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Articulation and the Vocal Tract Chapter 3 Perry C. Hanavan, Au.D. Audiologist.

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Presentation on theme: "Articulation and the Vocal Tract Chapter 3 Perry C. Hanavan, Au.D. Audiologist."— Presentation transcript:

1 Articulation and the Vocal Tract Chapter 3 Perry C. Hanavan, Au.D. Audiologist

2 Oral Cavity Anatomy Lips Oral cavity Teeth Hard palate Soft palate Uvula Tonsils Tongue

3 Question Which is not a part of the oral cavity? A.Uvula B.Soft palate C.Pharynx D.Lips E.Hard palate

4 Lips Anatomy –FASFAS

5 Question Cupid bow is: A.Upper lip B.Lower lip C.Chin D.Nose E.A novel

6 Facial Muscles Anatomy Facial muscles

7 Question Which muscle helps round the lips? A.Obicularis oculi B.Obicularis oris C.Obicularis oracle D.Obicularis occipital

8 Teeth Anatomy

9 Dental Occlusion Types

10 Hard Palate Anatomy –Oral cavityOral cavity –Hard palateHard palate

11 Soft Palate Anatomy

12 Tongue Anatomy

13 Function of Soft Palate Velopharyngeal port –nasality

14 Passavant’s Pad A prominence on the posterior wall of the naso- pharynx formed by contraction of the superior constrictor of the pharynx during swallowing. Synonym: Passavant's bar, Passavant's pad, Passavant's ridge.

15 Speech Production Phonemes (sound units of language) –Consonants (s, z) Voiced (z) Unvoiced (s) –Vowels (i) –Diphthongs (oy)

16 Production of Consonants Place of production –Where major constriction occurs in vocal tract Manner of production –How consonant is produced Voicing (phonation) –Voiced or unvoiced

17 Place of Production Bilabial Labiodental Dental Alveolar Palatal Velar Glottal

18 Manner of Production Stops Fricatives Africates Nasals Semivowels

19 Alphabet Soup 1.26 letters of alphabet 2.Only list consonants 3.Digraph consonants 4.Other consonants

20 Bilabial Labio-dental Inter-Dental Alveolar Palatal Velar Glottal Stops p bt dk g Fricatives f vӨs zh Affricates Nasals mnŋ Semivowels w hwl rj

21 Male Vocal Tract 17.2 cm Tube open at one end, closed at the other ¼ Wave Resonator

22 Vocal Tract Resonators (Filter) Tube open at both ends –½ resonator Tube closed at one end and open at the other –¼ resonator

23 Vocal Tract (Filter) Approximately 17.2 cm for males 5/6 the length for females Children roughly half the length of adult male Assignment

24 Source-Filter Theory Fo (source produced at vocal folds) Formants (F1, F2, F3, …) created by vocal tract resonance Source which is emphasized and not modulated by vocal tract resonance (F1, F2, F3, shown at left)

25 Formants with Tongue Position More pictorials

26 Vowel Formants

27 Formants Created by Vowel Shapes

28 Vowel Formant Data

29 Adult Male Talker Data

30 Adult Female Talker Data

31 Chart Vowel Formants Acoustics and Tongue Position Video Clip

32 Lip Rounding

33 Vowels Formants

34 Source-Filter Theory

35 Vowel Spectrograph

36 Diphthongs

37 Consonants Intensity (loudness cues) Frequency (pitch cues) Duration (length of sound cues)

38 Audiogram

39 Plotting Acoustic Data on Audiogram

40 Place of Production

41 Speech Production Patterns


43 Vowel Shapes

44 Spectrogram Dimensions


46 Transitions

47 Spectrogram Dimensions

48 Question What is the phoneme in the English language with the weakest energy? A. /l/ B. /r/ C. /s/ D./f/ E. / ɵ /

49 Consonant Data

50 Intensity Data

51 Vowel Formants


53 Sound Source Stops, fricatives and affricates produced in vocal tract as the sound source For voiced stops, fricatives and affricates, there are two sound sources –Periodic laryngeal source combined with –Aperiodic vocal tract sound source Aperiodic sound is produced by two different manners: –Sudden release of air pressure (burst/transient) behind closure Stop/plosives –Turbulence as air rushes through a narrow constriction fricatives

54 Stop/Plosive /p/ /b/ /t/ /d/ /k/ /g/

55 Manner of Production Stops produced with - –complete closure within the oral cavity, –build up of pressure behind the closure and –rapid release of closure with air rapidly expelled

56 Acoustic Events Divided into five components 1.Occlusion 2.Transient 3.Frication 4.Aspiration 5.Transition In practice, it is difficult to differentiate the transient from the frication, thus, this complex is generally referred to as the burst.

