1. Development: bars 101 - 164 The music is based on the opening figure of the first subject The music is based on the opening figure of the first subject 101 – 105: single G minor chord, woodwind chords and scale descending in remote key of F# minor,; violin enters with theme 101 – 105: single G minor chord, woodwind chords and scale descending in remote key of F# minor,; violin enters with theme 103 – 114: first 4 bars of first subject played 4 times in octaves by the violins, each time at a lower pitch 103 – 114: first 4 bars of first subject played 4 times in octaves by the violins, each time at a lower pitch Harmony is chromatic Harmony is chromatic 107 – 114: descending chromatic chords in bassoons 107 – 114: descending chromatic chords in bassoons

2. 114 – 115: in E minor; violas, cellos and bassoons have theme; upper strings play a counter melody (tune against a tune) 114 – 115: in E minor; violas, cellos and bassoons have theme; upper strings play a counter melody (tune against a tune) Melody is staccato against the legato theme Melody is staccato against the legato theme Woodwind (except bassoons) give chord support up to bar 132 Woodwind (except bassoons) give chord support up to bar 132 Horns ad sustained notes Horns ad sustained notes Bar 118: modulated to A minor Bar 118: modulated to A minor Bar 120: D minor Bar 120: D minor Bar 122: G minor Bar 122: G minor Bar 124: C major Bar 124: C major Bar 126: F major Bar 126: F major Bar 128: Bb major Bar 128: Bb major Each time the key rises by a fourth Each time the key rises by a fourth

3. 139 – 164: texture is reduced; 3 note first subject idea is used between woodwind and strings creating a dialogue (talking effect) 139 – 164: texture is reduced; 3 note first subject idea is used between woodwind and strings creating a dialogue (talking effect) 153 – 160: forte; powerful dialogue using 3 note idea between upper and lower strings 153 – 160: forte; powerful dialogue using 3 note idea between upper and lower strings Tension given by pedal (sustained low note) D, which moves to tonic G at bar 166 Tension given by pedal (sustained low note) D, which moves to tonic G at bar 166