403-24 Gilded bronze, 457 x 251 cm Baptistry, Florence
GHIBERTI, Lorenzo Sacrifice of Isaac 1401 Bronze relief Museo Nazionale del Bargello, Florence
GHIBERTI, Lorenzo Solomon and Sheba 1425-52 Gilded bronze, 79 x 79 cm Baptistry, Florence
GHIBERTI, Lorenzo Adoration of the Magi 1403-24 Gilded bronze, 39 x 39 cm Baptistry, Florence
GHIBERTI, Lorenzo Last Supper 1403-24 Gilded bronze, 39 x 39 cm Baptistry, Florence
GHIBERTI, Lorenzo Biblical Person (detail from the east door) 1425-52 Gilded bronze Baptistry, Florence
GHIBERTI, Lorenzo Cain and Abel (detail) 1425-52 Bronze Baptistry, Florence
GHIBERTI, Lorenzo Creation of Adam and Eve 1425-52 Gilded bronze, 79 x 79 cm Baptistry, Florence
GHIBERTI, Lorenzo Discovery of the Golden Cup (detail) 1425-52 Gilded bronze Baptistry, Florence
GHIBERTI, Lorenzo Noah and the Flood (detail) 1425-52 Gilded bronze Baptistry, Florence
GHIBERTI, Lorenzo Jacob and Esau 1425-52 Gilded bronze, 79 x 79 cm Baptistry, Florence
DONATELLO St George c. 1416 Marble, height 214 cm Museo Nazionale del Bargello, Florence
DONATELLO St George (detail) c. 1416 Marble Museo Nazionale del Bargello, Florence
DONATELLO David (front view) c. 1430 Bronze, height: 158 cm Museo Nazionale del Bargello, Florence
DONATELLO David (rear view) c. 1430 Bronze, height: 158 cm Museo Nazionale del Bargello, Florence
DONATELLO Equestrian Statue of Gattamelata 1447-50 Bronze, 340 x 390 cm Piazza del Santo, Padua
DONATELLO Equestrian Statue of Gattamelata (detail) 1447-50 Bronze Piazza del Santo, Padua
ANDREA del VERROCCHIO 1436-1488
VERROCCHIO, Andrea del The Young David 1473-75 Bronze, height 125 cm Museo Nazionale del Bargello, Florence
VERROCCHIO, Andrea del The Young David (detail) 1473-75 Bronze Museo Nazionale del Bargello, Florence
VERROCCHIO, Andrea del Equestrian Statue of Colleoni 1480s Gilded bronze, height: 395 cm (without base) Campo di Santi Giovanni e Paolo, Venice
Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.
Chapter 21 Italy comparisons
Lorenzo Ghiberti, Sacrifice of Isaac, 1401, Museo Nazionale del Bargello, Florence, Italy.
Chapter 21 Italy Ch. 21 Italy Main themes and concepts Perspective-linear, atmospheric, horizon line, vanishing point, “di sotto.
AP Art History Early Renaissance Chapter 17: Slides to Use as the Basis of Argument Why is this work significant? Sum it up in a sentence.
Portrait of Brunelleschi after a medal by A.Cavalcanti,
Slide List # 2: Early Renaissance* Sculpture
Lorenzo Ghiberti, North Doors Gilded bronze, Baptistery, Florence (originally installed on the east entrance; Moved to the north entrance in 1452)
Early Italian Renaissance
Gardner’s Art Through the Ages, 13e
Quattrocento Italian Art
Renaissance art review. Masaccio Developed the rules for perspective Distributing of Alms and the Death of Ananias.
Contentious Beginnings: Brunelleschi and Ghiberti.
1443 – Donatello seems to have left Florence late in the year for Padua Il Santo (Basilica of Sant’Antonio), Padua.
Italian. Florence: Sculpture Medici: avid patrons 1 st impt commission was work not of Medici but wool guild for the east end of the baptistry.
A New Movement: Donatello. Renaissance Florence Or San Michele s church Guilds.
Gardner’s Art Through the Ages, 12e
MICHELANGELO Buonarroti Creation of Adam (detail) 1510 Fresco Cappella Sistina, Vatican Web Gallery of Art.
Donatello By Aoifé Gale.
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