57 Acoustic Events occlusion is the period during which there is a stoppage of the airflow during which the pressure increases. It is characterized by silence or the absence of energy. Voiced stops may have low frequency (0 - 500Hz) periodic energy during this phase. transient corresponds to the release of the closure. It is characterized by a spike on the spectrogram of intense energy with a duration of about 10msec. frication component is the result of the combination of high intra-oral pressure being released through a narrow opening at the point of release. aspiration phase is the result of the vocal tract opening even further with turbulence through the glottis rather than the oral constriction. Formants are often present during this phase. transition is the component where formants are present and the oral tract is moving to the position for the following vowel target. In practice it is difficult to differentiate the transient from the frication so this complex is generally referred to as the burst.

58 ACOUSTIC CUES TO THE VOICED/VOICELESS DISTINCTION 1.VOT 2.F1 of vowel following stop/plosive 3.Preceding vowel duration 4.Other cues

59 1. Voice Onset Time (VOT) Voiced and voiceless stops differ in the coordination between supralaryngeal and laryngeal events –Difference is referred to as differences in Voice Onset Time (VOT) Voice onset time is the time that voicing begins relative to consonant release In English, voiceless stops have large VOT values and voiced stops have small or negative VOT values. –Negative VOT occurs when periodicity begins before stop release i.e. during closure English speakers hear a consonant as voiceless if VOT is over 25msec for bilabials, over 35 msec for alveolars and over 40 msec for velars VOT values separating voiced from voiceless stops are language specific

60 1. Voice Onset Time (VOT) Spanish and French make use of prevoiced stops (negative VOT) and contrast these with positive VOT stops. English does not recognize a difference between prevoiced and voiceless unaspirated Thai speakers make a three way distinction for bilabials and alveolars. Voiced, voiceless unaspirated, voiceless aspirated Values also change in context VOT separation decreases for stops produced in sentences compared with initial stops produced in isolated words Stressed voiceless are produced with greater VOT values than unstressed VOT increases when stops occur in Stop Approximant sequences VOT for unaspirated stops (/sC/ clusters) is close to VOT for voiced stops in CV syllables

61 2. F1 for Following Vowel F1 provides important acoustic information about voicing characteristics F1 is very low during complete closure. For voiced stops-- –F1 rises very quickly from burst to vowel target formant position –Rise steepest in open vowels (high F1), and flattest in close vowels (low F1) For voiceless stops –Periodicity (voicing) occurs at least 30 msec later than voiced stops so less of the formant will be pulse excited –By the time pulse excitation begins, F1 has almost reached the vowel target On spectrograms, voiced stops characterized by a voiced, rising F1 transition which is NOT present in voiceless stops due to –pulse excitation begins later in the transition for voiceless stops –aspiration requires open glottis which (due to the large resonating sub laryngeal chamber) causes an attenuation of F1 For VC syllables— –F1 should fall sharply into the closure for voiced stops –Offset frequency should be higher for voiced than voiceless stops

62 3. Preceding Vowel Duration Duration of vowels before voiceless stops is shorter than before voiced stops. 52-69% shorter vowel duration before voiceless than voiced stops –Examples: Pop vs. Bob

63 4. Other Voiced stops have voicing/periodicity during closure when in intervocalic or postvocalic position Duration of intervocalic closure provides an additional cue to voicing Closure greater for voiceless than voiced e.g. rapid vs. rabid Onset frequency of Fo higher following voiceless than voiced stops. Burst intensity of voiceless stops greater than voiced stop.


65 Aspiration When /p,t,k/ followed by /r,l,w,j/ aspiration manifests itself in the devoicing of the approximants "please", "try", "clean", "pew" In final position and in unstressed syllables aspiration is weak When /s/ precedes /p,t,k/ initially, there is no aspiration

66 Closure /b,d,g/ only fully voiced during closure when occurring intervocalically

67 Release Generally, stops have a release stage in the form of aspiration or as a following vowel. However, there are instances where the release does not occur No audible release in final position: e.g. rope/robe No audible release in stop clusters: e.g. dropped, locked, good boy Glottal reinforcement of final voiceless stops: –Nasal release: If a stop is followed by a homorganic nasal in the following syllable, the release of air is usually via the nasal cavity. e.g. topmost, submerge, cotton, not now, red nose –Lateral release: When the homorganic stops /t,d/ occur before /l/ they are released laterally. The tip remains in contact with the alveolar ridge but one or both of the sides is lowered allowing the air to escape. e.g. cattle, medal, atlas

68 Place of Production Place of articulation for stops determined by 1.burst 2.transitions

69 Burst Burst is combination of transient and frication phase –Provide information for place of production –Frequency spectrum for alveolars and velars results from resonance of cavity in front of tongue constriction Alveolars--front cavity is small and place of production doesn't alter greatly under influence of different vowels Velars, front cavity shape varies greatly with different vowels Three important parameters of burst that allow one to differentiate the place of production of stops: 1.Energy level 2.Spectral centre of gravity (frequency location of main energy concentration) 3.Spectral variance (whether the spectrum lacks peaks or has multiple peaks)

70 1. Energy Level Alveolar stops have the most intense bursts Bilabials have weakest bursts –Due to lack of resonance for bilabials as no front cavity to amplify the sound Little difference between alveolar and velar

