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Unit G321 – Opening sequences Narrative Codes. Roland Barthes Influential French Literary Theorist. Developed a theory that there are 5 major codes within.

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Presentation on theme: "Unit G321 – Opening sequences Narrative Codes. Roland Barthes Influential French Literary Theorist. Developed a theory that there are 5 major codes within."— Presentation transcript:

1 Unit G321 – Opening sequences Narrative Codes

2 Roland Barthes Influential French Literary Theorist. Developed a theory that there are 5 major codes within a story that are interwoven in order to create meaning. For our purposes, i.e. to aid our understanding of opening sequences, we’re going to consider just 2 of the 5 codes.

3 The Hermeneutic Code The hermeneutic code – the parts of a story that are not fully explained. They exist as enigmas or questions that the audience wishes to be resolved. A detective story, for example, is a narrative that operates mainly by the hermeneutic code. A criminal act is shown and the remainder of the narrative is devoted to answering questions raised by the initial event.

4 The Hermeneutic Code In order to maintain interest, the final truth is not revealed typically until the end of the story and some devices are used to conceal it: The snare – a deliberate avoidance of the truth – a tease or an implication that sends the audience down a wrong path. Partial answers – revealing some of the final truth(s) – this is used to actually increase suspense. Equivocation – a mixture of truth and snare – usually further muddying the water! Jamming – Suggesting that the problem may be unsolvable.

5 The Proairetic Code The proairetic code – actions that imply further action/reaction. E.g. a character has an argument and the reader wonders what the resolution or outcome of this argument will be. This creates suspense/tension as the audience wonder what the outcome will be and begin to make guesses.

6 How are these codes used in the opening sequences to: Panic Room Saw Children of Men I Am Legend


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