1. NARRATIVE STRUCTURE

2. WHAT IS NARRATIVE STRUCTURE? The content of the story (what a story is about) The form used to tell the story (how a story is told) Otherwise known as Story and Plot

3. STORY Refers to the raw materials of dramatic action as they might be described in chronological order in a film Trying to determine the key conflicts, main characters, setting, and events in a movie

4. HOW TO DESCRIBE A STORY Where is the story set? What event begins the story? Who are the main characters? What conflict(s) do they face? What happens to the characters as they face this conflict? Who wins the conflict? What rewards do they receive?

5. PLOT Refers to the form of storytelling, or the structure, the story follows About determining the stages at which key conflicts are set up and resolved. In Hollywood movies, while the stories may change, the plot structure is virtually identical

6. HOW TO DESCRIBE A PLOT How is the major conflict in the story set up? How are the main characters introduced? How is the story moved along so that the characters must inevitably face the film’s central conflict? How is the dramatic confrontation set up as the film draws to its close? How does the film resolve most of the major conflicts set up at the outset?

7. CLASSICAL NARRATIVE STRUCTURE Most Hollywood movies Three-act format to organize the story (linear) Act I – The Setup Act II – The Development Act III – The Resolution

8. ACT I – THE SETUP Introduced to the main characters in the story, their goals, and the obstacles they are likely to face to achieve their objectives. The main conflict in the story is introduced, as well as the major antagonist (the villain) who will stand in the way of the protagonist (the hero) objectives. Also known as the Hook. It sets up the story so that the film engages the attention of the audience and suggests the story’s likely development. Generally takes up about one quarter of a film’s total length.

9. ACT II – THE DEVELOPMENT Plot complications are added to the story. An increasing sense of urgency is created when the main characters encounter obstacles that stand in the way of their journey. Often includes a false resolution to the main conflict set up in Act I. Once the false resolution has been encountered, the action in the movie generally points inevitably toward a necessary climax. Cause-Effect Relationships propel the main characters along. Cause- effect relationships involve actions that force a reaction on the part of some character, leading to a new action and reaction, and so on. Generally occupies the middle two-quarters of the film

10. ACT III – THE RESOLUTION The results of the story’s main conflict come to dramatic confrontation. Called the Climax, it is the point where key struggles are waged and an eventual victor is determined. In Hollywood films, the eventual victor is usually our hero. Following the climax, Closure is introduced into the story, which simply means that all the major conflicts, issues, or ideas in the story are resolved. The so-called “Hollywood ending” is the most popular kind of closure in the classical narrative structure. Films with this kind of conclusion usually close with a sense that the protagonists in the film live happily ever after.

11. NON-TRADITIONAL NARRATIVES Circular Pattern – Chaplin’s Gold Rush Prologue – Cabin – Dance Hall Cabin in Town Dance Hall – Cabin - Epilogue Designed around a central character, Charlie

12. NON-TRADITIONAL NARRATIVES Journey Format – Some Like It Hot Characters taken to new, unexplored places Chicago – Train & Florida – Boat Trip Provides background for the central characters

13. NON-TRADITIONAL NARRATIVES Modernist Narration – Citizen Kane Rejects principles of order, regularity, and invisibility Citizen Kane broken down into 3 segments: Kane’s death and reaction to it; meaning of Kane’s last word “rosebud” Series of flashbacks, determine meaning of “rosebud” Failure to determine meaning; brief (5-6 shots)

14. CITIZEN KANE (1941) Director, star, producer - Orson Welles World’s most famous and highly-rated film Intricate plot; complex and layered visual style Fictionalized William Randolph Hearst – newspaper magnate and publisher

15. CITIZEN KANE (1941) Landmark cinematic and narrative techniques Use of subjective camera (POV) Unconventional lighting Inventive use of shadows & camera angles Dissolves, curtain wipes Deep focus & low angled shots Aging characters Non-linear storytelling

16. BLOG REFLECTION Give a brief review of your thoughts on the film. Why do you think it is so highly rated? Answer one of the following: Discuss the lighting in the film. How does it contribute to the overall mood and impact of the film? Does the lighting change as the film goes on? Examples? Discuss the use of music in the film. How does the mood created by the music change over the course of the film? Examples? Due by 3:00 pm on Friday, September 16