71 2. Center of Gravity Bilabials lack any main resonance in the 0-10kHz range as there is no front cavity so characterized by gradually falling distribution of energy throughout frequency range Alveolars - broad distribution of energy in the burst characterized by prominence about 1.8 kHz and another rise between 2.5 -4.5 kHz Velar - compact concentration of energy in middle of spectrum which varies according to F2 and F3 of following vowel Frequency position of energy for velars derives from the cavity in front of tongue constriction Prevelar (before front vowels (/kip/, /gis/), compact energy distributed around center frequency of about 3 kHz Postvelar (before back vowels(/ko:t/, /go:d/) compact energy distributed around center frequency of about 1 kHz High frequency bursts = alveolar 3kHz to 4kHz Low frequency bursts = bilabial 350Hz (but higher for front vowels) Bursts with energy slightly above the F2 for the following vowel = velar e.g back vowels = low F2 :700Hz, front vowels high F2: 3kHz

72 3. Formant Locus & Transitions The locus theory proposes that the place of articulatory closure for each of the three places of articulation is relatively fixed regardless of following vowel and that this articulatory invariance has its acoustic correlate in the starting frequency of the second formant. Even though the formants may not reach the actual locus position they will still point to it. Once we know the locus frequency we should be able to predict the slope of the second formant transition if we know the following vowel formant frequencies. Therefore: The locus for /b/ is low (720Hz) and most vowels would have an F2 value greater than that then the transition will be rising in /bV/ syllables. The locus for /d/ being at 1800Hz means that for central and back vowels F2 will fall in /dV/ syllables but will be level or slightly rising in /di,dI,de/. Only the alveolars can be considered to have a relatively stable locus at around 1800 Hz. Cassidy and Harrington (1994) found that the variability in F2 onset frequency is least for /d/ followed by /b/ then /g/.

73 3. Formant Locus & Transitions For bilabials and velars, there is not an invariant locus value as modifying following vowel will produce large changes in formant frequency values –For instance, for bilabials F2 and F3 will have rising transitions before front vowels but F2 will be falling before back vowels When F3 information is included, better picture of how the stops cluster F2/F3 plots show tendency of three clusters corresponding to bilabial, alveolar and velar –However there are examples of bilabials which are potentially confusable with velars preceding back vowels – If we examine the change in F2 relative to the change in F3 (the difference between the formant value at onset and the value at the vowel target) then these bilabials are well separated Cannot separate place of articulation on just one dimension such as F2 locus. –Several variables are required to give the whole picture Locus is not invariant as it changes substantially as a result of coarticulation

74 Stops Produced with a closure within the oral cavity, a build up of pressure behind this closure and a release of the closure allowing the air to be rapidly expelled. Acoustically these events can be divided into five components: 1.Occlusion 2.Transient 3.Frication 4.Aspiration 5.Transition More info

75 Plosives Manner of Production

76 Fricatives

77 Fricative production involves two articulators being brought together and held close enough for the escaping air to become turbulent creating an aperiodic (noise) sound. Maybe be voiced or unvoiced. The closure phase of fricatives is characterized by the continuant noisy aperiodic component. The characteristics of the noise are the result of the position of the constriction, the shape of the orifice, and the aerodynamic forces of the air stream. Acoustic characteristics include: High frequency hiss, long duration, weak to moderate intensity

78 Unvoiced Fricatives

79 Sliding from /s/ to / ʃ /

80 Affricates Stop with a fricative release – but palatal. Combination of stop and fricative characteristics. Closure, burst followed by short silence then frication. Affricates have shorter rise time than fricatives. –Rise time is the time from onset to peak intensity of frication. Affricates distinguished from fricatives by presence of closure and by duration of noise which is longer for fricatives. Shorter the duration of noise, shorter the silence necessary to elicit affricate response.

81 Affricates

82 Question Which consonants are characterized by antiresonants? A.Plosives B.Fricatives C.Affricates D.Nasals E.Semivowels

83 Nasals Like the oral tract, nasal tract has its own resonant frequencies or formants. Most commonly reported nasal formants occur at 300Hz, 1kHz, 2.2 kHz, 2.9kHz, 4kHz. Antiresonances enter whenever there is a side branch in the main acoustic pathway. An antiresonance or zero serves to decrease the spectral energy at specific frequencies by absorbing the sound at or near the antiresonant frequencies. These cumulatively have effect of reducing the total amplitude of the sound generated.

84 Nasals

85 Formants / Antiformants

86 Nasal Antiformant

87 Approximates (Semivowels) Approximants are consonants most similar to vowels in their articulation and hence their acoustic structure. Articulation involves one articulator approaching another but without the tract becoming narrowed to such an extent that turbulent airflow occurs. Like vowels, approximants are: highly resonant produced with a relatively open vocal tract characterized by identifiable formant structures continuant sounds since there is no occlusion or momentary stoppage of the air stream non turbulent due to lack of constriction voiced sounds

88 Semivowels

89 Question Which of the following are glides? A.l B.r C.j D.w E.A and B F.C and D

90 l and r

91 Glides

92 VOT

93 Connected Speech

94 Place of Production Cues

95 Manner of Production

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