1. Advertising: Layout & Semiotics

2. Page Layout Primary Optical Area Fallow Point
We read from top to bottom, left to right.
Fallow Point
Terminal Anchor

3. The Power of Grammar: 101 Grammar
“Mummy, the milk was spilt on the table.”
“Bombs were dropped on Bagdad.”
The use of passive syntax in the intention promoting verbs removes agency from a statement.

4. The Power of Grammar: 102 – Weasel Words
Another example of the power of verbal language to influence meaning is the use of ‘weasel words’. These words act like a weasel, an animal which can suck the yolk out of an egg but leave the shell intact. These words ‘suck out’ the validity of any claim they precede, but sound like they’re affirming them:
“Helps fight the seven signs of aging”
The word ‘helps’ from this Olay skin cream slogan sounds good on its own, but really means that the product doesn’t have to ‘fight the seven signs of aging’ – it only has to help a bit!

5. Semiotic Analysis tree Semiotics
Language uses signs that are made of random connections between
signifiers – sounds like “ ”
and
signifieds – ideas in our head “ ”
tree

6. Semiotics
It is the role of advertisers to create distinct signifieds for a product
This printed advertisement juxtaposes (puts together) two key signifiers
French actress Catherine Deneuve (whose name appears in small type)
The plain image of a bottle
It is the role of advertisers to differentiate similar products from each other, and they do this by associating a product with a specific set of social values - in semiotic terms, creating distinct signifieds for it.

7. Signified = French chic, sophistication, elegance, beauty and glamour
Semiotics
Signified = French chic, sophistication, elegance, beauty and glamour
It is the role of advertisers to differentiate similar products from each other, and they do this by associating a product with a specific set of social values - in semiotic terms, creating distinct signifieds for it.
Signified = Chanel No. 5 perfume

8. Semiotics
This advertisement from a French magazine communicates a myth of authentic Italian-ness through the use of ‘signs’.

9. A sign = signifier + signified
Semiotics
Italy = colour (red, white, green) + national flag
Authentic lifestyle = market vegetables + healthy freshness
Bountiful nature = open string bag + cornucopia

10. The semiotics of layout
The diagram on the right represents an analytical framework developed by Gunther Kress & Theo Van Leeuwen for analysing graphic layout, where positioning acts as a signifier that is given particular signified meanings by our culture’s left-to-right and top-to-bottom reading conventions.
Additionally, the gaze of any human figures in an image create lines of sight or ‘power lines’ that have particular effects on the reader of such images.

11. Semiotics
The musician’s gaze creates a ‘power line’ that draws our attention to the ad’s caption.
Positioned in the top right corner, the ad caption “we see” carries the ‘signified’ of an idealised future or ‘new ’ idea
Reading above the horizontal, these chalk images of gold and platinum record awards carry the ‘signified’ of a motivational ‘ideal’
Positioning the laptop near the axis of the ad’s layout gives Microsoft a signified of central importance
Reading from the bottom left, the garage musician carries the ‘signified’ of a realistic starting point or ‘given’
Positioned in the bottom right corner, the Microsoft logo and slogan carries the ‘signified’ of a ‘new ’ grounded reality

12. The model’s face is situated in the top right, signifying a new idealised woman.
Her direct gaze confronts the reader, affirming the caption’s self-confident first person address and challenging women to emulate her.

13. Ideal & Real
IDEAL
REAL

14. Given & New
GIVEN
NEW

15. Online examples of semiotic analysis
“Semiotic Analysis of Magazine Ads for Men's Fragrances” by Alexander Clare “Semiotic Analysis of Teenage Magazine Front Covers” by Siân Davies “A Semiotic Analysis of Four Designer Clothing Advertisements” by Rebecca Stone