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The building blocks or ingredients of art.
The Elements of Art The building blocks or ingredients of art.
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LINE A continuous mark, longer than it is wide. Ansel Adams
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lines can have many qualities:
As you have seen, lines can have many qualities: They can be curved or straight Vertical horizontal diagonal Thick or thin smooth or rough Light or dark and continuous or broken
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Piet Modrian Lines can be… Perpendicular: lines that intersect creating 90 degree angle Parallel: straight lines that are evenly spaced at all times
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SHAPE An enclosed area; 2-dimensional. Joan Miro
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GEOMETRIC SHAPES Shapes that are regular and precise. They can be measured and have names. Usually have angles (except oval & circle) Examples: squares, rectangles, octagon, circle, etc ORGANIC SHAPES Shapes that are irregular, difficult to measure and do not have mathematical names. Usually free-flowing. Examples: Teardrop, heart, leaf, etc.
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Stan McQueen
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FORM A 3-dimensional object or figure;
Implied form is when something in a 2D artwork appears to be 3D. Jean Arp
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SHAPE VS. FORM 2D D Space Volume
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Ron Barrick Leonardo DaVinci
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SPACE The distance or area between, around, above, below, or within things. Claude Monet Space can be shown through foreground, middle-ground and background (creates DEPTH)
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2 TYPES OF SPACE Positive (the subject) Negative (the background)
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VALUE The lightness or darkness of a color or tone. MC Escher
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TINT: light values of a color or tone.
SHADE: dark values of a color or tone.
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Russell Hart
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COLOR The result of light reflections as seen by the eye.
Alexander Calder
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COLOR HAS 3 PROPERTIES… HUE: the actual color itself (its name: red, blue, green) VALUE: the lightness or darkness (dark red, red, pink) INTENSITY: the brightness or dullness (fluorescent pink vs. pastel pink)
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This is a color wheel. It is used to help in color identification, mixing and choosing.
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TEXTURE Texture is the way something feels to touch.
Implied texture is the way it appears to feel.
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The artists’ “checklist” to creating a strong visual composition
The Principles of Art The artists’ “checklist” to creating a strong visual composition
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BALANCE the distribution of the visual weight
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Balance can be symmetrical (same on both sides), asymmetrical (not the same but similar visual weight), or radial (same around a center point).
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RHYTHM Repetition used to create a sense of visual movement
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UNITY Feeling of harmony; all parts working together
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VARIETY To have change in elements throughout your photograph in order to add interest
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EMPHASIS Focal point; Point of interest
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