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Adding Sizzle and Stationality to Your Station

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Presentation on theme: "Adding Sizzle and Stationality to Your Station"— Presentation transcript:

1 Adding Sizzle and Stationality to Your Station
Steve Hunter E.W. Scripps Company

2 Needs to Cut Through the Noise
Lots of competition We all can play the same songs You need to stand out from the rest Radio Imaging sonically brands the radio station!

3 What are you famous for? Best Music? New Music? Most Music? News, Weather, or Traffic? Morning Show? Great Personalities? Content?

4 A Great Station Can Be Set Apart From the Competition
Imaging On-air presentation Great writing Excellent production value Memorable production Great Personalities Benchmarks Features Specialty Programming Themed Weekends

5 What We Learned from PPM vs. Diary
What we thought when PPM first started What was the reality? Comes down to great programming and recall People still control the radio dial

6 What Has PPM Taught Us? How people really use the radio
How long do they really stay with us What makes them tune in What makes them tune out When they are actually using the radio Set appointments to listen

7 In the Diary World of Nielsen
Is your product compelling? Is your product memorable? They don’t carry their diaries with them It comes down to what they think they were listening to Will they remember what to write down?

8 It still comes down to having a compelling, entertaining, and memorable product!

9 Breaking Down Your Imaging
What does it say about your radio station? Does it sell the KEY benefits of your radio station? Is it memorable? Is it based on fact? Is it truthful? Does it set you apart from your competitors? Put a value on the air-time that you use to sell your station

10 Writing Your Imaging Write the headline
What is the message trying to sell? Is it written in the language for the target audience? Identify the most creative writers in your building Make it a team effort Play it for people in the target before it airs Have a calendar of upcoming events

11 Types of Imaging Quick Breaks/Shotguns – Keeps forward momentum of station Sweepers – Sells image of station, features or artists Promos – Contesting, events and station image Stager –Weather, traffic, breaking news intro Music stagers – Always best when using listeners or artists Jingles Very important to balance them on your clock

12 Choosing the Right Imaging Voice
Do they fit your station? Do they cut through? Do they have different reads? What is their availability and turn-around time? Do they define your brand? Be prepared to stick with them The answer isn’t to always change the imaging voice

13 Starting With Bad Examples
Not Creative Doesn’t grab your attention Can’t hear the station name Waste of a valuable position on your clock

14 What Was Wrong? Bad Writing Bad Processing Bad Mixing

15 What Was Wrong? Good writing Bad VO Processing Bad Mix

16 What Was Wrong? Good writing
Choosing the wrong music for the target demo

17 Good Examples – Concert Promo
Good writing Big Concert Promo Hits the core demo of the station

18 Good Examples – Christmas Wish Promo
Good writing – Makes the listener feel good Touches Listeners Hits the core demo

19 Good Examples – Station Image Sweeper
Good writing Memorable Patriotic Creates Emotional Bond

20 Good Examples – Party Station Artist Sweep
Good use of energy Straight to the point Use of CORE artists

21 Good Examples – Concert Giveaway Promo
Big concert promo Grabs attention Keeps them listening

22 Good Examples – Friday Night Live Sweep
Quick and to the point Doesn’t waste time Great energy

23 Good Examples – Localizer Quick Break
Sells the position and name of the station Local Good station voices

24 Good Examples – Image Definer Sweeper
Defines and sells the image of the radio station Good use of song hooks Well produced

25 Good Examples – Artist Setup Sweeper
Power intro Sells new music Short and to the point Uses the artist to sell their song

26 Good Examples – Artist Promos
Sells the music Centered around your artists Well produced Sells the station image

27 Good Examples – Artist Promos
Sells the music Centered around your artists Well produced Sells the station image

28 Good Examples – Artist Promos New Music
Sells the music Centered around your artists Well produced Sells the station new music image

29 Good Examples – Specialty Weekend Promo
Sells your music image Fun image Well written

30 Good Examples – Listen At-Work Promo
Sells your at-work image Reflects stationality Uses music hooks to sell image

31 Good Examples – Hurricane Update Stager
Attention grabbing Very topical Urgency in the writing Urgency in the read Something important is about to happen

32 Good Examples – Listener Lunch Promo
Fun feature Well written Funny

33 Good Examples – T.S.O. Christmas Promo
Well written Funny Promotes the website

34 Good Examples – Jingle Ball Teaser Sweeper
Creates excitement Well written Uses artists Topical for fall

35 Good Examples – At-Work Sweeper
Funny Sells at-work Memorable Short

36 Good Examples – Cash Contest Promo
Very PPM friendly “after this” Well produced Well written Short and to the point

37 Good Examples – Artist Sweeper
Uses the artists to sell your station Well themed Short in length

38 Good Examples – Listener Quick Break
Uses listener audio Sells new hit music image Really quick

39 Good Examples – Listener Sweeper
Uses listener audio Sells your music image Really quick

40 Resources to Help Imaging resources Writing Mix Group
Digital Sound and Video Benztown Reelworld Production Vault Mediabase Tuned-In Share resources in your company Staff brainstorming Mini-focus groups

41 Monitoring Your Station
Are you selling the key benefits of your station in every quarter- hour? Is your clock well balanced (sweepers, quick breaks, promos)? When someone tunes in – do they know what makes your station special and unique? Will they remember what station they were listening to? Are you giving your listeners a good experience?

42 Steve Hunter – Operations Manager
Imaging Questions Steve Hunter – Operations Manager Scripps Media Tulsa


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