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Il Santo (Basilica of Sant’Antonio), Padua
Donatello, High Altar of il Santo (reconstruction) , Bronze Basilica di Sant'Antonio, Padua
Madonna and Child with SS Anthony and Francis
Donatello, Crucifix 1449 Bronze, 180 x 166 cm Basilica di Sant'Antonio, Padua (originally intended for the altar in the center of the choir; presently incorporated into the high altar of il Santo)
Symbol of St. Matthew, bronze
Symbol of St. John the Evangelist, bronze
m Symbol of St. Mark, bronze
High altar of il Santo, view from behind
Lamentation Stone with inlaid mosaic and glazed coloured strips (relief from the back of high altar of il Santo)
St. Francis, bronze
St. Francis, detail of crucifix
Santa Giustina Daniel
St. Louis St. Prosdocimus
Miracle of the New-born Child Bronze, 57 x 123 cm
Miracle of the newborn child, detail
Miracle of the Repentant Son Bronze, 57 x 123 cm
Miracle of the Ass Bronze
Miracle of the Miser’s Heart Bronze, 57 x 123 cm
Musician angels, Bronze panels (presently flanking the central “Man of Sorrows” panel on the front of the high altar)
Donatello, Equestrian Monument to Erasmo da Narni (“Gattamelata”) Bronze, Piazza del Santo, Padua
Four bronze horses from the façade of San Marco, Venice (brought to Venice from Constantinople during the 4 th Crusades
“Gattamelata”, Detail of armour
View of interior of San Lorenzo, Florence
DONATELLO Pulpit (on the left) 1465 Marble and bronze, 137 x 280 cm Church of San Lorenzo, Florence
DONATELLO Pulpit (on the right) 1465 Marble and bronze, 123 x 292 cm Church of San Lorenzo, Florence
Donatello Judith and Holofernes 1457 Florence, Palazzo Vecchio Detail of Holofernes Detail of base relief
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Donatello St. John the Baptist 1457 Bronze, height: 185 cm Duomo, Siena
Donatello, Lamentation before 1456 Bronze, 33,5 x 41,5 cm Victoria and Albert Museum, London
Il Santo (Basilica of Sant’Antonio), Padua. Donatello, High Altar of il Santo (reconstruction) , Bronze Basilica di Sant'Antonio, Padua.
Il Santo, Padua. Donatello, High Altar of il Santo, , Bronze Basilica di Sant'Antonio, Padua.
Donatello he masterfully uses linear perspective in the service of psychological realism he constructs his work by paying careful attention to optical.
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Renessansi maalikunst Itaalias CORREGGIO, GIORGIONE,TIZIAN, TINTORETTO, VERONESE.
Claims—Write a claim that could be used to begin a paragraph about this piece. The more specific your claim—the better. You are responsible for two images—you.
Portrait of Brunelleschi after a medal by A.Cavalcanti,
DONATELLO Amanda Brauer. Donato di Niccolo Bardi, known as Donatello was one of the most influential, artists of the Italian Renaissance. Not.
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Chapter 19 From Gothic to Renaissance: 14th Century Italian Art.
Niccolo dell’Arca Lamentation over the Dead Christ c1463 Painted terracotta Santa Maria della Vita, Bologna.
Equestrian Statue of Gattamelata Bronze, 340 x 390 cm Piazza del Santo, Padua Spinario, 4 th C BC
Lucca Cathedral facade. “Deposition” (lunette) “Nativity/Adoration of the Magi (architrave) Lucca Cathedral Nicola Pisano Before c
POLLAIUOLO, Antonio del Battle of Ten Nudes 1470s Engraving, 428 x 618 mm Galleria degli Uffizi, Florence.
A New Movement: Donatello. Renaissance Florence Or San Michele s church Guilds.
Early Renaissance Sculpture in Florence. Lorenzo Ghiberti – Bronze doors for the Baptistery of the Cathedral of Florence 1401.
Mathematical Perspective Linear Perspective One-Point Perspective.
Quattrocento Italian Art William V. Ganis, PhD.
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Filippo Brunelleschi, San Lorenzo, Florence begun 1421, unfinished 1446.
San Lorenzo, Florence. Palazzo Medici San Lorenzo.
Chapter 19 Italy, Italy about 1400 Nicola Pisano, pulpit from Pisa Cathedral baptistery,
~Lake Oswego Art Literacy~ Michelangelo 1475 – 1564 Italian Sculptor and Painter Portrait of Michelangelo, unfinished by Jacopino del Conte ca. 1540, oil.
The Visual Arts in Florence and Venice Jonathan Davies.
Early Renaissance Art in Europe Humanism Thomas Aquinas ( ) Summa Theologica,
A change in how we look at art Art becomes the means to explore all facets of life on Earth Artists shifted from being anonymous craftsmen to prestigious.
Siena Cathedral, Façade design by Giovanni Pisano.
Gothic. Santa Croce, Florence, Italy. Begun 1294.
Chapter 21 Humanism and the Allure of Antiquity: 15 th Century Italian Art Part 4 Gardner’s Art Through the Ages, 12e.
Chapter 21 Humanism and the Allure of Antiquity: 15 th Century Italian Art Gardner’s Art Through the Ages, 12e.
Antonio Pollaiuolo Monument of Sixtus IV, Bronze, Basilica di San Pietro, Vatican.
Donatello 1 Previous Viewed Previous Viewed. Index 1.Donatello in BrevisDonatello in Brevis 2.Donatello e GhibertiDonatello e Ghiberti 3.Donatello e BrunelleschiDonatello.
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SCENES FROM GENESIS Detail of the Good Samaritan Window, south aisle of nave, Cathedral of Notre-Dame, Chartres, France. c Stained and painted.
Italian. Florence: Sculpture Medici: avid patrons 1 st impt commission was work not of Medici but wool guild for the east end of the baptistry.
1 Chapter 19 Italy, 1200 to 1400 Gardners Art Through the Ages, 13e.
Lorenzo Ghiberti, North Doors Gilded bronze, Baptistery, Florence (originally installed on the east entrance; Moved to the north entrance in 1452)
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